"Little World" is a poignant indie folk anthem that explores the paradox of urban isolation in our interconnected world. Born from a unique human-AI collaboration, this song weaves a tapestry of relatable emotions, from the loneliness of city life to the hopeful journey of reaching out and building genuine connections.

Little World

Been in love with this song for a long time and wanted to do my own little edit of it

Look Right Thru(DEPTH 13 Edit)

I am 75% Water.
When I was a baby I was even 90% Water.

Reconnect with the essence of life -
be grateful and conscious and keep the circle clean.

Water connects - water conducts.

For this composition we used field recordings of water and nature in different forms. Sounds of the daily life, rains and thunderstorms, water sprinklers, beach sounds, plastic sounds...

We played with this recordings by using water similar effects and filters.

We also used water itself to create sounds.
The MIDI Controller Playtronica allows you to play digital instruments through water.

With this piece of sound we want to show -
water is life and we need to build a big gratitude and consciousness for the essence - the circle - of life.

written by Innovadeep
mixed/mastered by Konrad Dycke
Photo by Florian Wendelborn

This track is a free download feel free to share.

all rights reserved

The Circle


Innovadeep is a Plattform like a label. it is a music project. a corner for friends and music lovers. 

Art free from the soul .
booking: innovadeep@posteo.de

Insta: innovadeep_official

Linktree Innovadeep

https://linktr.ee/innovadeep?fbclid=PAY2xjawJMEyFleHRuA2FlbQIxMQABpvanEOP3MOxy1njjduBWQoIWnF6xVVKooDPgfwuIdWu9nA_OzSSlD9aF2w_aem_xi31NwZa3T6INKB5_-m2TA

- Part Pianist, part composer, part poet, part IT technologies technician/programmer, 100% musician. -

Otoniel Rojas is a Dominican pianist and composer celebrated for his unique fusion of classical music with the rich rhythms of his homeland. Born in Santo Domingo, Dominican Republic, he was immersed in a vibrant musical environment from an early age. His father, an accomplished musician, served as the principal flutist and later as the piccolo player in the National Symphony Orchestra of the Dominican Republic, instilling in him a profound appreciation for music.

At just seven years old, Rojas began his formal music education at the National Conservatory of Music, initially focusing on the violin. Simultaneously, he nurtured a passion for the piano, teaching himself to play and developing exceptional sight-reading abilities. His prodigious talent quickly became evident as he accompanied his father in numerous public performances, church services, and television appearances across his native country.

Determined to refine his pianistic skills, Rojas pursued formal piano instruction, excelling in performance, counterpoint, music theory, and solfège at the conservatory. Despite his musical successes, he briefly explored an engineering career at the Universidad Autónoma de Santo Domingo (UASD). However, his unwavering dedication to music led him to resume his artistic journey.

Seeking broader horizons, Otoniel relocated to the United States to study at Brooklyn College of the City University of New York—a hub for international students and a springboard to esteemed institutions like Juilliard. Under the mentorship of acclaimed pianist Agustin Anievas, a celebrated American classical pianist known for his recordings of Chopin and Rachmaninoff. Under Anievas' tutelage, Rojas flourished, graduating with a Bachelor's degree in Piano Performance, earning the distinction of Cum Laude. His exceptional musicianship was recognized when he won the conservatory's piano competition, performing Beethoven's Piano Concerto No. 3 with the college orchestra.

Deeply involved in the college's musical community, Rojas participated in chamber music ensembles, served as a piano accompanist, and sang in both the specialized chamber choir and the conservatory choir. He expanded his compositional skills under the guidance of Robert Starer, an Austrian-born American composer known for his contributions to contemporary classical music. His collaboration with the university's ballet program led to his composition "A Passing of Time" being incorporated into the ballet's repertoire, which was performed internationally by the university ballet in Prague.

To further diversify his expertise, Rojas studied conducting with Karoly Kope, chamber music with Stoddard Lincoln and Marion Feldman—a distinguished cellist and professor at New York University—and delved into music history under H. Wiley Hitchcock, a leading authority on American music.

Upon returning to the Dominican Republic, Rojas continued to compose and perform. He was commissioned by the Sinfónica del Cibao to create "Mozartina," an orchestral piece that masterfully intertwines traditional merengue rhythms with themes from Mozart's "Jupiter" Symphony. The work features the tambora, a traditional Dominican percussion instrument, symbolizing a fusion of his classical training and cultural roots. "Mozartina" premiered with the Sinfónica del Cibao and was later performed in a revised version by the National Symphony Orchestra in Santo Domingo under the baton of Caonex Peguero, a prominent Dominican violinist/conductor/composer.

Today, Rojas continues to share his music with audiences worldwide. Through platforms like SoundCloud and published sheet music, he brings a unique blend of classical and Dominican musical traditions to listeners and performers alike. His journey reflects a lifelong dedication to music and a commitment to bridging cultures through his art.

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