Video Version: https://youtu.be/nB9DG_MknSE

Sunday afternoon improvised Jam. Warts and All. I kept it going as I wanted to keep experimenting and practicing. In a live situation, you'd have to keep going and figure out how to get out of you mistakes. Hopefully nobody really notices.

I did not alter the musical sequences at all, no new variations in melody or rhythm.... more just working on some sound design around Rings and bring parts in and out.

Gear Geek Production Stuff:
A short 2 bar loop off the Radio Music kicks things off filtered through the Ikarie Stereo filter with some minor modulation from Ochd. Not far behind, the TR-8S provides the steady backbone for everything with a steady 4 to the 4 kick for almost the entire piece. Hats and other percussive elements make their way in and out of the jam.  I introduce next the 8 Step 2hp Sine Bassline that just continues through pretty much through the entire track holding the groove in a clean simple way. 

A breakbeat loop comes in next coming off the Ectocore module where glitches of the loop and some bugged out delay fix do their chaotic business throughout.

Rings comes in with some trippy FM tones coming out of Typhoon for a simple quarter note rhythm and melody. Nothing to original with this, but it has its moments of sonic entertainment.

Braids with Sawtooth Triangle Oscillator Combo come in next with a little ominous entrance piped through the Intellijjel Sealegs Delay and Fog Reverb fx.

Two more parts to go!

The next element to make an entrance in this Jam is a. single Bassbot 303 line with a little knob twiddling in and out. Pairs well with the 2HP Sine Bassline.

The last element introduced is a somber guitar like Lead melody drenched in reverb wash coming off the super cool Plinky synth. I sequenced this part actually in Ableton, fed the MIDI out to one applet in the Plum Audio Ornaments and Crime MIDI app conversion from USB Midi to CV for Pitch and Gate into CV Pitch and Gate in on the Plinky. I haven't really dug in how to create original sequences on the built in sequencer on Plinky yet.

After all the parts have been introduced, I continue to go around the Befaco Eurorack case noodling with things, Bassbot 303 workout and TR-8S bringing Percussion parts in and out and one sub pattern change back and forth.

Basically, I'm just jamming out try to perform something interesting and evolving. I strip things down.. and then build attempt to build it all backup again.

#Roland #TR-8S #Ectocore #Marbles #RIngs #Typhoon #Braids #Sealegs #PlumAudio #Ornaments&Crime #Phaserville #Mosaic #Ikarie #Befaco #Maths #Plinky #Ochd #DivKid #WMD #ALM #PamsProWorkout #CycloneAnalogic #Bassbot #Touchable #Ableton

Chill Deep House Acid Breakbeat Techno Eurorack Jam

LiveJam
Tribe/ende bisl verkackt😅✌🏻

Tekkzone23-TreibenderSynht🧿

Deep. broody sort of track. Made with my current 2 favourite machines - OP-XY and Ableton Move. Hope you enjoy it! 
Watch the jam on my Youtube channel - https://youtu.be/UA-93RYTwpY

Set The Tone

LIVE JAM 25 5 5 ▶VIDEO

Episode 012
This episode features Fedo, a musician and producer based in Spain, whose deep-rooted connection to rhythm and love for raw, live energy shapes everything he creates. Blending the hypnotic space of minimal and deep house with a passion for live improvisation, Fedo’s music feels like a meditative dance — immersive, organic, and deeply human.

Each of his tracks unfolds slowly, guided by warm sub-bass, layered textures, and grooves that feel as natural as breathing. Crafted in Ableton Live, his process leans more toward live jams than traditional studio production, giving his sound a unique sense of spontaneity and soul. His live sets reflect this approach — a balance between form and freedom, designed to adapt and evolve in the moment.

At the core of Fedo’s sonic world is rhythm. With drums as his favorite instrument, he builds every composition from the inside out — with movement, with pulse, with intention. His music invites not just dance, but introspection.

“I write a track and release it into the Universe,” he says — and that spirit of openness is present in every note.

You can purchase Fedo’s original tracks on Bandcamp, including releases available on vinyl.

