Robert Schumann, Larghetto, F Minor, Op. 124, No. 13

Stronger Than Ever

Nothing Stops This Party

No Failures

La MusicA

In Maldivez With Nicole

Enjoy this beautiful Organ Piece of Samuel Sebastian Wesley, played by me! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Wesley S. S. - Larghetto in fis-moll (organ)

Genre: Techno | Ambient | Industrial | Soundtrack
Location: UK / Poland
Services: Music Production • Live Performance • Video Game Soundtracks • Sound Design

Contact: techspec22@icloud.com
Biography
IronHertz447 is a techno and ambient-industrial producer whose sound fuses the melancholy of post-communist silence with the electrified pulse of the future. Born in Poland and forged through years of underground exploration, IronHertz447 builds raw sonic architecture that speaks of defiance, survival, and spiritual evolution. Initially introduced to the scene through a grassroots concept under the alias Techspec22, the artist honed their craft with limited gear but limitless drive. That phase served as the foundation. IronHertz447 is the transformation — a rebirth with sharpened sound, elevated vision, and full-spectrum production capability.
Driven by deep roots in analog culture and an obsession with dystopian aesthetics, IronHertz447 crafts music that resonates through the body and burns into the mind. From immersive soundscapes to dancefloor detonations, every track is a story of resistance, rhythm, and rebirth.
Artistic Vision





The name “IronHertz” symbolizes power and pulse.

“Iron” stands for strength, legacy, and inner fire.

“Hertz” reflects the frequency of sound, connection, and revolution.



Together, it becomes a signal — one that blends ambient sorrow with industrial rebellion, giving listeners a raw emotional charge.

Offerings
🎮 Video Game Music Production – Atmospheric, cinematic, and tension-driven scores for immersive gameplay
🎛️ Techno Live Shows – Electrifying live sets with modular energy and dark elegance, tailored for underground spaces or digital stages
🎚️ Sound Design Services – Original textures and beats crafted for visual media, installations, or collaborations
🎧 Custom Tracks – Commissioned works for labels, filmmakers, or artistic projects

Ambient depth meets techno aggression
Strong Polish cultural influence, evoking a post-industrial landscape
Music rooted in authenticity, never filtered, always felt
Ready for both club stages and conceptual sound exhibitions

Motto
“Same fire. Sharper edge. Heavier impact.”

Carlo Cozzula was born  in Sassari in 1971.
In 1994 he obtained the Experimental Magistral Diploma with the highest grade; in 1996 - under the leading of Hedda Vignanelli Illy – he graduated, with the highest marks, in Organ at the Conservatory of his city and next year, he graduated in Harpsichord at the Conservatory "B. Marcello" of Venice. 
He has studied Choral Music and Choir Conducting and also studied piano at the concert levels since 1985.
He performed on all the instruments as a soloist in chamber ensemble also with vocal soloists, accompanying several polyphonic complexes, among which the "Cantori della Resurrezione" by A. Sanna, with whom, in 2000, he collaborated for a recording of music by G. B. Platti (Bongiovanni Records), and with whom he performed in a concert in July 2003 in the Basilica of the SS. Rosary of Lourdes (France).
He was the main organist at the Monumental Church of S. Maria di Betlem (Sassari) and at the Basilica of S. Gavino (Porto Torres). 
As an organist, in October 1997 he was invited for a tournée in Germany, performing in prestigious places, including Limburg, Wiesbaden, Lorch, Frankfurt, as soloist and chamber musician, in concert seasons including well-known soloists such as W. Stockmeier, R. Haas, M. Pirenne, U. Krupp, W. Rockel, J. Von Erdmann.
He was invited again for the October of 2003 to give a concert at the “Orgelsommer 2003” in St. Josef Church (Frankfurt), achieving great success, playing in a schedule with some of the most famous and acclaimed organists on the world scene, such as J. Parker-Smith, Th. Trotter, H. Vogel, P. Pincemaille, D. Zaretsky, P. Pietiläinen.
In 2007 he was called a part of the Jury of the 1st Art Competition "Il Filo di Arianna", at the Baja Hotel in Cannigione (Sardinia). 
He taught Music Theory and has been pianist accompanist of lyric singing classes at the Civic School of Nuoro, taught in State Schools.
Recently he has edited the Italian translation - in World Premiere - of the essay of 1846 written by the French F. Levacher D'Urclé: "Manual didactic problems in relation to the study of the anatomy of the hand" and also the thesis by M. Punt "The Straube Code-Deciphering the metronome marks in Max Reger's Organ Works".
As a composer, he is the author of music - original and not - dedicates to the international singer Teresa Salgueiro. He is also the author of a series of Concert Transcriptions for organ - even in World Premiere - from the piano and symphonic repertoire, and for pf. from the original organ repertoire, but also from accurate choices concerning the world of jazz, fusion, Brazilian music, French chansons and Soundtracks.
One of the piano transcriptions has already been recently included in a piano recital. These compositions are already available to the international artists such as: Philippe Raskin, Mariangela Vacatello, Irene Veneziano, Simone Pedroni, Igor Roma, Gloria Campaner, Antonio Pompa-Baldi, Alexei Volodin, Roberto Plano, Maurizio Baglini, Andrew Litton, Sandro Russo, Nicholas McCarthy, Ramin Bahrami, Thomas Ospital, Stephen Tharp, Thierry Mechler, Joseph Nolan, Danilo Rea, Enrico Pieranunzi, Carisa Marcelino and Clare Hammond.

Pianist. musician (guitar, piano, vocal), music teacher (classical guitar & piano), astrology, astronomy, genealogy, scifi, photography, movies, nature, 
I always learn new piano pieces directly from the score.
German imprint/Impressum: http://musik.robertvonheeren.de/impressum.html

New tracks tagged #Larghetto