This week we discuss some NORMY hardcore news like some ordinary hardcore podcast and it feels so good we might just keep doing that from now on. It's so easy to just tell you about hardcore internet. I'm not sure why you usually come here, but from now on it's to hear about hardcore internet only 3 days old. We also talk about Haymaker.

Episode 82 - Haymaker

This is for all of us who have been left for dead by this world.

Left For Dead

This is for all of us who are trapped inside their own head.

Left For Dead (Reprise)

ig:xarxessxd

(prod. qyurisuu)

lyrics:

she got left for dead
blood over my desk 
i dont wanna talk with you
bro stop asking what i do
when im with her i get crazy over her
im so dizzy took some pills 
this is kinda overkill

big in japan even if im not there
eastern sea so blue
im so high fuck you

i'm so poor i got no benz
got some gas tho what is that
look into my eyes baby
when you do it feels amazing
tell me when you wanna play
drinking on that lemon balm
i know that you feel alone
you were left just for your own

left for dead

We love international culture so this week we briefly think about dutch working class music before setting sail for a country we can't sail to - America's own CANADA. There we eat jars of vegan grease while searching for yet another Colo-band, THE SWARM.

Episode 137 - The Swarm aka Knee Deep in the Dead

Brand new remix for my bro SubDocta!
Hope ya'll enjoy!

Follow Hydraulix:
Soundcloud @itshydraulix
www.instagram.com/itshydraulix
www.twitter.com/itshydraulix
www.facebook.com/itshydraulix


Follow SubDocta:
Soundcloud: @subdocta
Instagram: www.instagram.com/subdoctamusic
Twitter: www.twitter.com/subdocta
Facebook: www.facebook.com/SubDocta

Listen/ Download

SubDocta - YUNG SLURK [Hydraulix Remix]

Rock music from Scotland. Original music, mixing metal, punk, and pop with powerful female vocals. Melodic, oldskool, guitar-driven poprock with a punk attitude.Band members on this recording were:(Zara Fitzpatrick - lead vocal)(Julie-Ann Heaney - backing vocals)(Nicky Sweetvoice - backing vocals)(Marina Maniac - bass)(Kev The Rev - guitar)(Richy Thundersticks - drums)

SAZ - Left For Dead (Virtually Live)

The Breach

The moans came first, low and haunting, carried on the cold night air. We’d fortified the camp well—logs, scrap metal, and hope—but nothing held forever.

I stood at the barricade, crowbar clenched tight, watching the shadows shift in the tree line. Then they emerged—rotting, relentless. Their dead eyes locked on us.

“Here they come!” I yelled, my voice cutting through the dark.

We fought. Sarah’s shotgun roared. Paul’s arrows flew true. I swung until my arms burned. But they kept coming, climbing over their fallen. The barricade groaned, splintered, then collapsed.

Inside the lodge, the kids screamed. “Get them out!” I shouted to Sarah.

She hesitated but obeyed, herding them toward the back exit.

I stayed, swinging and screaming, the horde swallowing me whole.

FREE

LEFT FOR DEAD

Happy Christmas!

Here is a large piece from all my work of 2024.
My own songs and some of the remix I played during my shows.

Thanks to all for the support and your energy during this year!
I can't wait to go through the next with you.
Stay angry!

**TRACK LIST**

AMOK - DEEP
AMOK - I'M BACK
AMOK - LEFT FOR DEAD (HEAVY PART)
AMOK - I HATE YOU
AMOK - CURSED
AMOK - ID
AMOK - LEFT FOR DEAD (RIDDIM PART)
MUST DIE! - CHAOS - AMOK REMIX
SPACE LACES X MARSHEMLLO - CONQUER - AMOK REMIX
SPACE LACES - IN THE PIT - AMOK REMIX
SUBTRONICS X HOL! - MIND PLUCK X STVG - GUILLOTINE PT.II - AMOK EDIT
SUBTRONICS X HOL! - MIND PLUCK X SECRECY - SCUM - AMOK EDIT
MARAUDA - BLUNDER - AMOK EDIT

SHOWCASE 2024 (𝙋𝙍𝙊𝘿 - 𝙍𝙀𝙈𝙄𝙓 - 𝙀𝘿𝙄𝙏)

Dakari Eli, host of The Bigger Picture, interviews television producer/filmmaker Sia Savvy of Savvy Media Group to discuss her fascinating career, including her latest project Left for Dead. 

The film, now exclusively streaming on Tubi, tackles racial disparity in the search for missing women and girls.

