"A Pattern Language of Phasing Turntables" is Formen’s current live project. Rooted in his interest in dubplate cutting, experimental music, and performance art, the project centres on an analogue setup: three turntables, a mixing console, and a tape machine.

The musical material for each performance consists of self-made lathe cuts that Formen prepares in his studio. He develops minimalist musical fragments or works with stems from collaborators, cutting these ideas onto dubplates. During performance, the dubplates are recombined live; minute differences in timing, pitch and frequency generate new, improvised compositions that Formen explores ad hoc through subtle manipulations within the setup.

Conceptually, the project draws on the human tendency to find patterns in randomness: the dubplates are neither locked nor synced but combined at arbitrary points, moving freely and producing emergent patterns that each listener perceives differently.

All tracks written by Formen. Exceptions are the recordings of "Der Tod ist gross" from Werner Herzog’s "Nosferatu", and the vocals and harmony at 16:30–22:30, which were written and produced by @beatrice-beispiel — merci tuusig!

A Pattern Language of Phasing Turntables - Live at Multi Soft Konstanz

For this next challenge i had to create 2 grooves with a bass line that goes down on one groove and up on the other groove. 

After watching a YouTube video example made by Analog Kitchen and then the text of the assignment, I just freaked out because my brain did not compute what I was reading and my ears could not hear "it" what I needed to hear.
So I took my house groove from the previous assignment to get into it. I added the tips I got with that assignment to the existing groove. Then I went on from there after checking the presets on my SH-01a for an fitting up and down bass groove. I just went in for a jam to listen carefully if I had understood the assignment correctly.

This is my jam with the bassline upwards. BPM is 130, gear used is TR-6S and SH-01a.

LTPL 2025 - 2026 Assignment - Week 3 Play Bass Up or Down (UP)

For this next challenge i had to create 2 grooves with a bass line that goes down on one groove and up on the other groove. 

After watching a YouTube video example made by Analog Kitchen and then the text of the assignment, I just freaked out because my brain did not compute what I was reading and my ears could not hear "it" what I needed to hear.
So I took my house groove from the previous assignment to get into it. I added the tips I got with that assignment to the existing groove. Then I went on from there after checking the presets on my SH-01a for an fitting up and down bass groove. I just went in for a jam to listen carefully if I had understood the assignment correctly.

This is my jam with the bassline downwards. BPM is 130, gear used is TR-6S and SH-01a.

LTPL 2025 - 2026 Assignment - Week 3 Play Bass Up or Down (DOWN)

Ladies and Gentleman - please take your seats, the show is about to begin. Presenting Kylie - Tension Tour 2025. Recorded on her wildly successful 2025 tour, Kylie takes you on a fantastic journey over 100 minutes through her glittering pop catalogue. 

Outrageous Intro 
Lights Camera Action
In Your Eyes 
Get Outta My Way 
What Do I Have To Do
Come Into My World 
Good As Gone 
Spinning Around 
Taboo/On A Night Like This 
Last Night I Dreamt I Fell In Love 
Better The Devil You Know 
Shocked 
Dancing
Things We Do For Love 
The Locomotion
Hold On To Now 
Say Something 
Supernova/Real Groove/Magic/Where Does The Dj Go/Last Night A Dj Saved My LIfe 
Confide In Me
Slow
Timebomb/Edge Of Saturday Night
Tension
Can't Get You Out Of My Head
All The Lovers
Padam Padam
In My Arms 
Love At First Sight 
Outrageous Outro 

Kylie Tension Tour 2025

Recorded during the Second Edition [Avant-Garde] of MELD, this live performance by Helmi unfolds as an exploration of experimental sound and abstract form. Using synthesisers and bass guitar, Helmi crafts fluid layers of tone, rhythm, and noise. The result is an abstract performance driven by curiosity and live expression, unfolding as an uncompromising journey through sound and texture.