🎧 Explore more of Fedo’s work:

https://fedosound.bandcamp.com/
https://www.instagram.com/fedo.musica/
https://www.beatport.com/artist/fedo/16383/tracks

Bandcamp

012_PromoDJ show

“Hop and Step” is a feel-good instrumental groove born from a live jam. Featuring tight rhythmic interplay, funky basslines, and spontaneous melodic leads, this track brings the bounce and flow of live improvisation to life. Ideal for fans of jazz fusion, funk, and jam band energy, it's perfect for background vibes, live set inspiration, or just zoning into the pocket. Recorded live in studio.

Hop and Step

Set-Mieste.24.05.2025/Fl Studio21/
Korg Electribe2/blue/Red Mix/liveAction

Tekkzone23@Mieste-LIveSet.24.05.2025

Kind of drifty, kind of tense. A little off-grid, but it breathes. Trying to not overthink it. Forgiving errors and letting go.

Forgiving Error

“05.16.2025 1630.2150” is a deep-listening instrumental for fans of bass-forward, meditative groove music. Built from a live jam, the track unfurls like a ritual — loose, syncopated, and richly textured. It invites you to sink into rhythm without needing to chase it.

You’ll hear the fingerprints of Thundercat’s virtuosic low-end, the reverb-drenched soul of Khruangbin, and the modular weirdness of early Flying Lotus, all blended into something looser — less produced, more lived-in.

Set at a steady 120 BPM in A major, it walks the line between clarity and haze. It grooves but never hurries. There’s no chorus, no climax — just the hypnotic pull of repetition, variation, and small decisions made in real time. Think: music for walking in fog, for driving nowhere, for cooking with your phone on Do Not Disturb.

🌀 Perfect for:

Fans of psychedelic soul, ambient funk, lo-fi groove

Playlists like Brain Food, Pollen, Jazz Vibes, Late Night Drive

Background music that doesn’t fade into the background 

Looping while you sketch

Long walks in strange weather

Headphone-only late night listening

Fans of dusty synths, analog warmth, and subtle syncopation

✨ Similar Artists:
#Thundercat #Khruangbin #BADBADNOTGOOD #FloatingPoints #TameImpala #DâmFunk #MonoNeon #Mndsgn

🎧 Instrumental. No loops. Just groove, breath, and intuition.

💬 Drop a comment or DM if it hit you a certain way. Always curious what people hear in this.

🎚️ Recorded live, then lightly sculpted — imperfections intact. Let the groove breathe.

05.16.2025 1630.2150

“05.16.2025 1630.2150” and “05.16.2025 2150.30” are two parts of a continuous instrumental suite — a slow-burning, bass-led exploration of groove, memory, and musical intuition.

Recorded live in one take and split into two evolving halves, the suite flows at a steady 120 BPM but shifts key and mood over time:

Part 1 (A Major): grounded, meditative, hypnotic — like the start of a night drive.

Part 2 (D minor): airier, more abstract — the road opens up and things get cosmic.

No looping, no quantization — just raw improvisation. The bass leads, but textures drift in and out like thought fragments.

There are no loops, edits, or overdubs — just human hands working in real time with machine rhythm. It’s groove-led improvisation with the loose form of a jam and the intentionality of composition.

Recommended if you like:
Khruangbin, Thundercat, MonoNeon, BADBADNOTGOOD, Tortoise, Floating Points

Playlists it fits:
Jazztronica / Chillhop / Beats to Think To

Late Night Vibes / Brain Food / Psychedelic Soul

Lo-Fi Grooves / Ambient Funk / Modular Synth Spaces

Perfect for:
walking at night with nowhere to be

thinking without words

cooking slow food

healing from digital overload

"05.16.2025" is a two-part instrumental suite that drifts between ambient funk and psychedelic jazz.

Part 1 sets the foundation — a locked-in, live-recorded bass groove in A major. Part 2 expands the sonic space, shifting to G♯ with more ambient textures and off-axis rhythms.

Inspired by artists like Thundercat, Floating Points, and Khruangbin, this is music for headphone listening, deep thought, and subtle movement.

No loops. No overdubs. Just a real-time conversation between rhythm and intuition.

