Breath (Prod. Whitemayo)

do u need?

knew when i first saw u u were a different individaul

spotify

DIFFERENT

a slow number for you to dance with your partner. 


Subterranean Skies

Music composed for the short film - To Be Determined (not published)

The Bridge

too swag

Flutter

Chill Ibiza Minimal Tech House

DJ MAKE - Tisha Tweakin Mix

Inspired by Ben Böhmer sounds with oppressive synths and driving beats.

Indian Flowers

day dream

Walls

last weekend we stayed at our space for quiet some time.
after a while.. long after the afterhour we decided to play another set.
this time - no rules. whatever comes to mind.

since we play with 4 decks 3-4 tracks were constantly playing.
and considering the space and time we were in..  
with just a handful of people… pretty trippy and  lots of fun :)

enjoy ❤️

18.10.2025 Dualism @ lush.play Trippy After-After Hour

Just wanted to share a little snippet of some actual music with actual drums that sounds almost like it could be released.

I'd be super grateful if musically inclined friends could let me know how the mix sounds please? I'm struggling a lot recently with being an ear-blind loser who after 10 years still can't mix a snare to save his life and I'm not really sure if I'm making something that sounds good or that sounds terrible! Ta much 🙂

It's Time To Come Home (Drum/Mix Test Finale)

“Like the generations of leaves, the lives of mortal men. Now the wind scatters the old leaves across the earth, now the living timber bursts with the new buds and spring comes round again. And so with men: as one generation comes to life, another dies away."

—The Iliad, Book VI, lns. 171-75

Just trying to get better. Looking to work with as many people as I genuinely get a joy out of music

Composer, etc, looking to collaborate for soundtrack, game, tv, etc... Currently working with "Cheong's Cosmic Tape Theatre" in Kuala Lumpur composing intros, outros, and incidental music for theatre productions. https://www.youtube.com/@CosmicTapeTheatre

Mr. Bleck (born in August 1978 near Berlin) is a German music producer. I love various styles like hard house, minimal, and low-key sounds. Music is the answer...

Brian L.H. Gunter is an experienced composer for media, and when in his element, Brian is blending classic scoring orchestras with modern synth and guitar. Approaching each score fresh with his own style while leaning into influences like Benjamin Wallfisch, Alan Silvestri, Nicholas Britel, Ludwig Göransson, or James Newton Howard, grounding each score with  his own twisted take on story immersive sound design.

A classically trained cellist and experienced multi-instrumentalist, Brian is proficient in guitar, bass, piano, and an assortment of other instruments and musical technology. He is an avid fan of both orchestral and popular music. Throughout college, Brian played in small ensembles, chamber groups, and symphonic orchestras, while also performing guitar and keyboards in top 40, rock, and metal bands.

Brian’s career took a significant leap with his first feature film score for "You Might Get Lost," directed by James Eaves and released in 2021 by Amber Pictures in the UK. This ambient hybrid score of synths and orchestra harkens back to Carpenter-esque genre classics, underpinning much of the film’s emotional current and gradually raising the intensity along with the protagonist's desperation. 

For Eaves' follow-up feature, "The Apocalypse Box," released in August 2024, Brian was tasked with creating a dramatically different score. Eaves requested a departure from the sparse ambience of "You Might Get Lost," aiming for a classic symphonic horror score. Drawing inspiration from Jerry Goldsmith’s "The Omen" (1976) and Fernando Velázquez’s score for "Devil" (2010), Brian crafted a
composition that is frenetic and bombastic at times yet somber and reflective at others, focusing on clear motifs that put the tension low in the viewer’s gut. All while maintaining his own flair and signature style.

In early 2024, Brian was brought on board by director Yvonne Williams of The UNcollective Productions to score her debut feature film, "White Vinegar." Yvonne chose Brian after bonding over their shared love and language for music and artists across the board. For "White Vinegar," Yvonne wanted Brian’s orchestral touch blended with elements of musical theater, inspired by Sondheim, and incorporating original songs Yvonne also wrote for the film. The blending of styles and interconnectedness of themes across Brian’s score and Yvonne’s songs created a cohesive and wildly distinctive sonic landscape. “White Vinegar” is slated for release in 2025. Just two months after wrapping “White Vinegar”, Yvonne enlisted Brian again to score a 10-minute proof of concept for her another scripts of Yvonne’s, “Rubber Room,” an intense thriller with a science fiction twist. And before Rubber Room begins production, Brian is joining Yvonne again for a third of her scripts, a holiday road-trip comedy that puts the trials of family relationships front and center.

Brian’s adaptability and creativity were put to the test with “Bloody Felt,” a horror/comedy/musical/Muppet parody by young filmmaker, Sam Torres. The project demanded a range of musical styles, from a classic children’s puppet show theme to EDM, Dubstep, and Argent Metal, alongside a classic horror score, and even a musical theater inspired piece. Brian managed to weave themes throughout each style to create chohesive musical support all within six minutes of screen time. After a public screening the film and music received overwhelmingly positive feedback, highlighting Brian’s ability to seamlessly blend disparate styles. 

While the goal is only ever to provide emotional support the film and characters demand as set by the filmmaker’s vision, Brian L.H. Gunter’s body of work exemplifies his ability to push musical boundaries and create unforgettable scores, cementing his reputation as a composer who brings a unique sonic identity to every project.

swiss producer based in zurich..
they run 'NUMBOLIC' [vinyl+digital]
www.numbolic.com
www.numbolic-unlimited.com
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general enquires: music@numbolic.com
say hello: info@dualism-music.com

I was promised a better life. But when I got to Mars, I was stripped of my rights.

Cats and Crows are an acoustic group from North Wales, Chester & Holywell.

New music every Sunday on SoundCloud and every Friday everywhere else

https://open.spotify.com/artist/2KWVrQxzJxZIDWtKCDOcz0?s
I’m on all plats so u can listen wherever it’s most convenient.
Got new shit coming every Friday on every platform 
But will be posted here first so all my SoundCloud followers get to hear it before it drops

Our job is to feed you. DM FOR SERIOUS INQUIRIES

Music making fiend coming from the depths of the underground.

New tracks tagged #Low Key