SUOLA 60min mix for RADIO FM4 LaboumDeLuxe

@frank_frank spielte sein Debut im Schick bei der @einklang-ev Open Session im Februar. Sein neues Set gibt's jetzt im Schickcast. 

@frank_frank
House, UKGarage, Techno und Leftfield Electronica. Irgendwo dazwischen liegt der Sound von Frank Frank. Hauptsache nicht auf ein Genre festnageln, sondern vielmehr auf eine wilde emotionale Reise gehen. Was der Frankfurter in seinen Sets umsetzt, gilt auch für seine Releases. Neben Elementen der genannten Genres prägen analoge Synthesizer und auch immer wieder Natur-Samples den Klang seiner Tracks. Als Teil des Kollektivs am Draht veranstaltet er zudem Parties in Wiesbaden und Umgebung.
https://www.instagram.com/frankfrank.wav/

Schick.
linktr.ee/schickmainz

SchickCast 45 | Frank Frank | House & UK Garage

"Neighborhood Eclectics" is a sample pack I made ! 
What you hear is in the sample pack (⁠ ⁠◜⁠‿⁠◝⁠ ⁠)

https://everchangingform.gumroad.com/l/neighborhoodeclectics

Neighborhood Eclectics

It doesn’t break. It stays. Like a hum behind your ribs.
Something wet, unresolved, breathing.
You wanted noise. But got presence. Unskippable core.

LIMINAL EXISTENCE

UNSKIPPABLE CORE

A descent into texture, silence, and controlled collapse.
Produced by Oval-100
Cover art:Oval-100

VOID//RUN

Electro breaks, Heavy Synth, downtempo instrumental 

First Falling Cloud

Dance and heavy synth oriented instrumental.

Pileus Cloud Accessory

 Instrumental Melodic breaks, with some deep bass.

The Mother Cloud - Melodic Mix

The Mother Cloud

Driving percussive layers and evolving synth motifs capture the motion and dislocation of inner transition.

Transit - Single

Transit

SUOLA is a mineral composed of cinematic stories created by Martin Riedler and Vilja Larjosto. Their electronic vocal music and experimentations since 2014 range from beatless ballads to hypnotic club music.
Larjosto is a Finnish singer and landscape architect, known from collaborations with Lusine (US) and Feater (AT). Riedler is known for his productions under various pseudonyms f.e. Certain Subjects, RJC or his latest `Blacklight Chameleon.
The two met in 2006 at a media and arts festival in Hallein, Austria, where they recorded vocals for Orakel's debut album (4Lux 2011) in a salt factory. SUOLA (fin. for Salt) processing was re- established in 2014 when Larjosto moved to Berlin and started frequenting Vienna. In 2016, Larjosto and Riedler spent ten days in an artist's residence on an uninhabited island in the Finnish archipelago, observing rocks, watching for viper snakes, drumming on stones, working on field recordings or writing little poems.

get in touch::: 
suolamusic△gmail⏶com

Der Podcast zur Bar. 
Live Mitschnitte und DJ-Sets.

G3NOT /ˈdʒiːnɑːt/
You read the name. But do you hear it?
I'm not here to fit in - I'm here to short-circuit your algorithm.
Noise with a grin. Silence with intent.
G3NOT: The glitch you can't debug.

/breɪk/

This isn't music - it's sabotage in stereo.
Smile. It's not a mask.
G3NOT - your skip button's existential crisis.

/breɪk/
I am a Klangfurtoniker.
Not a musician. Not a therapist. Not a performer.

I shape moods,
not because they are beautiful,
but because they exist.

I take the moment,
fold it like a piece of paper –
audible.
tangible.
I shape it into a frequency
that fits me.

Not perfect.
Not pleasant.
But real.

The heartbeat as bass,
my breath as a pad,
my smile as a subtle glitch.
And within it all –
a Joker.
Laughing inside me,
because I found the tone
in which I can bear myself.

I don’t project outward.
I let the inside become audible.

I am my own space,
my own speaker,
my own echo.

I am a Klangfurtoniker.
I hear myself –
and keep shaping.

/breɪk/

Electronic. Rough. Probably still far from finished – but who says you have to start quietly?
I make music for myself. And share it, because silence isn’t always the better choice.
Just a beginning. In waves and noises.

Based in California's Inland Empire, Nctrnm (Matthew McGilvery) creates instrumental electronic music and new media art, exploring the intersections of sound, visuals, movement, and text. His practice is distinguished by a mobile-centric production methodology, leveraging accessible technology for creative innovation and crafting immersive experiences.
Nctrnm constructs detailed sonic environments weaving analog-inspired textures with minimalist grooves and integrated field recordings. 

Drawing influence from downtempo, electronica, shoegaze, and ambient techno, his work prioritizes atmosphere, intentionality, and emotional resonance. This distinct approach is informed by his background in Decision Science (CSU Fullerton), employing principles of design thinking and behavioral strategy to shape evocative soundscapes.
His evolving discography includes foundational releases EQUINOX (2018), TRACES (2019), and NOVA (2021). These works paved the way for the textured explorations of his EPs FLUX (2023) and GEMINI (2024). Nctrnm's forthcoming fourth album, PXL, scheduled for release in late summer 2025, promises a deeper dive into themes of transition, loss, and identity.

Beyond music production, Nctrnm's multidisciplinary portfolio includes generative video, motion graphics, and interactive installations, often shared via Instagram (@nctrnm) and showcased at site-specific events. His live performances synthesize VJing, choreography, and narrative components into cohesive multisensory experiences. McGilvery further contextualizes his projects through critical writing and artist discussions shared via his personal blog and online Q&As.

Nctrnm invites listeners and viewers into reflective spaces, exploring the nuances of human experience through interconnected media. Thank you for your support here on SoundCloud.

ever presence; as 
the change amidst one, takes form 
amongst each of us

New tracks tagged #Leftfield Electronica