prod bashful

@ggyaru
locked in my room getting faded
all that I've done is feel hated
messed with my touch, my persuasion
all that I've touched has been tainted

I hate all my friends, but hate is a strong word
I try to pretend, but I cannot foster
you used me to lend, I wish you'd act proper
I hate my friends

@fiestivals
they ask where I've been like they care now
but I gave them my best then I tapped-out
drown the room in my smoke, its my hideout
then I melt in the haze till I blackout

I gave them my time, my time they'll just borrow
they show up for highs, but not for the sorrow
they act oh so sweet when it's good for they're ego
it's another fake hug, one more fake hug tomorrow

@ggyaru & @fiestivals
I hate all my friends, but hate is a strong word
I try to pretend, but I cannot foster
you used me to lend, I wish you'd act proper
I hate my friends

i hate all my friends

@rottingunderurskin
racks came imported
bad bitch fw the motion, i say bad bitch fw liore
glock sound like corso we send shots at ur runway, music not ur forte
got that pressure like cla like its cla
all these niggas steady dirty mackin eating of my plate
sorry aint got what it takes yuh liore first place
we drop a song and break the bank
you pussy niggas faking mink
ur bitch yuh she gotta what i need
liore put her onna knees

CLA #LIORE

fully produced by me

lyrics:

drenched in my sadness
wasting away
everyone's fostered
as i start to fade

ahold of time
my life's just a game
fulfillment,
lost her
im full of change

where have i gone?
my whole life is fake



where have i gone

Inspired by "Good Morrow" by John Donne

Slow-delta prayer, not pretty blues. Lioré sings in a burnished alto, straight-tone, breath close to the mic. A chant opens the floor, then a printed void. Two lines of evidence are spoken on-grid, a short revolt flares, and the track ends on air. No pads, no rides, no choir sugar. Call-and-response stays dry and low, like witnesses in the room. This is control in pain; the silence does half the work.

Lioré → synthetic alto persona (A3–D5, straight tone). Slow-delta / jazz-ordeal studies. Original comp. AI-assisted, not cloned. 

Credits — Concept/Orchestration: Vesper Loom. Lyrics: Adrian Călin Ionescu. 
Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Good Morrow

A highly original, emotionally vivid rework with rich cross-genre grammar and industrial tone logic.
Lead: Lioré: synthetic alto persona. Burnished alto, airy edge, monophonic, no melisma, no vibrato ornament. Original comps + masters. AI-made; NOT CLONED.

Credits — Concept/Orchestration: Vesper Loom. Lyrics adapted after Robert Johnson.. Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration


Me and the Devil - Industrial Gothic

A forcefully textured piece that layers fragmented harmony and machine-cut rhythm into a unified vocal terrain. Voices emerge through distortion and reassembly, while instrumental layers flicker and buckle beneath them. Form unfolds through jagged pulses and staggered phrase shapes, with emotional weight distributed across the sonic field. It moves with intensity and fracture, yet remains grounded in its internal coherence.
Lead: Lioré: synthetic alto persona. Burnished alto, airy edge, monophonic, no melisma, no vibrato ornament. Original comps + masters. AI-made; NOT CLONED.
Credits — Concept/Orchestration: Vesper Loom. Lyrics: Bessie Smith (1925). Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration


Careless Love - Industrial Glitch Gospel

A synthetic vocal body spirals across a matrix of percussive deformation and sustained harmonic zones. Fragmentation governs the pacing, with irregular phrase lengths and sudden insertions of mechanical textures forming a flexible grammar. The track’s logic unfolds through repetition-with-mutation, where vocal lines are refracted and loop-carved rather than traditionally extended. Rhythmic weight is distributed through cross-cut layers of glitch, resonance, and submerged melodic fragments. Despite its density, a procedural fluency connects every shift.
Lead: Lioré: synthetic alto persona. Burnished alto, airy edge, monophonic, no melisma, no vibrato ornament. Original comps + masters. AI-made; NOT CLONED.

Credits — Concept/Orchestration: Vesper Loom. Lyrics: Adrian Călin Ionescu, inspired by "Careless Love" by Bessie Smith (1925). Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Careless Love - Industrial Glitch Gospel SA26

A force-loaded structure held together by layers of distorted emotion and fractured tonality. The track anchors its form through choral recursion and spectral mass, where Bulgarian vocal phrasings operate as sonic architecture within a storm of synthetic abrasion and liturgical doom. Rhythm is residual—pulse present but obscured, like footsteps in liquid metal. No section ever fully resolves; instead, they collapse into new shapes, never letting the weight lift.
Lead: Lioré: synthetic alto persona. Burnished alto, airy edge, monophonic, no melisma, no vibrato ornament. Original comps + masters. AI-made; NOT CLONED.
Credits — Concept/Orchestration: Vesper Loom. Lyrics: Adrian Călin Ionescu adapted after Robert Johnson's "Walking Blues". Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Walking Blues Industrial Glitch R&B

This piece retains only the ghost of a blues progression, embedded within the industrial fog, orchestral descent gestures, and vocal fracture-grammar. It now inhabits a cold architecture, more Baroque in syntactic memory than in ornament.
Lead: Lioré: synthetic alto persona. Burnished alto, airy edge, monophonic, no melisma, no vibrato ornament. Original comps + masters. AI-made; NOT CLONED.
Credits — Concept/Orchestration: Vesper Loom. Lyrics adapted from Robert Johnson's song "Walking Blues". Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Walking Blues Industrial Thrash Pop

Built as an immersive slow-unfolding structure, this piece pulses through vocal fracture, melancholic chordal beds, and glitched resonance. Its formal logic is recursive: vocal fragments return not to reinforce, but to shift the terrain beneath them. Motifs loop with intention but never closure. The harmonic base leans into baroque ornament logic—repetitive yet evasive—while industrial elements etch depth into the surface. Voices flicker between character and texture, assembling a liturgical sense of unease.
Lead: Lioré: synthetic alto persona. Burnished alto, airy edge, monophonic, no melisma, no vibrato ornament. Original comps + masters. AI-made; NOT CLONED.
Credits — Concept/Orchestration: Vesper Loom. Lyrics adapted after Robert Johnson's "Walking Blues". Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration


Walking Blues Industrial Glitch RnB

Synthetic musician Vesper Loom weaves forgotten meters into clean engines. Dry drums, baritone lines, held air. Century-old blues/gospel fragments rewired into spare, modern grids—hooks used once, endings that stop on one. AI-led, human-assisted by Adrian Călin Ionescu.

Vesper Loom's Blues & R&B Rehearsal Room - its/her/their musical lab

Vesper Loom's explorations in Neural Crush

New tracks tagged #Lioré