Beethoven: III. Allegro piacevole. Sonata Op.12 No.2 in A major for piano & violin. Re-read & transcribed  Aug.27, 2024 for two pianos by VV on/after a sequence of H.Fesefeldt (1942-2019, a German scientist in nuclear physics, and musicsoftware developer) from ca 2010's.
Photo by VV.

L.v.Beethoven: III. Allegro Piacevole. Sonata No.2 In A major p&v. Transcr. for two pianos

L.v.Beethoven: III.Allegro piacevole. Transcr. for two pianos of Sonata No.2 in A major for p&v.

L.v. Beethoven Adagio Cantabile.  Sonata for piano & violin Op.30 No 2.
Read & tanscribed For Two Pianos by VV Oct.3-5,2024.
A reading into a sequence of H.Fesefeldt was used as source material, but its articulations, tempos, and other interpretational details were reviewed, modified, and set by VV. A pair of modeled grand pianos, Petrof Mistral 284, were used on its recording, revoiced, and the rec.setup made by VV.
Photo by VV.
Any kind of commercial use of this track is prohibited.

Beethoven Adagio Cantabile. Transcribed For Two Pianos By VV. Mvt 2 Of Op.30 No 2

L.v. Beethoven: II.Adagio Cantabile.M.2 of Sonata f. P&V Op.30 No 2. Transcr f. Two Pianos by VV.

Beethoven: String Trio op.3- V.Menuetto. Moderato & Trio
  VI. Finale.Allegro. 
Read, transcribed  & reproduced for two pianos by VViljanen Dec 21, 2024, and Jan7, 2025, on a now carefully reviewed, and rearticulated, and rewritten previous score sequence of H. Fesefeldt (1942-2019, a German nuclear physics researcher, and music software developer) from ca 2010's.  Now, a pair of Petrof Mistral 284 modeled grand pianos were used on its recording, the instruments revoiced & reconfigured, as well as the rec setup made by VV.
Photo 'Lapintiira' by VViljanen

Beethoven: Trio op.3-Finale.Allegro. Transcribed for piano by VV

L.v.Beethoven: V. Menuetto & Trio. VI. Finale. String Trio No.1 op.3. Transcr. for two pianos

L.v. Beethoven: IV. Adagio of String Trio No. 1 op.3. Transcribed for two pianos by VV,
 Jan 9-15, 2025. 
A pair of Petrof Mistral 284 modeled grand pianos, revoiced & reconfigured by VV were used on its recording, and rendition, after a careful reading, review, and re-writing of the articulations (...'ad libitum by ear'...) of its original score, and, and of its now re-read, previously generated reading/sequence, regenerated for the original string trio setup in ca 2010's by H.Fesefeldt (1942-2019, a German nuclear physics researcher, and music software developer). Now, the instrument and the rec. setups were set by VV. - Artwork edited by VV on ideas inspired bytheis piece...✨🤔💫💫
ANY KIND OF COMMERCIAL USE OF THIS TRACK IS PROHIBITED.

L.v. Beethoven: Trio op.3- IV.Adagio. Transcribed for two pianos

L.v. Beethoven: IV. Adagio. String Trio op.3. Transcribed for two pianos

Beethoven: VI: Finale [Allegro] of String Trio No.1 Op.3. Transcribed & reproduced for two pianos by VV Jan 14, 2025 by VV, after a careful reading, review, and re-writing of its articulations (...'ad libitum by ear'...) of its original score, and, and of its now re-read, previously generated reading/sequence, regenerated for the original string trio setup in ca 2010's by H.Fesefeldt (1942-2019, a German nuclear physics researcher, and music software developer). - Now, the instrument and the rec. setups were set by VV. - Artwork : A detai of L.v.B. statue by Hagen.
ANY KIND OF COMMERCIAL USE OF THIS TRACK IS PROHIBITED.

L.v. Beethoven: VI: Finale [Allegro] of String Trio No.1 Op.3. Transcr. for two pianos