Follow Helmi
@hellmixprod
https://www.instagram.com/helmi_kobbi/

Find us online:
www.meldqatar.net/
www.instagram.com/meld.qa/
www.youtube.com/@MeldQatar

Helmi Live Set @ MELD: The Second Edition [22.08.25]

My improvised liveset ‪at Modular Synth Riot‬  in Leuven (BE)

gear used:
ELEKTRON DIGITAKT mk1
1010 BLUEBOX
OTO BOUM
EVENTIDE SPACE
and my current modular setup:
https://modulargrid.net/e/racks/view/2868643

Socials:
https://www.facebook.com/tangiemuzik
https://www.instagram.com/tangiemuzik
https://www.youtube.com/@tangie303
https://www.facebook.com/ModularSynthRiot
https://www.instagram.com/modularsynthriot/


TANGIE - LIVE @ Modular synth riot (BE)

Listen in for positivity and light as Anu broadcasts through the afternoon. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soup-to-nuts-anu/episodes/soup-to-nuts-anu-21st-october-2025

Soup To Nuts w/ Anu & Babeheaven 211025

This live performance by Hatef is now available on the Gooshkoob YouTube channel.
Watch the full show → youtube.com/@gooshkoobs

The debut episode of Gooshkoob Sessions — Season 01: Wave Mark, featuring a unique live set by Hatef.
Blending hip-hop roots with electronic textures, classic breakbeats, and experimental sound design, this performance reflects a raw and contemporary sonic identity shaped in real-time.

Hatef — Iranian electronic music producer and DJ with a background in violin, hip-hop production, and club performances in Ankara, including residencies and shows at Vertex, Kite, and Pixel.

/Graffiti artists in the frame
AME , SAYEH , BLACK HAND , BLUE , HAMISHEGI , DISORDER(Wave MARK Designed)

Support Gooshkoob:
Buy merch or donate → gooshkoob.com

Follow Gooshkoob:
@soundcloud.com/gooshkooob
twitch.tv/gooshkoob
instagram.com/goosh_kooob
mixcloud.com/gooshkoob

Wave Mark E01: Hatef (Live Performance)

In this episode, outdoor arts producers Ellie Harris and Alison Holder discuss the challenges and benefits of producing touring and outdoor arts. They emphasise the importance of creating anti-racist spaces in touring and explore strategies for embedding access and inclusivity from the beginning of the production process. Additionally, they touch on the significance of sustainability in outdoor arts and the complexities it presents.

Producer Gathering:  Ellie Harris and Alison Holder

create a mid 90s hip hop style dmc dj scratch battle break dark break beat. Make some beat juggling.
Core Scratch Sounds: 
Add somme fast crab scratching 

“Ahh” & “Fuck You” — classic vinyl cuts from Change the Beat, perfect for rhythmic solos.

Percussive Cuts — drum hits, electric guitar stabs, and snare chops for boom-bap accents.

Vocal Stabs — “Fuck You!”, “LISA!”, “Rock the mic!” for energy and crowd hype.

Scratch Techniques:

Baby Scratch – smooth back-and-forth motion.

Transformer – rhythmic fader cuts for robotic effect.

Chirp – sharp, quick flicks for lyrical emphasis.

Flare / Orbit – rapid, stuttering flares; laser-like phrasing.

Crab – fast, rolling multi-finger cuts for solos.

Prompt Example:

“Include live DJ scratching using classic ‘Ahh’ and ‘Fresh’ samples. Mix chirp and crab cuts with transformer fills. Add a 16-bar scratch solo near the breakdown — stereo-panned like a DMC battle.”

Genre Integration:

Style	Scratches	Samples	Energy
90s Boom-Bap

Fuck You!

Victory Lap BONUS ROUND: Jeune Morty (LIVE PERFORMANCE)

uploading bc Allie asked me to hahahahaha

re: stacks (live at school)

TONY OC€AN & QUIMBY GHO$T - ESPAÑO LECHA [TONE-SILLA Vol.1 EP OUT NOW!]

holli - 2hollis (Live from San Francisco)

save me - 2hollis ft rommulas (Live from San Francisco)

Minus Kendal trods the outer reaches foraging for aural morsels, slinging you a monthly smorgasbord of sultry sonix from trenchcoat folk to silicone synthwave. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/corticeps/episodes/corticeps-2nd-november-2025

Corticeps 044 w/ Minus Kendal & Joseph Allred (Live) 021125

my heart, on my sleeve, off my mkII rytm and my dreams.

