SASSS - City Life (ROCHDEE Reconstru Long Mix)

metamorphosis #2 (from dry to wet)

After purchasing the fantastic J3PO OB patches it inspired me to write this song. 

A Bed Time Story

Title instrumental of the 40-track anthology album Époque

Époque

using korg minilogue, microkorg + linndrum samples

Walkin' with Kim

This track is an homage to “GT” from the late Ryuichi Sakamoto’s album Futurista. Driving a My Lamborghini Gallardo and Urus along the highway at night,
the pulse of the road merged with the synth bass of this track,
and in that moment, inspiration struck.

It blends the digital computer-driven sounds of that era with the spirit of soul music.
The straight-ahead groove and the sharp attack of the LINNDRUM were simply outstanding.
A demo version of the composition can be found in this playlist, featuring AI-generated vocals.

Neu Frontier

Funkinox INITIAL

Linn Truise

Roller

Morceau réalisé dans le cadre du festival Détour en Tournugeois en collaboration avec la Compagnie des Arracheurs de Dents et l'association de quartier de La Madeleine.

Merci à Dominique et Maria de La Madeleine, Claire et Aurelien de Arracheurs de Dents et aux résidents de l'hôpital Belnay d'avoir participé à ce projet.

Mix and Mastering at Unknown Pleasures Studio

La Fête du Charbon

Rainy Days Prototype A

A progressive synthwave track inspired by Comet.

Darkened Shells

Funk-pop meets soul-pop in a George Michael–leaning heater: Linn drums, slap bass, DX7 sparkle, tight horns, and sensual-to-soaring tenor runs. “But now I know” turns confession into catharsis, stacking gospel BVs and a hook built for dance-floor playlists and feel-good R&B rotations.

But Now I Know

A shimmering Steve Winwood-inspired anthem built on DX7 e-piano, Juno pads, gospel harmonies, and a soaring chorus hook (“echoes of tomorrow”). logical_miracle crafts a reflective-to-reborn arc that layers sax, poly-brass synths, and gated drums into an 80s soft-rock climax — perfect for feel-good pop, retro soul, and “Higher Love”-adjacent playlists.

Echoes of Tomorrow

A sleek George Michael–esque dance-pop cut with Linn drums, slap bass, DX7 bells, and gospel-tinged harmonies. Sultry verses explode into an earworm hook — a perfect fit for funk-pop, late-night R&B, and uptempo retro playlists.

Dancing with the Lies

A sleek George Michael-style funk-pop single with acoustic-riff snap, fretless bass glide, sax sparks, and a gospel-stacked chorus. Equal parts sensual and anthemic — tailor-made for uptempo R&B and retro dance playlists.

Faithless Flame

Post-disco adrenaline with MJ/Prince DNA: TR-808/Linn snap, clavinet funk, slap-bass fireworks, and chant-along hooks built for festivals. A key-change finale and crowd-vocal lifts seal this as a dance-floor flamethrower.

Light Up the Floor

Mid-tempo George Michael-leaning city-soul: clipped funk guitars, fretless bass, DX7 pads, and a sax-shadowed hook. Swagger and vulnerability for late-night R&B and neon-noir playlists.

Shadows on the Boulevard

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Welcome to Logical Miracle, a project where a lifelong dream meets the cutting edge of technology, brought to life by two passionate creators, one a musician and songwriter, the other an edu tech enthusiast who turns ideas into reality.

Like many, my journey started with big dreams as a child. I imagined myself as a musical genius, learning to play the recorder and later moving on to the violin and guitar. Back then, I had no idea how challenging the music industry could be. As life moved on, new adventures like jobs, holidays, and eventually starting a family took over, and my musical dream slowly faded into the background.

But the story didn’t end there. Over the past 40 years, technology has evolved in incredible ways, creating opportunities that were once unimaginable. Social media has reconnected us with old friends and memories, while AI and music software have revolutionised how we create and share music. The music industry, once an exclusive club, has had to adapt, leaving space for new voices to emerge.

