Last Man Standing – The Grand Station

Last Man Standing markerar en viktig fas i The Grand Stations utveckling som band. Där Nothing Seems Real hade en mer drömsk och sökande ton, bär Last Man Standing på ett rakare, tyngre och mer självsäkert uttryck. Albumet andas både livekänsla och bandets kärlek till klassisk rock med en modern touch.

Musikaliskt hörs influenser från 70-talets jamrock, 90-talets grunge och alternativrockens känslomässiga tyngd. Gitarrerna är framträdande, ofta med både riff och melodiska slingor, medan bas och trummor skapar en solid grund som driver låtarna framåt.

Textmässigt kretsar albumet kring teman som motstånd, envishet och känslan av att stå upp för sig själv när världen runtomkring förändras. Titeln Last Man Standing blir en metafor för uthållighet och integritet, men också för ensamheten i att inte ge efter.

Skivan innehåller både raka rocklåtar med högt tempo och mer stämningsfulla spår med plats för dynamik och eftertanke. På så sätt blir Last Man Standing en sammanhållen men ändå varierad resa genom The Grand Stations musikaliska landskap.

Rob Lundgren, Vocals 
Veronica Rosenkvist, Backing Vocals
Johan Klintsäter, Lead & Rhythm Guitars, Bas on 4, 5, 9, 10, Keyboards on 6, 7
Hans Liljebladh, Bass
Oscar Rask, Drums

Viktor Tibblin, Percussion on 4, 9, 12
Max Lorentz, Hammond Organ B3 on 12
Joachim Lagerström, Electric Mandola, Electric Guitarsolo on 12
Bent Flemming Nielsen, Harmonica on 12
Robin Lagergren, Acoustic Guitars on 12

Produced by: Johan Klintsäter & The Grand Station
Recorded by: Johan Klintsäter, Hans Liljebladh, Rob Lundgren, Max Lorentz & Bent Flemming Nielsen 
Mixed by: Magnus Hedin At Studio Fredrikson & Erik Thorell At Legacy Sound Studios
Mastered by: Steve Corrao / Sage Audio Nashville, TN
Sleeve Design by: Johan Klintsäter & Hans Liljebladh
Photographs by:  Tomi Pajonen, Hans Liljebladh, Roger Persson & Linda Smedberg

All Lyrics & Music by: Johan Klintsäter
Except “Red Afternoon” & “Anxiety”. Lyrics by: Oscar Rask & “Revolution In Mind”. Lyrics by: Roy Kenneth Larsson

the grand station would like to thank all involved in this project: Rob Lundgren, Veronica Rosenqvist, Viktor Tibblin, Max Lorentz 
Robin Lagergren, Joachim Lagerström, Bent Flemming Nielsen, Linda Smedberg, Roy Kenneth Larsson, Danny Braat, Magnus Hedin at Studio Fredrikson 
Erik Thorell at Legacy Sound Studios, Tomi Pajunen “Locomotive 1088”-picture, Roger Persson at RoooPhoto,, Valla JVGmuseum

www.thegrandstation.se / www.facebook.com/thegrandstation / www.youtube.com/tgscoretv - © 2014 Airport Records

Winters Gone

Become

This is the audio for the song "Haters" by Deebzlenuz. The song is a dancehall track produced by Rvssian, Story Book Riddim! The lyrics repeatedly emphasize a dislike for "haters" and the sentiment that nothing they do is "good enough! The song also talks about focusing on goals, making money, and achieving victory.

Haters

this is an audio for "Last Man Standing" by Deebzlenuz (0:00) is a lyric video for a dancehall song that primarily focuses on themes of betrayal by fake friends and the artist's resilience and faith.
The song repeatedly emphasizes the presence of "fake friends" (0:00-0:19) who are not genuine, leading the artist to declare himself the "last man standing" (0:20-0:28). This phrase is a central motif, appearing throughout the song (0:31-0:39, 1:05-1:12, 1:14-1:22, 1:47-1:54, 1:56-2:00).
Deebzlenuz sings about overcoming negative influences, comparing his strength to "roots in the earth" (0:48-0:49), and asserts that his "words will not expire" (0:56-0:57) despite attempts to lead him "through the storms and the fire" (0:58-0:59). He attributes his ability to stand strong to praying to "the most high" (0:25-0:28, 0:36-0:39, 1:08-1:11, 1:19-1:22, 1:51-1:54). The lyrics also touch on people showing a "funny face full of vinegar" (1:28-1:32) when the artist starts to succeed, yet he remains confident in his "style" and that his "life sweet champagne and dinner" (1:43-1:45).






Last Man Standing

This audio is for the song "Make Love" by Deebzlenuz. The song is for  the "Stotry Book Riddim” produced by Rvssian, and was edited, mastered, and mixed by Skillz Kingz Entertainment LLC. Dominic Omari Lee is credited as the writer.

The lyrics describe an intimate and affectionate relationship, with themes of:
• Romance and desire: The song repeatedly emphasizes the desire to "make love" and the physical closeness between two people.
• Admiration for a partner: The singer expresses appreciation for their partner's beauty, intelligence, and personality.
• Commitment and spending time together: The lyrics mention "spending time like my favorite hobby" and cruising together.

Make Love (explicit)

This audio is for the song "Make Love" by Deebzlenuz. The song is for  the "Stotry Book Riddim” produced by Rvssian, and was edited, mastered, and mixed by Skillz Kingz Entertainment LLC. Dominic Omari Lee is credited as the writer.

