An easier way to rewrite this song, But so hard to finding VST and mix master it as close as original track
Btw thank you, team Cherry and Christopher Larkin for a perfect song
Orchestra Arranged by me
Midi mixing by me
If you love this song, please support for this game: https://hollowknightsilksong.com/

Lace

LACE

sister of the void

Ayla breaks free in this punk rock anthem of defiance and rebirth. No Lace, No Chains is a sonic liberation—gritty guitars, driving drums, and vocals that cut through silence like a blade.
The rhythm is relentless, the mood raw and empowering. Sultry, fierce, and emotionally charged, Ayla sings with the voice of someone who’s shed softness and shackles alike.
This track is for the wild ones, the sovereign souls, the ones who walk barefoot through cracked concrete and bloom anyway.
No apologies. No adornments. Just truth.

No Lace, No Chains

LACE AND ROSE

we so !

YouTube Video : https://youtu.be/pIBw0XG58EE
Original by Christopher Larkin.
Epic Version by Anthony Lo Re (Temple d'Eros).

Lace (Hollow Knight: Silksong) | EPIC VERSION

Laceious

Santa BUŠS
'saltvattensvävd'
for ensemble (flute/bass flute,trumpet, trombone (tenor and bass), cello, double bass, percussion, choir organ) 
(2025)

Live recording (premiere) - 11.10.2025. - Göteborg International Organ Academy; Gageego!, conductor Rei Munakata

While beginning to think about this piece for ensemble Gageego and organ, I kept returning, again and again, to waters and coastlines, to harbors and ships. They have been with me all my life, but this year they seemed to press closer.
I grew up in Zvejniekciems, a small harbor village on the coast of the Gulf of Riga in the Baltic Sea – a place that, even in its name, carries the memory of a fisherman’s life. The sea was always there: its rhythm, its vast horizon, the quiet arrival and departure of boats, the coastline scattered with washed-up objects and the faint traces of old boat wrecks. This year, I was fortunate to return to Gotland and work at VICC, a place dear to my heart, rich with the imagery of open waters and passing ships. Yet the same presence of water, the same movement between land and sea, belongs just as fully to Göteborg, a place I am beginning to explore with growing curiosity.
Just as in my childhood, even now, whenever I see a boat, its mystery still catches me. I wonder where it comes from, who built and cared for it, how old it is, and what it has endured.
These questions naturally led me to another aspect of my creative path, something I call a lacuna. A lacuna is an unknown territory, a gap in certainty – a space left by time and distance, where only fragments remain. And yet, from these fragments, we try to weave understanding, crafting endless interpretations from the pieces we know – or think we know. 
All these threads gradually drew me to the image of an old boat. Not the vessel as a whole, but its surface – a fragment that seems to hold the essence of everything it has weathered: saltwater and storms, waves both wild and gentle, cold winds and bright sunlight, friction and erosion, and above all, time. Its layers of peeling paint, scraped wood, rusted metal, nails, and brushstrokes form delicate patterns, like lace woven by saltwater, a fragile yet enduring palimpsest, patiently inscribed by the sea over many years.
'saltvattensvävd' is my attempt to translate that surface into sound. The boat’s story emerges in layers, in gaps, in textures both fragile and strong. Each musician explores its surface in their own way, moving layer by layer, uncovering, listening, and reweaving. The music becomes a story of traces, of absences, of everything the sea and time have left behind – a living palimpsest, interlaced like threads of saltwater lace.

Santa BUŠS 'saltvattensvävd'

risk prod. 'kuba

License my music for your projects on my website https://temple-deros.com/
You can use my music in your non-commercial videos, you just need to credit me, with a link of my YouTube channel, or my Spotify, etc.
For commercial project or if you want to monetise your videos on YouTube, you will require to pay a license fee. Please write to info@temple-deros.com for licensing information.

I think music, therefore I AM MUSIC.
Proud member of Monkeyz™

santa.buss@gmail.com

Santa BUŠS is a Latvian composer especially interested in detailed pre-compositional process and working with extra-musical ideas (found in other art forms, physiology, history, mythology, nature, architecture, medicine, sports, philosophy, etc.). 

Though her main focus and form of expression has been linked with instrumental music, lately she has discovered a deep interest in the voice and its possibilities, as well as being keen to expand her approach towards sound, composition and exploring different forms of collaboration. 
This also includes exploring territories between conventional and unconventional notation and performance techniques, as well as experimenting between the boundaries of music, theatre and opera, often focusing on the physical manipulation of instruments and the presence of musicians as a source of drama. 

She has studied both composition and musicology at the Latvian Academy of Music and Hamburg University of Music and Theatre. 

Her works have been performed throughout Europe, in North America and Asia.

https://www.youtube.com/watch?v=UgBltNTuhvU

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