This is where Logical Miracle was born, a collaboration between my love for music and the technical genius of my partner. For years, I wrote poems, not realising they were songs in waiting. Today, with the help of AI, music production software, and my tech-savvy partner, we’ve brought those words to life. The dream of working in a big studio isn’t necessary anymore; with the right tools and expertise, we’re able to create professional-quality music right from home.

Logical Miracle is the result of this collaboration. It’s not just a musical project, it’s a testament to the power of dreams and the possibilities that technology brings. What started as a simple idea has blossomed into something much bigger, a dream shared and fulfilled. Now, it’s time for our music to be heard.

So, whether you’re here to discover something new or to support two dreamers who have turned their passions into reality, we hope you enjoy the music of Logical Miracle. Your feedback means the world to us, if you like what you hear, let us know. And if not, that’s okay too, just be kind in your comments. Either way, we’ll keep creating, inspired by the knowledge that our partnership and technology have made this dream possible.

Thanks for listening, and welcome to the world of Logical Miracle.

I’m a songwriter first and last - not a performer. My focus is on the craft of the song itself, which is why my music has such a wide range. I don’t have one sound; I write for other voices and a vast variety of genres.

You won't find my face on a stage or my voice on a mic. My tracks aren't about building my own brand; they’re about creating a mood or a story that comes fully to life through the right singer.

ANDI VAX (Andrii Vakhnenko) - Ukrainian sound producer, remixer and composer

Founder of ANDI VAX and SynSUN projects
Author of popular video tutorials "Mixing Secrets" and "Answers"
Beta Tester: Access Music / Kemper Digital (Virus TI), Steinberg, Relab, XLN Audio, Liquidsonics
Creator of factory preset bank for Access Virus TI 2 synthesizer
Producer of official remixes for Joachim Garraud, Astral Projection, Yahel, Skazi, etc
Remixes of ANDI VAX were repeatedly supported by DJ Tiesto, Paul Van Dyke and Thomas Penton
Founder of online service of mixing and mastering www.ANDIVAXMASTERING.com
Author of popular video blog www.youtube.com/andivax

Awards and achievements:
2005 - Best guitarist version EMT for the track "Magic Fly"
2008 - "Breakthrough of the Year" (KISS FM)
2009 - "Hit Maker of the Year" (KISS FM)
2011 - "Best Producer of Ukraine" (Showbiza.net)
2011 - "Best Mastering Engineer" (Promodj.com)
2012 - "Best Producer of Ukraine" (Showbiza.net)
2013 - "Best Producer of Ukraine" (Showbiza.net)
2013 - "Best track of the Year" (Geometria Awards)
2018 - "Breakthrough of the Year" (KISS FM)
2023 - “3 Tracks in TOP 100” (YUNA)

"Electronic music is weird, man. Just like us."

Very early in music, Rochdee listens very young first rhythms SoulFunky, Disco and Garage. It is 15 years old, he started a few nights animation. 2 years later, he earned his first residence was 23 years. Then everything speeds up, it starts a compose his own songs in the spirit of early Daft Punk, a period of testing, refinement and learning. Lyon opened their arms. Among his memories, his meeting with Rocco, Manoo and Ambassade club staff, kris(AGLIA rec) ,Brahms ,Klement Bonelli (KROME rec) and their song on the American independent label Basement Boys records, passing the Ministry of Sound London and his audience very receptive and knowledgeable. But Lyon and Rochdee loves his demanding clubbers. Lyon is a major city or it is hard to break and the challenge is. Models:Tom Moulton ,Larry Levan ,Vincent Montana ,Patrick Adams ,Giorgio Moroder ,Danny Krivit ,Francois Kevorkian for soulFunkDisco ,Paul Simpson ,Kevin Saunderson ,Marshall Jefferson ,Jovonn Amstrong ,Little Louie Vega ,both DJ and producer ,Osunlade (yoruba) ,Blaze ,Kerri Chandler ,Q-Harris ,Spen ,Karizma & Teddy Douglas and Basements Boys records staff and much more For the House Music,. Today is 51 years old, Rochdee think these moments of pure music with the sounds of Chicago house music and 70’s, hope inspired by these influences for one day in a mixture can affect news generations .he also a great culture Disco / Funky music, being rocked from an early age, he has been collecting vinyl records from the time that his music does never turn off.he said; "we must live with his time, but not to forget where we come