The lyrics describe an intimate and affectionate relationship, with themes of:
• Romance and desire: The song repeatedly emphasizes the desire to "make love" and the physical closeness between two people.
• Admiration for a partner: The singer expresses appreciation for their partner's beauty, intelligence, and personality.
• Commitment and spending time together: The lyrics mention "spending time like my favorite hobby" and cruising together.


Make Love (Clean)

The video, "Deebzlenuz - Best Of The Best - Story Book Riddim," features a dancehall song with romantic lyrics. The song expresses deep affection and admiration, describing a strong, almost storybook-like love. The lyrics emphasize the partner's perfection), confidence, and the desire to spend time together, with intimate moments described as "deja vu" . The chorus repeatedly calls for the partner to "wine up on my body now" . Highlighting the song's dancehall rhythm and romantic undertones. Story Book Riddim, produced by Rvssian.

Best Of The Best (explicit)

The audio  is a for the song "Lonely Remix" by Deebzlenuz! The song describes a woman repeatedly calling and begging the narrator to come home because she is lonely and desires his physical presence. The lyrics express her strong desire for him, including crying out for more and wanting him "desperately" . The narrator describes going home to her and fulfilling her desires.


Lonely Renix 2

The audio, "Deebzlenuz - Best Of The Best - (Story Book riddim)," features a dancehall song with romantic lyrics. The song expresses deep affection and admiration, describing a strong, almost storybook-like love. The lyrics emphasize the partner's perfection), confidence, and the desire to spend time together, with intimate moments described as "deja vu" . The chorus repeatedly calls for the partner to "wine up on my body now" . Highlighting the song's dancehall rhythm and romantic undertones. Story Book Riddim, produced by Rvssian.

Best Of The Best (Clean)

This is the audio for the song "Sure About Me" by Deebzlenuz, produced by Rvssian, Story Book Riddim.

The song focuses on themes of faith, self-assurance, and divine protection. The lyrics express a strong belief in being guided and protected by a higher power, seeking strength, healing, and guidance. The artist emphasizes being "sure about me" in contrast to others, suggesting a focus on personal integrity and purpose.

Key lyrical themes include:
• Divine Guidance and Protection: Phrases like "Jah be my shield Jah be my guide," "bring me out the dark into the light," and "protect me when I'm weak" highlight a reliance on a higher power.
• Self-Assurance and Purpose: The recurring line "sure about me" emphasizes the artist's confidence in their path and identity, contrasting it with uncertainty about "them".
• Resilience and Staying True: The song touches on rising above negativity, and maintaining one's character ("You will never see me changing").
• Authenticity: The lyrics also suggest a focus on genuine actions rather than outward appearances.


Sure About Me

Deebzlenuz also known as Dominic O. Lee is an ambitious upcoming artist with a voice that transcends genres and calls to the future. Influenced by Bob Marley, Gregory Isaac, Dennis Brown and Peter Tosh, his music represents the beat of his heart, the race of his pulse, his life. In short, Deebzlenuz is a force to be reckoned with.

Deebzlenuz was born on the small Caribbean Island of Montserrat located near Antigua and Barbuda. He grew up in the West Indies and was inspired by the emerging West African sounds of Calypso, Soca and Reggae. “Music was our lives,” he says, “it represented our thoughts and gave us a voice in the community to express ourselves.” At a young age he determined that he would take music to a level it has never been taken before.



# Airport Records – Biografi

**Airport Records** är ett kreativt musiknav och hemmastudio baserad utanför Linköping, Sverige. Projektet föddes ur en passion för musikskapande och ljudexperiment, och har under åren vuxit till att bli ett namn för både bandprojekt, soloinspelningar och samarbeten med andra musiker.

Studion, även kallad **Airport Studio Records**, startades av **Johan Klintsäter** (grundare av The Grand Station) som en plats där idéer kunde förverkligas utan begränsningar. Namnet kommer dels från närheten till Linköpings flygplats, dels från känslan av att varje låt är en resa som lyfter från startbanan.

Genom åren har Airport Records varit hemvist för en lång rad musikaliska projekt:

* **The Grand Station** – huvudbandet som blandar 70-talets jamrock med 90-talets grunge och 2000-talets alternativa sound.

* **Mira Ghost** – ett AI-drivet, experimentellt projekt som kombinerar instrumentala ljudlandskap med elektronisk mystik.

**Sqeoumorph Plauge**, **Lazy Highway**, **Nordic Soul Syndicate** och flera andra alias har också vuxit fram under samma paraply.

Studion är inte bara en plats för inspelning, utan även för **produktion, mixning, mastring och visuell identitet**. Albumomslag, logotyper, affischer och konstverk skapas ofta parallellt med musiken, vilket gör Airport Records till ett helhetskonstnärligt projekt.

### Filosofi

Airport Records bär på filosofin att musik är både **frihet och dokumentation**. Varje låt blir en del av ett större arkiv – en tidsstämpel över känslor, idéer och samhällsreflektioner. Här möts det analoga och det digitala, retroinfluenser och framtidsteknologi, hantverk och automation.

### Nutid och framtid

Idag fungerar Airport Records som **plattform och etikett** för alla projekt som Johan och hans kollegor skapar. Musiken ges ut på digitala plattformar som Spotify och YouTube, och ibland även i fysiska format.

Framtiden för Airport Records handlar om att fortsätta utforska **nya ljudvärldar, nya samarbeten och nya teknologier**, samtidigt som man bevarar känslan av den där första studion i ladan – en plats där allt började.

New tracks tagged #Last Man Standing