
Raw mixdowns from this day's loop improv livestream. All tracks free to download.

Full VOD here: https://www.youtube.com/live/z1YQBIKPrOg

Jam 1 || dodgefighting // 09-25-25

Jam 4 || dodgefighting // 09-25-25

Jam 3 || dodgefighting // 09-25-25

Jam 5 || dodgefighting // 09-25-25

Kuwaiti Samri is Gulf folk music with a gentle 2/4 sway and a soft frame-drum pulse. In many gatherings you hear interlocking handclaps and chant-like refrains that rise and settle with a warm communal feel. This piece offers a modern instrumental take that features violin as a surrogate for the genre’s lead vocals. The usual call and response is set aside so the core sway remains, carried by a singing melodic line while a quiet frame drum keeps time. The result is intimate and cyclical, with phrases that lean into the beat, float above it, and return to the theme for a calm, hypnotic flow. It gives first-time listeners a clear window into Samri’s rhythmic heart without the crowd energy that typically surrounds it.

[CREATIVE NOTE]
This arrangement adopts the violin as the principal melodic voice throughout, drawing on the Kuwaiti ṣawt tradition to stand in for Samri’s vocal line. Violin is not standard in classic Samri settings. Its use here is an intentional compositional choice that preserves the style’s gentle sway and measured cadence while presenting the melody instrumentally for clarity and learning.

Folklore Interlude - Samri Style Instrumental

A 12 minute journey. Discordant electronic sounds, vocals, pumping beats and penetrating chromatic vocals. 

Refuge

Raw mixdowns from this day's loop improv livestream. All tracks free to download.

Full VOD here:

Jam 2 || pete's peeves // 09-30-25

Jam 4 || pete's peeves // 09-30-25

Jam 1 || pete's peeves // 09-30-25

Raw mixdowns from this day's loop improv livestream. All tracks free to download.

Full VOD here: https://youtu.be/_lwchr90lvM?si=S8NaQHm-2YFk0B5B

Jam 3 || pete's peeves // 09-30-25



Raw mixdowns from this day's loop improv livestream. All tracks free to download.

Full VOD here: https://youtube.com/live/4w0LZjfycnE

Jam 1 || Canadian wild fries // 10-06-25

Welcome to the next LongForm! Klysterik is ¼ of the DJ collective and radio show Veldig Klubb.

With roots stretching from house and techno to metal and goth rock, Klysterik’s sets dive deep into his collection to uncover unique gems and unexpected blends. Lately, he’s been crafting his own productions across different projects — exploring sounds that move between dubtechno, UKG, house, deep dubstep, breaks, and darkwave.

Expect soundscapes, ambience, bass, melancholy, and feelsy harmonies — inspired by artists like Scuba, Mortiis, Skelesys, Not Even Noticed, Thing, QZB, and Marcel Fengler.

💬 “I’ve always had an interest in music, but got into DJing through Kasper (Romskip & Planeter), who showed me some killer drum’n’bass tracks back in the early 2000s. I bought some mediocre turntables and a mixer with my christening money (didn’t last long!). Fast forward to 2020, we started Veldig Klubb here at Vers Libre — now turning 5 years and 150 shows strong!

Vers Libre: Long Form featuring Klysterik - 14.11.2025

An extended drift through evolving harmonic space — a slow, deliberate unfolding of tone shaped by quiet motion and layered resonance.

The track begins in soft focus, gathering density as immersive textures rise and intertwine. Mid-track, the soundfield opens fully, revealing a delicate interplay of shifting harmonics and spectral shimmer, before tapering into a spacious, reflective glow.

Every moment feels alive with subtle energy — waves of tone crest and dissolve with hypnotic regularity, while the stereo field expands and contracts like breath.

Meditative and expansive: a longform ambient trance journey sculpted from movement, memory, and luminous stillness.

5.5x

“St. Lawrence” is the opening track from my new album "Saints", released by Oxtail Recordings. The full piece runs nearly 28 minutes, this is a shorter excerpt.

"Saints" marks my return to releasing music after a four-year hiatus. During that time, I relocated from Australia to Alaior, a small town in Menorca (Balearic Islands), and was gradually drawn into a new landscape of sounds, textures, and emotional states.

The album is built around two field recordings of traditional tunes from Alaior’s local saint festivities: St. Lawrence and St. Anthony. These fragments became the anchors for two longform ambient compositions, woven with drones, synths, and additional field recordings; an attempt to drift through memory and place, much like I’ve done in recent years.