Très tot dans la musique ,Rochdee écoute tout petit les premiers rythmes soulFunky, Disco et House Garage. C'est à 15 ans, qu'il commence à animés quelques soirées. 2 ans plus tard, Il gagne sa première residence . Ensuite, tout s'accélère, il commence, a composer ses propres morceaux dans l'esprit du début Daft Punk et du sampling, une période d'essai et d'apprentissage. Lyon lui ouvre les bras avec sont public exigent. Parmi ses bons souvenirs ,sa rencontre a l'époque avec Rocco ,Manoo ,Kris(AGLIA rec) ,Brahms ,Klement Bonelli et leurs morceaux sur le label indépendant Américain Basement Boys records , son passage au Ministry of Sound pour mensuel SOUL HEAVEN avec son public londonien très réceptif et connaisseur.Rochdee aime la nuit Lyonnaise et sont public exigeants. véritable challenge dans cette ville importante, ou il est difficile de percer. Ses modèles : Tom Moulton ,Larry Levan ,Vincent Montana,Patrick Adams ,Giorgio Moroder ,Danny Krivit ,Francois Kevorkian pour la soulFunkDisco ,Paul Simpson ,Kevin Saunderson ,Marshall Jefferson , Jovonn Amstrong ,Little Louie Vega, a la fois DJ et producteurs ,Osunlade (yoruba) ,Blaze,kerri Chandler,Q-Harris,Spen,Karizma & Teddy Douglas et le staff de B Boys rec et bien d'autre pour la Deep et House. Aujourd'hui a 51 ans , Rochdee repense a ces moments de pure musique avec le son house de Chicago et le son des années 70’s, en espérant un jour, s'inspirer de ces influences pour en faire un mélange intéressant pouvant toucher les générations a venir.Il a aussi une grande culture Disco Funk musique , étant bercer dès son plus jeune âge , il se mis à collectionner des vinyls de l’époque pour que ses musiques ne s’éteignent jamais. il dit,"On doit vivre avec son temps, mais ne pas oublier d'ou on vient"c'est important.

I am compiling the songs I have created as an artist since my younger days. 
I have retired from work,
and now I spend each day embraced by the light and breeze of the tropics.
Far from the noise of the city, I wake to the scent of the sea and the songs of birds.
Time flows gently here, as if the past and present versions of myself are quietly in conversation.

My main focus is on composing and arranging. 
I began my career as a game sound creator in the early days of the internet, credited under the name djnagureo.
I was also involved in planning games and apps, and even managed to successfully run a facility for children.
Those experiences earned me recognition from many people, and I am deeply grateful for them.

Now, as an artist, I want to create the music I truly desire.
To begin this journey, I started by recreating the kind of music I longed to make in my younger days.

I knew that in order to create the music I truly wanted—freely, without compromise, and untouched by outside influence—I had to achieve complete financial independence.
It took decades of persistence, and now, at 52, I have finally reached that point.
At last, I can devote myself entirely to making music for myself alone, without reliance on anyone.

Throughout my career, I have always delivered professionally in every project.
But to say I was creating 100% for myself would be a lie.
Now, however, I stand determined: every note I write belongs solely to me.

The works I have produced JPOP professionally have been released under a different name.

Please search for Nozomi Yoko.

New tracks tagged #Linndrum