05.16.2025 2150.30 (May Sixteenth Part 2)

Las Olas Nocturna

A bouncy number using 3 pieces of hardware. Fun to play. I hope you enjoy it!
If you'd like to watch the jam it is on my YouTube channel here - https://youtu.be/Ea1NCl2_N8s

Techno Vibe 3

Modular patch I'm preparing for an ambient/idm live set. 
An evolving 16 min jam of textures, glitchy rhythms, and breakbeats
recorded live on my modular synth, no overdubs, with a light mixing in Ableton. 

Live Sketch_01

JXJ8 - Live Jam 002 ( Digitakt + TD-3 + RMX-1000 + SH-4d + MC707 )
.
IG: jxj8_music
YouTube: JXJ8 music

JXJ8 - Live Jam 2

Live Modular Performance – Raw Waves 2 from Sherpa Modular – Ç𝚎𝚛𝚜

🎧 For the best listening experience, please use headphones or a high-quality sound system.

A new improvised jam before heading off — dark, raw, and voice-driven.
This time, I introduced the Raw Waves 2 from Sherpa Modular, used to craft those eerie, ghostly vocals that haunt the background and push the mood deeper into shadowy territory.

Everything you hear was played live and recorded in one take — no computer, no edits.
Just a modular rig pushed to its expressive limits.

Special thanks to Carlos from Fader Shapes Studio in Barcelona for the incredible one-to-one lessons. His insights gave me new angles to explore live performance in a more fluid and dynamic way.

👉 If you enjoy haunted textures, hypnotic modular lines, and unfiltered techno energy, this one’s for you.

Follow for more live performances and behind-the-scenes content.

––––––––––––––––––––––––––––––––––––
Ç𝚎𝚛𝚜
🔗 https://linktr.ee/cers
Instagram / Facebook: @cersdj
––––––––––––––––––––––––––––––––––––

About Ç𝚎𝚛𝚜

I create and perform live DAWless techno — no pre-recorded tracks, no laptop.
Each performance is fully improvised and recorded in a single take, blending gritty atmospheres with unpredictable modulation.

Let me know what you think about the Raw Waves 2 and how it fits into the live set — curious to hear your thoughts!

––––––––––––––––––––––––––––––––––––

Setup Breakdown

⚙️ Effects & Mastering: MFX by ALM — giving spatial depth and subtle movement.
👁️‍🗨️ Modular Vocals: Raw Waves 2 by Sherpa Modular — deep, spectral textures with live control.
🌀 Textures & Melodics: Monsoon, Beehive (Plaits), and Turing Machine for evolving layers.
🎛️ Sequencing & Drums: Elektron Digitakt II + Syntakt — driving the groove with dynamic MIDI control.
🎚️ Live Modulation: Real-time interaction for raw, shifting energy.

Enjoy the ride — and let me know what it evokes for you.

––––––––––––––––––––––––––––––––––––
#LivePerformance #ModularSynth #DarkTechno #Improvisation #DAWless #Çers #Digitakt2 #Syntakt
#SherpaModular #RawWaves2 #FaderShapesStudio #LiveModular #TechnoJam #LiveSet #OneTake 
#HypnoticGrooves #EurorackLive #ALMMFX #Monsoon #TuringMachine #Plaits #Beehive #technomusic #technolive #synth #electronicmusic #music #dawless #darktechno #rave #technolive

Live Techno Set | Raw Waves 2 from Sherpa Modular | Hypnotic Modular Performance | Ç𝚎𝚛𝚜

THE DRAGONFLYERS kicked off their 2025 spring tour with raw energy and fresh sounds! We're cooking up a new album—a genre-bending fusion of DnB, UKG, and hip-hop—all instrumental. Before we hit the studio, we're bringing it to life on stage, starting each gig with live jam sessions that the crowd loves. 🎛️🔥 Follow this channel for the best moments from the road! #DragonflyersLive #InstrumentalFusion #JamSessionVibes

JAM 4

Soundscape meets Maha Mantra, arranged and performed by uXu

HARE KRISHNA

“Arbolito Divino,” written by Nick Barbachano, arranged and performed by uXu, pays homage to the restorative power of plants and honors the indigenous traditions of medicinal herb use