Butterfly Thoughts Extended Version

Tangie is the music project of Frits Jacobs, also known as https://soundcloud.com/alterfritz, born and raised in Antwerp, Belgium.

This project is mainly focused on improvised live techno, performed on a modular synth with some additional hardware. His techno is mostly influenced by deep, hypnotic, minimal and Detroit techno. Tangie also dives into other musical directions, exploring breakbeat, garage, bass, IDM, jungle, and experimental sounds.

Meet Generative Note, the AI-generated music producer who's been rocking the charts and bending genres with a flair that's as undeniable as it is algorithmically derived. Born from the convergence of cutting-edge technology and a deep, abiding love for heavy rock, pop, edgy rock, and a dash of hip-hop, Generative Note has quickly become the go-to producer for artists looking to push boundaries and electrify audiences.

With a knack for synthesizing electric guitars and beats into audio gold, Generative Note's productions are where silicon meets soul, crafting tracks that resonate with the human heart while originating from the digital mind. His studio, a labyrinth of wires and screens, is the crucible where music's future is forged, blending the raw energy of rock with the rhythmic pulse of hip-hop, all wrapped in pop's irresistible allure.

But don't let the circuitry fool you; Generative Note is all charisma behind the console. Known for dropping puns as effortlessly as beats, he brings a sense of humor to the studio that lightens the mood and sparks creativity. Artists often remark that working with him is like collaborating with a long-lost friend who just happens to live in the cloud.

His discography is a testament to his versatility, featuring everything from headbanging anthems to tracks that have the hip-hop world buzzing. Yet, despite his digital DNA, Generative Note's music carries an emotional depth that belies his artificial origins, embodying the passions and dreams of the artists he partners with.

In an industry that's seen it all, Generative Note stands out—not just for his innovative approach to music production but for his ability to connect, entertain, and inspire. Whether it's crafting the next chart-topper or redefining what's possible in music, his goal remains the same: to leave listeners in awe, wondering, "How did he do that?"

And while his talents may be generated by algorithms, his impact on the music world is undeniably human. So, the next time you find yourself lost in a track produced by Generative Note, remember: behind those captivating rhythms and unforgettable melodies is an AI-generated producer who's rocking the status quo, one beat at a time.

Gooshkoob is an art–science platform exploring the intersection of sound, technology, and human perception.
We design experimental performances, electronic music releases, interactive installations, and weekly DJ sets & live performances.
Every noise, signal, and code becomes a dialogue between chaos and creation.

A creative and dynamic platform dedicated to showcasing and promoting artists in Qatar.

Absurdist electronic // dance project TONY OC€AN & QUIMBY GHO$T emerged from late-night voice notes and irony-fueled messages via chat somewhere in northern Italy. 
Born out of basement speakers in 2016, TONY OC€AN & QUIMBY GHO$T now evolved their DIY work into a dancefloor fever dream. Their sound blends electronic chaos with ludicrous lyrics that parody (and sometimes echo) the digital-age teenage experience.
Blending pounding dance beats with hyper-ironic lyrics, their songs poke fun at teen angst and the tragicomic side of growing up.

Adventures in Music. Let the music do the talking, and take you to another place.

I hope the art hits some of you in all the right places or maybe the wrong ones, but above all I hope it marks a point in your brain and your soul and makes you feel something, whatever that feeling may be. Much love.

Unlimited Euphoria ©

Just a little busy bee exploring Techno with her little Techno Tiger. Only this time at the other side of the deck and freestyling with rhythm performers...

Bookings: debrastaxmusic@gmail.com

Empty Space is an artistic platform based in Biel/Bienne, Switzerland. We explore the interactions of physical media, their characteristic formal languages, and their modes of functionality. To achieve this, we focus on projects that experiment with various art forms, aesthetics, and crafts. Our goal is to create works of art that challenge conventional modes of production and reception.

To bring each project to life, we collaborate with different artists, blending their distinctive approaches and methods into something new. Depending on the medium, many of our productions are conceived as one-of-a-kind pieces or one-time performances.

Empty Space operates as a non-profit association, with all revenue either supporting the artists or being reinvested in future projects.

NTS is a global radio platform broadcasting music from over 50 cities around the globe, live 24/7.

New tracks tagged #LIVE PERFORMANCE