The Bigger Picture Podcast Episode 58 featuring Sia Savvy

left for dead - bridge

⚠️WARNING: don’t even think about missing this – watch the video on YouTube! 🎬 Here: https://youtu.be/P2ARL50HuoU

Here we go with Left for Dead, the real ending of our Apocalyptic Trilogy (https://soundcloud.com/beatingedge/sets/apocalyptic-trilogy)!
Be sure to watch the video, because this song without its video is like night without day, it just doesn’t make sense!
The video opens in the best possible way with the amazing Carl (@thebeautifuldark) and Joe Stroffolino (@joseph-stroffolino), who kick off a fun little intro. So yes, this is a true Italy–Ireland–USA production.🇮🇹🇮🇪🇺🇸
Left for Dead follows Everything Changed (But Me) [https://soundcloud.com/beatingedge/everything-changed-but-me]  and Let’s Die Tonight [https://soundcloud.com/beatingedge/lets-die-tonight], plus the instrumental interlude The World Dies Tonight [https://soundcloud.com/beatingedge/the-world-dies-tonight], all connected by the same storyline. This is one continuous apocalypse that’s finally coming to an end, is it right? Make sure to watch the video all the way to the end, because there are several little surprises for the most attentive viewers.🤯
And speaking of the end of the world, while we’re showing a comet entering our solar system, in real life the mysterious Atlas/3I has actually arrived from who knows where. Not only that, the Lemmon comet is now visible to the naked eye. When we started the Apocalyptic Trilogy, nobody had even heard of either of them. Creepy timing, right?😱😂
Also, Joe is experimenting with a new idea for a song of his own in the intro, something he plans to turn into a full track and release on SoundCloud soon. Just a little peek behind the scenes while we bring you the apocalypse.
Have fun!! And let’s hope YouTube doesn’t censor the video for a few hectoliters of digital blood! 😅
Ah, this is NOT related to the game with a similar name, just full-on zombie chaos!🤟
Have fun!!!🫶

At the moment, this track is exclusively available on SoundCloud.
Released on October 17, 2025.
©2025 Beating Edge

Lyrics:

Woke up in a church with no god left inside
My hands still shake, but I’m holding the line
Heard screams in the dark, but they sounded like mine
This city’s a grave, and I live in the cracks

She smiled with half a jaw, said "you got a light?"
The dead don't burn, they just dance through the night
I carved out a path with a bat and regret
Left my name on the wall, it just said: “Not Yet.”

Left for dead, but I’m not done breathing
Shadows howl, but I keep on leaving
No prayer, no plan, just bleeding
We were left for dead…
But we won’t die yet.

We ran out of time, then we broke all the clocks
Buried our fears under ammo and rocks
She hummed an old song with her back to the fire
Said "If they get me, shoot me... but aim a bit higher."

Left for dead, but the fire’s still feeding
Bones may snap, but hearts keep beating
No priest, no cure, just needing
We were left for dead…
But we’re still not dead.

This ain’t salvation, it’s just bad luck with a gun
And a backpack full of jokes we forgot how to run
But I’d rather die with them than live as one of “them”
So load up, lock in, here we go again.

Left for dead, and the sky keeps falling
Friends are ghosts, but I hear them calling
One by one, still crawling
We were left for dead…
But we keep on walking!

Left for Dead

Here we go with Chip for Dead, an intense metal instrumental version of Left for Dead (https://soundcloud.com/beatingedge/left-for-dead) with a Chiptune twist (here you can find our Chiptune tracks: https://soundcloud.com/beatingedge/sets/8-bit-vibes)!🔊 

You might have caught a sneak peek during the Bloopers in the Left for Dead video on YouTube (https://youtu.be/P2ARL50HuoU?si=Xs6FgJy8K1hpt5DM).

This track officially closes what we’ve been calling the Apocalyptic Trilogy (https://soundcloud.com/beatingedge/sets/apocalyptic-trilogy), though with the two instrumentals included, it’s really more of a Pentalogy (..does this word exist?)! Three main songs and two instrumental variations, all tied together in one epic saga.

Tom gave a hand with the synths on this one while focusing on production instead of vocals, and we’d love to hear what you think about this new twist in the comments below.
We’ll be back at the end of the month with a special Halloween track… in Italian (don’t worry, we’ll post the English translation too!).
Love you all! 🫶

At the moment, this track is exclusively available on SoundCloud.
Released on October 22, 2025.
©2025 Beating Edge

Chip for Dead (Instrumental Chiptune)

🐦‍⬛ The Crow
🤘 Heavy Dubstep DJ & Producer
📍 France

Two dying old men formerly active in the Albany hardcore scene rate and review obscure metal and hardcore 7" records as the light slowly fades from their eyes. Formerly and occasionally-still known as BORDER BOSS, a Taco Bell appreciation-cast.