ARBOLITO DIVINO

Acid/Tribcore/ Frenchcore/
Hardtek🎹🧌❤️Tekno

Spielzeug:
Korg em-1 / Korg es2 Sampler/E2 Synthesizer
FL Studio 21✌🏻❤️TD-03

Wilde Bunker Atzen mukke💥                      
                                                                    
                                                                   
                                                              

Ich bin mit Musik groß geworden mein Vater hat mir den Vibe von echtem Sound gezeigt. Für mich ist Musik nicht nur ein Hobby, sondern pure Emotion. Jeder Track, den ich mache, steckt voller und Gefühl. Ich will das weitertragen, was mich geprägt hat mit BassHerz und Seele.🧌❤️

GIGS⚠️‼️
24.01.25Grosräschen Hundeplatz- Privat Party 🎈 
25.05.25 Magdeburg/Mieste- M.H.C
14.06.25 Geburtstagsparty 🥳 Nachfeier
28.06.25 B-Day Kwia-Tekkzone23- Mieste 🎈
12.07.25-

Modular synths, hardware, and ableton live 12

I’m Émilien, also known as Ç𝚎𝚛𝚜, a DJ an a live performer. Based in Barcelona, I craft dark and melodic performances inspired by my travels, underground explorations, and a meticulous approach to sound selection.

MusicLab is a global community of creative minds—DJs, musicians, and producers from Europe, North America, and beyond—united by a deep passion for electronic music.

We're proud to launch the world's first open-format promotional DJ podcast, inviting talented DJs from anywhere in the world to share their art. Our mission? To bring you only the finest sounds that meet our uncompromising standards.

Every week, we deliver a fresh, exclusive set from a rising DJ hailing from a new corner of the globe. It's your gateway to the most cutting-edge electronic music.

Subscribe now and join us on this journey of discovery. Experience the freshest beats, the choicest vibes, and the pulse of electronic music—delivered to you weekly.

#MusicLab #ProgressiveSounds #GlobalBeats #djset #djmix #techno progressive house

Just two people becoming the persons we were meant to become.

Experience Blueklyn’s latest sonic journey—a live experimental fusion of Drum and Bass, UK Garage, and Hip-Hop, performed at Manyi, Budapest. Featuring Sarosi Aron “Arons” on bass, Rabocki Balazs on sax, and Telek Attila on drums.

✅  use a pea-sized amount of toothpaste.
✅  use up and down strokes.
✅  be gentle.
✅  take your time.
⬜  don't forget to floss.

FREQUENCIES DISSOLVING.
FORMLESS TO ABSTRACTION.
ENTANGLED. RESOLVED.

I like Underground Dance and Electronically Based Music, primarily. Located in Dobbs Ferry (prior, I lived NYC and Boston before that). I use a mix of Analog and Digital Hardware Devices from across the decades and of course anything I can load up inside of Ableton Live (whatever the current version is). 

Back in the 1990's I release a few track under the name Sedona (https://www.discogs.com/artist/16184-Sedona) with Dale Charles (https://soundcloud.com/compago) releasing work on Boston's OHM Recordings (https://www.discogs.com/label/36574-OHM-Recordings-2) and LA's Rampant Records (https://www.discogs.com/label/3435-Rampant).

Live DJ Sets Fridays 5-8 pm ET on twitch.tv/blancodisco

I'm called Cavetrax as I'm "escaping into my cave" when I put the headphones on and make tunes. Music is the soundtrack to my life. Doing it for the joy. Hoping others out there will enjoy a track or two I've created.

Composer, Sound designer, Recording Artist
Electronic / Ambient / Soundscape
Original music from real synths.
© All rights reserved
PLEASE NO PROMOTERS . I DO MY OWN !
"Fear produces money while the absence of fear creates culture"
Vangelis Papathanassiou
AI music and voice production infects human creativity and inspiration.

CHRIS JUNOS, based in Alexandroupoli, Greece, is known for his DAWless, live-recorded electronic music with a Balkan/Mediterranean influence, as seen in his earlier work ΕΛΕΚΤΡΟ-ΝΙΚΑ (2022), which blends ambient, synth-pop, and ethnic Greek elements, suggesting GREEK DRAMA may continue this unique fusion.

https://chrisjunos.bandcamp.com

New tracks tagged #Livejam