IDA Folder – Kontrast 23.09.25

Dieser Track ist ein musikalischer Aufbruch.
Es ist ein weiterer Track aus dem Album "Gesellschaftsirrsinn". Gesellschaftsirrsinn ist ein musikalischer Zyklus aus Trance- und Techno-Elementen, der die Aufgeregtheit und Paradoxien unserer Gegenwart hörbar macht. Jeder Track ist ein akustisches Fragment unserer Zeit: von chaotischem Gebrabbel (Werbeslogans, Marketing-Blasen, Influencer-Geschrei) und aggressiver Energie (Kaufrausch, Wegwerfmentalität, Markenkriege) über hybride Klassik-KI-Momente bis hin zur nüchternen Suche nach Wahrheit. Die Musik wird zum Spiegel gesellschaftlicher Kurzschlüsse, zum musikalischen Zeugnis von Wut, Überforderung und Sehnsucht nach Reinheit.
Dieses Projekt versteht sich als Sound-Memorial: ein dokumentarischer Kommentar in Beats und Sequenzen, der die fragile Balance zwischen Spiel, Ernst und technischer Überformung festhält. Leitmotive und kurze, prägnante Sätze begleiten die Stücke wie Mottos und sie verdichten die Irritationen und Widersprüche unserer Zeit in rhythmische Schlaglichter.
Produziert mit Ableton Live.
© SonicPatcher 2025

Dieser Track („Like Klassik oder so“) ist urheberrechtlich geschützt. 
Eine Verwendung in DJ-Sets, Streams, Remixes oder anderen kommerziellen Kontexten ist ausschließlich nach vorheriger Absprache mit mir erlaubt. 
Bitte nehmen Sie Kontakt auf, bevor Sie den Track einsetzen oder weiterverarbeiten. 
Unautorisierte Kopien oder Bearbeitungen verletzen meine Rechte und können rechtliche Schritte nach sich ziehen. 
Ich freue mich über Interesse – aber faire Nutzung bedeutet, dass wir vorher miteinander sprechen.
Wenn Sie Interesse an einer Lizenz, Remix oder kommerziellen Nutzung haben, melden Sie sich bitte direkt bei mir: sonicpatcher@web.de.

Usage Notice:

This track ("Like Klassik oder so") is protected by copyright.
Use in DJ sets, streams, remixes, or other commercial contexts is only permitted after prior agreement with me.
Please contact me before using or modifying the track.

Unauthorized copies or edits infringe my rights and may lead to legal action.
I appreciate your interest – but fair use means we talk first.

For licensing, remix requests, or commercial use, please get in touch directly: sonicpatcher@web.de

Like Klassik oder so

https://www.youtube.com/watch?v=tRGPaNxgzpU

Mix/Master
Cover Art
Visualizer

All By Meh.

Mind can only hold so much, nahh fr...
We see what’s right in front, can’t catch the whole motion, type shit.
One man’s story mean somethin’, a million don’t mean nothin’, you feel me?
Symmetriad move like God’s math, billion moves in sync, no cap.
We just ants inside breathin’ steel halls, tryna see the light hit them walls, shii crazy.
Hear one string from an orchestra of giants, nah for real.
It’s a symphony in geometry...
we just ain’t got the ears to hear it, on gang.

🤣

KONTRAST

This album is based off the concept of a nightmare turned real or so it seems.

Sound Pictures COPYRIGHT.

"Light At The End" was released July 22, 2012.

Special shout out to my family, fans, and friends i would be nowhere and nothing without yal.
All Love. Special thanks to family & friends. Beats produced by Kerz Uno, Logan McClure, Paul JR. of Fresh Breath Committee, Chris Dominquez, Mc. Nett, beastbymarkus.com. OneLove World. 2012

All rights reserved.

L.A.T.E. - (ft. Kontrast)

Improvisation with 3 instances of Dawesomes new Synth Kontrast

exp_mntal

I am in after being convinced by Richard and some other equally friendly OSC friends. Thanks!
https://www.kvraudio.com/forum/viewtopic.php?p=9156348#p9156348

DAW: Reaper 7.52
Kontrast: 10 instances
plugins: Sparkverb, Body and Soul Intro, Nasty DLA m3, Shade, Frank CS
Mastering: smartLimit and smart EQ4 by Sonible

Iceberg Ahead (OSC #201)

Made for the One Synth Challenge 201 (https://sites.google.com/site/kvrosc/2025/osc-201-kontrast) using only Dawesome Kontrast for the sounds.

Kontrast x18
Bitwig 5.3.13
Bitwig FX: Delay+, Dynamics, EQ+
Other FX: Pro-Q4, Pro-C 2, Raum, Uhbik Ambience, Presswerk, Trackspacer, Limiter 6, Satin, TDR Nova

z.prime - Truth

Composition, Production, Sound Design done By myself.
2 Patches based on Preset, but modified. 
(The Melody is based on TSOMs great Duduking preset, but with added noise and roughness)

Only The Speech sound uses a self recorded sample that is linearly played, the sound is still strongly modified by Kontrast.

Image as usually made by me. 