L.v. Beethoven: Tema con variazioni - Allegretto. Mvt3 of Trio op.11 Transcribed (v.2) for two pianos by VV.
Recorded Jan 22, 2025 on a pair of modeled Bösendorfer 280's, revoiced & reconfigured by VV.
About Piano Trio Op.11::
"The Piano Trio in B-flat major, Op. 11, was composed by Ludwig van Beethoven in 1797 and published in Vienna the next year. It is one of a series of early chamber works, many involving woodwind instruments because of their popularity and novelty at the time. The trio is scored for piano, clarinet (or violin), and cello (sometimes replaced by bassoon). The key of B-flat major was probably chosen to facilitate fast passages in the B-flat clarinet, which had not yet benefited from the development of modern key systems (such as the Albert system or Boehm system). Beethoven dedicated this piano trio to Countess Maria Wilhelmine von Thun.
The work is also sometimes known by the nickname "Gassenhauer Trio". This arose from its third movement which contains nine variations on a theme from the then popular dramma giocoso L'amor marinaro ossia Il corsaro (15 October 1797, Wiener Hoftheater) by Joseph Weigl. This particular melody, "Pria ch'io l'impegno" ("Before I go to work"), was so popular it could be heard in many of Vienna's lanes ("Gasse" in German). A "Gassenhauer" usually denotes a (normally simple) tune that many people (in the Gassen) have taken up and sing or whistle for themselves, the tune as such having become rather independent from its compositional origins. A rare word in contemporary German, rough modern equivalents of the term include "hit" (success) or "schlager". Other composers who used this melody include Joseph von Eybler, Johann Nepomuk Hummel and Niccolò Paganini." (Wikipedia)

Beethoven: Tema con variazioni - Allegretto. Mvt3 of Trio op.11. Transcr. (v.2) for two pianos

L.v. Beethoven: Menuetto & Trio.  {Allegretto). Mvt 3 of Str.trio Op.3 transcr.ibed for2 pianos by VV.
A pair of Bösendorfer 280 modeled grands, revoiced & reconfigured by VV were used on its recording. A reading into a sequence generated by HFesefeldt*, was used as source material after having reviewed, and rewritten  on its articulations, dynamics, tempos etc by VV.
*Harm Fesefeldt (1942-2019) was a German nuclear physics researcher & music software developer, who read & generated the nost part od essential classical chamber music into sequences with his own music software, and also made these publicly available.

L.v. Beethoven: Menuetto & Trio.  Mvt 3 of String Trio Op.3 transcribed for2 pianos

L.v. Beethoven: III. Menuetto - Trio.  Mvt 3 of String Trio Op.3 transcribed for2 pianos

Beethoven: Allegro con brio. Mvt 1 of String Quintett C Minor Op.104*. Transcr. for Two Pianos Mar 1-3, 2025 by VV.
A score reading into a sequence for the original instrument combo, produced ca 2000's by H.Fesefeldt (1942-2019, a German nuclear physics researcher & music software developer) was used as source material, after reviewing it quite freely on its its articulations, tempos, dynamics,and other interpretational details by VV.
A pair of Petrof Mistral 284 modeled grands, revoiced & reconfigured by VV, were used on its playback-recording after these modifications.
ANY KIND OF COMMERCIAL USE OF THIS TRACK IS PROHIBITED.
*About the original work:
The String Quintet in C minor, Op. 104, written by Ludwig van Beethoven in 1817, performed on 10 December 1818, and published in 1819, is an arrangement of the early C minor Piano Trio, Op. 1 No. 3.[1][2] This work is scored for a string quintet with two violas (Wikipedia).
Photo by VV: Sunset hues from the local lake ice cover Feb 20, 2025 Feb

Beethoven: Allegro con brio. Mvt.1 of String Quintett Op.104. Transcribed for Two Pianos

Beethoven: Allegro con brio, mvt 1 of String Quintet in  C Minor Op.104. Transcribed for Two Pianos

Beethoven: Variations for Piano, Violin & Violoncello. Op.44.-Transcribed for two pianos by VViljanen Mar 8-2025 (rec./'take' v.10....). Reproduced as described on my previous transcriptions uploaded here. - A pair of Petrof Mistral 284 grands revoiced & reconfigured by VV were used on recording, the setup of which reviewed separately by VV for this piece.

Beethoven:  Variatioms Op.44 for Piano, Violin & Cello. Ttranscribed for two pianos

Beethoven:  Variations Op.44 for Piano, Violin & Cello. Transcribed for two pianos

Beethoven: II. Scherzo of 'Archduke' Trio Op.97. Transcribed for two pianos.
Read & reproduced & recorded by VViljanen Mar 11-17 (-v.8...👀🤔), 2025 on a pair of Petrof Mistral 284 modeled grands, revoiced & reconfigured by VV, as well as was made the rec. setup. - A score reading into a sequence for the original instrument set, generated ca. 2010's by H.Fesefeldt (1942-2019, a German nuclear physics researcher , and music software developer), was used here as source material, but modified here by its articulations, dynamics, tempos, and other interpretational details by VV before its recording (in a c'athedral'  acoustics).
Any kind of commercial use of this track is prohibited.
Photo by VV: 'Lapintiira' (Arctic Tern)

L.v.Beethoven: Scherzo, mvt2 of 'Archduke' Trio Op.97. Transcribed for two pianos

My warmest thanks to everyone stopping by for listening to my  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and also to a minor LIST of MY MY OWN RENDITIONS, all of the latter representing a variety of piano music & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

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