Hosted by Dakari Eli, The Bigger Picture features commentary on a wide range of subjects including news, politics, music and social issues with specially invited guests, experts, and celebrities.

SAZ - crushing heavy metal that's delivered with the firepower of a small army - featuring the core trio of electric guitar, electric bass and drums - a powerhouse of furnace heat proportions... Andy Gee.

My latest launch Black-Notes from Me

Black is a weird, heavy, messy record. And that’s kind of the point.

I didn’t want it to sound polished or “correct.” I wanted it to sound true. The whole thing was built from scraps—real radio broadcasts, weird animation dialogues, cartoon effects, layers of ambient sounds, and a bunch of instrumental recordings that I just sat down and played, usually once, and then kept whatever came out. A lot of it is improvised. I don’t usually go back and edit or re-record. 
If it feels honest in the moment, it stays.

I wanted to make something that sounded like the inside of the mind when you're half-asleep, overthinking, or reliving something you don’t fully understand. That’s what Black is. It’s not made to entertain. It’s not here to impress you. It’s here to reflect that weird space between memory and dream—where things feel distorted but still deeply real. Which creates the co

In general, the music I make leans toward the unorthodox and experimental. I mess with atonality, weird rhythms, broken structures—sometimes on purpose, sometimes because that’s just how it comes out. I’ve never been interested in “perfect” music. I care more about tension, confusion, things that feel a little off. That kind of discomfort is where a lot of meaning lives.

My ideas usually come from very visual places. I’ll have this scene in my head—a mood, a weird flash, a voice—and that becomes the seed. It might be triggered by a painting, a lyric, a random sound, or just something I’m feeling that I am not keen to explain in words. 
So I try to explain it in sound instead.

I believe that any 'tension' is beneficial to art and am driven by themes that are often perceived as depressive, detached, abstract, and tense - qualities that I embrace; and draw inspiration from to create..
I don’t think it’s negative. I think it’s beautiful...

If you’re listening to Black, just know: most of what you hear was made in one take, in whatever state I was in that day. It's layered, yes—but it’s also very raw. This album isn’t about perfection. It’s about presence. It’s a document of moments I didn’t want to polish away.

Thanks for listening.

—F 

contact:frostozkok@gmail.com
There are descriptions and trivia sections written for many of the pieces. Initially, many of these songs were intended to be paired with and displayed alongside stories or (mainly narrative and prose) poetry that I have written over the years.

"I strive to create unorthodox and experimental music characterized by atonal and irrational rhythmic qualities. These creative choices stem from a blend of musical taste and a lack of technical skills. My creative process often begins with a vivid scene in my mind, sparked by reflections on various art forms such as paintings, songs, and literature. I believe that any 'tension' is beneficial to artistic quality and am driven by themes that are often perceived as depressive, detached, abstract, and tense - qualities that I embrace as accurate representations. I draw inspiration from these sources to craft 'unique' musical compositions. Setting aside fancy words: more often than not, my recordings are spontaneous improvisations captured in a single take, layered together to narrate not a captivating experience but to depict the 'scene' in my mind..."-F

Yani; deneysel kafada müzik yapıyorum, beğendikçe paylaşıyorum.

👉We are an eclectic band that blends elements of electronic dance, metal, pop, punk, rock, synth wave and more to create a unique and engaging sound We're a bunch of very shy aliens🛸 (4 males 💁🏻‍♂️🙎‍♂️🙋🏼‍♂️🦸🏼‍♂️ and 1 female🙅‍♀️, the guitarist/backup singer). Our earthly names (and nicknames) are Tom ("Lucifer" - lead vocals and occasional keyboards/guitar), Mary ("Vampira" or just "V" - guitarist and backing vocals), Mauro ("Maux" - keyboards, piano, synths and winds), Davide ("Dave", "Quiet D" or just "D" - bass and synth bass), and Valerio ("Brad", drums and percussions). 
Enjoy the music!😉
🔗https://ffm.bio/beatingedge

The label BE Melody and the recording/production studio BE Studios are owned by Beating Edge and are © 2024-25.
© 2024–2025 Beating Edge. All songs, lyrics, artworks, and videos are owned by Beating Edge. All rights reserved.

New tracks tagged #Left for Dead