Thnx to z.prime for final checking and some helpful tips.


Made in Ableton Live 12.3 with:

Kontrast 			17x

Neutron 4 		5x  (without the anyway bad Automatic)
Boba 			1x
Bus PEAK 			4x
Glue Comp 		5x
EQ Eight 			3x
Utility 			2x
Shade 			3x


Fbr - OSC201 - wrld! d#mntn

"For in that sleep of hibernation, what dreams may come?"
This month's synth is the powerful and slightly odd Kontrast by Dawsome. This track started out as something approximating a melody bashed out on the Exquis. The chords were derived from that and here we are. This month was the turn of Tracktion Waveform Pro 13 and only eight instances of Kontrast. It's easy to produce harmonically rich patches with this synth so that seems to have kept the track count down. The percussion was done with a single patch using the sequencer. Kontrast comes with usual extensive collection of effects built in so only the following external plugins were used:

- the usual Clip to Zero combo of dpMeter5, Blue Cat Gain3 and KClip3
- Hornet ZeroEQ: giving this a shot to see how it performs
- Hornet ZeroComp as above
- bx_masterdesk Pro
- iZotope Tonal Balance
- Master the Mix Levels

Wavetables were generated from Taron's brilliant Wavetabling and the Gimp. I used a few of the factory wavetables too. All patches from init although some of them were started with the randomizer.

Sleepy Time for Terence

www.facebook.com/KaiTorres.dj
www.instagram.com/torritorsen/

chaos in the cbd – mariana trench
oliver dollar, apropos & boog brown - what cha` gonna do
bonetti & lee wilson - under the moon (we dance) (scott diaz dub)
leyo – that´s why
randy rizzo – virtually yours
cody currie – fade to black
anotr, cimafunk & pamé – currency
vincent caira – soulution
blackchild (ita) – so good (heat mix)
evenn – rc groove
mark knight & armand van helden – the music began to play
shan & gerd janson – surrender
cavi & emzy – the only thing
adele.be – funkin 4 two
tiger & woods – moodswing
girls of the internet & james alexander bright - you´ ll come around

Luv #12

Kai Torres - Luv #12

The Sound of Merlin is about sharing the passion for music and sound. About sharing knowledge and experience. The sheer fun of making music together. The magic of it all.

Soft synth noodlings with a bit of hardware design on the side....

SonicPatcher ist mein Raum für Techno und Trance – energetische Grooves, präzise Strukturen und klangliche Entdeckungen. Alle Tracks sind Demoversionen und stehen zur Lizenzierung bereit. Kontakt: sonicpatcher@web.de.
© SonicPatcher 2025 – Größtenteils handgemachte Qualität statt aufwandsarme Quantität.

In 1978 a german mother and her puertorican man decided to give birth to a little boy called Kai Torres. His father's passion was music, especially experimental shit and mixing vinyl. Instead of telling stories or playing tapes of fairytales, the evening sessions were affected by feeling the beat and getting involved in the deep fervor of music. So Kai began to get familiar with electronic music in the early 90s and started to dub his first tapes for friends. Therefor he had to use his father's equipment even after he was able to buy his first own record player. The more he grew up the more he found friends in his neighborhood and his down to the present day partner and friend Oliver Flohr (a.k.a. Flizz). Oliver was also highly inspired by Hip Hop and electronic music. This was the birth of the collaboration between Kai and Flizz and they spent a lot of time in working with beats or rather cutting and dubbing them for friends. Both of them were known for innovative and emotional sets in their circle of friends but as time goes on other people got attentive to them. It was time to rock parties, first in small spheres but shortly after that in regional clubs as a real DJ. Kai could socialize with many folks and even national clubs and organizer were interested in him. Later he started to arrange his own parties in cooperation with Flizz and their friends while Oliver put his focus on producing substantial Hip Hop beats which he was able to take to various mixtapes in the US (DJ Soulless presents …). At that time both of them combined their Know How, whether flowing Hip Hop beats or electronic nightlife, and thus produced House & Techno with a touch of Soul and Black music. In 2004 they made it to the very popular festival „Phunkadelic Nites“ in Idar Oberstein. By now for about twenty years of being a team Kai & Flizz are still working on tracks and playing their sets at House parties known as „Radaubrause“ around Mainz (Germany), always fulfillig the crowd's needs and obsessions. 


(SpiL) is an endless creative musician constantly at work. Most fluent in the art of hip-hop and RnB however, SpiL has various complimentary styles of musical ability which can be found in other full albums as well. Touring and performing shows religiously as well as performing in live band concerts. 
"Light At The End" and "Inside Out" plus many other Albums are available for download at SpiL.Bandcamp.com

"Connections" Available Now! 
Thank You For Listening!

Check out the newest video!!

https://www.youtube.com/channel/UC5AgPT9rHAj6CfHMQG9BrRA

OneLove.

BLUEMONEYSOSA - DESEO 🌀

#fulltimeexotic 🌴

Internet radio based in Tallinn, Estonia and Helsinki, Finland.
Stream us live here: www.idaidaida.net

New tracks tagged #Kontrast