St. Lawrence is celebrated around August 10th, right in the middle of Menorca’s high summer. I hope this excerpt resonates with you, and if it does, please let me know somehow.

👉 Support the full release: https://subespai.bandcamp.com/album/saints

St. Lawrence (excerpt)

Albatross Demo

Albatross (Untitled/The Long Song/Impending Ending)

Layered sounds for deep listening. Sent to your inbox on the first day of each month. Thanks for listening :) 
🔗: linktr.ee/goodtextures

TRACKLIST

Flowing Chimes — Wild Eden Nature Sounds
Dui – 兑 — Christiaan Virant and 张荐
Død & Hav — Sofie Birch & Johan Carøe
La Leçon — Aiko Takahashi
The Engines Are Dead And So Are We — Earth Mother Spectral Pilot
Birkenschlag — Simon Popp
Non C'è Nessuno — Sara Berts
VCV Chaconne — Matt McBane
When the Earth Weeps — Mychael Danna & Tim Clément
Fairy Link — Susumu Yokota
Convince Me To Stay — Joy Guidry
Sustain — Felbm
June Nineteenth — SPELLMAN
Dusk — Dylan RT
Orbits — MuMu
Fastened Maze — KALI MALONE
November Variations (2024) – Tuesday 11/12/24 (Live) — Stuart Bogie & Buck McDaniel

Good Textures 12

Title: Where the Night Softens
Artist: Kamioto Roi
Genre: Ambient Fusion / Microtonal Drift / Multi-Temporal Ballad

Released as part of Kamioto Roi’s post–Oct 25, 2025 debut series —
a long-term creative research project exploring 24-TET tuning, microtonal design,
multi-temporal architecture, and atmospheric fusion.

Created through a Human × AI co-creative process:
the musical direction, composition, harmonic design, structural flow,
mix concept, and final decisions are crafted by the artist,
while AI assists only in selective textures and supportive elements.

Where the Night Softens is a 7-minute, 24-second fusion ballad shaped by
continuous harmonic drift, 24-TET microtonal shimmers, and soft pitch-glides.
It unfolds as a nocturnal journey where emotion loosens and the night becomes gentle.

Warm FM textures and bending modulations merge with
multi-time layering in drums, bass, and keys,
creating a floating sense of suspended gravity.
Sax-like melodic phrases, expressive guitar lines,
and minimal airy scat trace a quiet emotional arc.

The harmonic motion transitions through:

A harmonic minor → A♭maj → Fm → C#

forming a cinematic progression where
the night gradually softens into light.

A reflective, elegant piece crafted for listeners who love
night moods, microtonal colors, and atmospheric fusion storytelling.

🔗 Official Website
https://kamiotoroi-official.jimdosite.com/

タイトル： Where the Night Softens（夜がやわらぐ場所）
アーティスト： 神音 呂伊（Kamioto Roi）
ジャンル： アンビエント・フュージョン／マイクロトーン・ドリフト／多軸テンポ・バラード

2025年10月25日のデビュー以降、
24平均律・マイクロトーン・多軸テンポ・長尺構造を独自に探求している
神音 呂伊（Kamioto Roi）による、Human × AI 共作作品 です。

作品の方向性・構造設計・作曲・和声・時間操作・最終判断は
すべてアーティスト本人が担い、
AIは 音色表情・質感補助・限定的な素材生成 にのみ協働しています。

《Where the Night Softens》は、
7分24秒で展開する静かなフュージョン・バラード。

連続的な転調、24平均律による微細な音のゆらぎ、
柔らかなピッチグライドが “夜のやわらぎ” を描き、
ドラム・ベース・鍵盤の 多軸テンポ構造 が
静かに漂うような浮遊感を生み出します。

サックスを思わせる旋律、表情豊かなギターフレーズ、
エアリーなスキャットが、
作品全体を包み込む静かな情緒をかたちづくります。

ハーモニーは

A harmonic minor → A♭maj → Fm → C#

へと自然に移行し、
“夜が光へとやわらぐ瞬間” を描く映画的な音風景へとつながります。

夜の癒し、情緒的なフュージョン、
物語性のあるアンビエントを好む方に向けた一曲。

🔗 公式HP
https://kamiotoroi-official.jimdosite.com/

#AmbientFusion #FutureAmbient #Microtonal #24TET #MultiTemporal #FusionBallad 
#NightMusic #CalmMusic #CinematicFusion #EmotionalAmbient #AtmosphericFusion 
#LongFormMusic #NocturnalSound #HealingFusion #SlowNight

Roi Kamioto – Where the Night Softens

atypical stereo type

B-Side 1-1 is Alex Sitze + Ian Holland-Fry.

Layered sounds for deep listening. 

🔗: https://linktr.ee/goodtextures

Kamioto Roi is a Japanese ambient composer who paints the unseen landscapes of the soul through sound. 
His music is a fusion of cosmic resonance and gentle healing tones, inviting listeners to drift beyond time and space. 
Each composition is a celestial gate, leading toward meditation, inner peace, and spiritual awakening. 
With more than one hundred original works, Kamioto Roi continues to weave soundscapes that embrace both the mystery of the universe and the quiet beauty within.

神音呂伊（Kamioto Roi）は、音を通して魂の見えざる風景を描く、日本のアンビエント作曲家です。 
その音楽は、宇宙の共鳴と優しい癒しの響きが溶け合い、聴く人を時空を超えた漂いへと誘います。 
ひとつひとつの作品は「天上の門」であり、瞑想・内なる平和・そしてスピリチュアルな目覚めへの道を開きます。 
100曲を超えるオリジナル作品を持ち、宇宙の神秘と内なる静けさを結ぶ音の風景をこれからも紡ぎ続けていきます。

Echoform+ModeM is a new creative chapter and collaboration heavily influenced by the innovation, logic, and precision of early 1990's electronic music and modern day technical mechanix inspired by artists such as Time Modem, Lassigue Bendthaus, Aes Dana, Geomatic, Clock DVA, Implant Code, Sundial Aeon, E-Mantra, Artefakto, Trilithon, The Klinik, X Marks The Pedwalk, Handful of Snowdrops, and labels Music Research GMBH, Abfahrt, Boy, Ausfahrt, and Ultimae, among others. The music is a fusion of cerebral intelligence and trance influences. This is not techno dance floor drudgery.

My ideas were never my own. I belong to the universe.

Vers Libre is a community radio station based in Bergen, Norway.
Will you host a show on Vers Libre? Send us a message!

I’ve always lived at the crossroads of music and poetry — where feeling becomes form, and melody turns memory into meaning. Whether it’s a lingering jazz note, a well-placed rhyme, or a shift in tempo that tells a deeper story, I’m drawn to that quiet magic where art reflects life with a little more style.

My roots are in classic music — the kind that doesn’t chase the moment but lingers with you long after the last note. Over time, that love expanded into poetry writing and jazz — especially the kind that swings, speaks, and smirks all at once. Jazz, to me, isn’t just a genre; it’s a personality. A conversation. A little tilt of the head and a grin that knows more than it says.

When I set out to create an album, it’s rarely just a collection of songs. I approach it like a personal playlist — one that drifts and flows as if the entire tracklist were one long, uninterrupted piece. Each track leans into the next, shifting mood, pace, or voice, but always carrying the same thread of feeling. I want you to listen the way I do — not as a shuffle of moments, but as a cinematic arc. One breath that lasts an hour.

Lyrically, my work is rooted in lived experience. Sometimes it’s obvious. Other times it’s just the skeleton of a memory, dressed up in wit, irony, or longing. I draw from real-life events, then let the poet in me twist, stretch, or sweeten them to taste. Depending on the tone of the album — playful, romantic, nostalgic, or something in between — I try to keep the emotional truth intact while giving it a fresh coat of creativity. A little humor where it fits. A deeper dive where it hurts.

My newest jazz album continues this tradition — short-lined swing tracks, conversational duets, and tongue-in-cheek storytelling. It’s an homage to late-night alleyway ballads, rooftop serenades, and train station goodbyes — all bound together with a sense of charm and cohesion. Each song is its own little scene, but together they tell a story — one you can revisit with each replay.

Thanks for stopping by my profile. I hope you find something that earns a spot on your repeat-play list — a melody, a lyric, or a moment that feels like it was written just for you.

Subespai is Mauri Edo, a sound artist working with found sound, repetition and volume to explore and express complex thoughts and ideas on existence, society and the self.

New tracks tagged #Longform