This heartfelt song is a powerful reflection on the enduring strength of love and forgiveness. It explores the idea of embracing love as a guiding principle, even in the face of pain, betrayal, and uncertainty. The lyrics combine English and Japanese, creating a sense of universality and depth, while the repeated affirmations of forgiveness and balance convey a profound inner resilience.

The central theme of the song is the act of forgiving not just the past, but the future—an acknowledgment that love requires faith in what lies ahead, even when it’s uncertain. Lines like “I forgive the future I cannot see, so when it comes to pass, I can finally breathe” highlight the narrator’s commitment to moving forward with love, rather than being burdened by fear or resentment.

In the verses, the narrator reflects on their experiences of love and pain, emphasizing the importance of choosing love over bitterness. The line “Love’s a battle we don’t always win, but I never learned how to let hate sink in” encapsulates the strength it takes to hold onto love despite challenges. There’s a sense of vulnerability in the acknowledgment of hurt, but also a steadfast refusal to let that hurt define them.

The choruses elevate the message of forgiveness and love as limitless forces. The integration of Japanese phrases like “心と脳のバランス” (a balance between the mind and heart) and “愛は無限の力” (love's an endless force) reinforces the song’s spiritual and emotional depth, connecting personal resilience to a universal concept of love as a guiding light.

The bridge serves as a meditative moment in the song, where the narrator reaffirms their choice to view the world through love’s embrace. It’s a declaration that bitterness has no place in their heart, even when faced with rejection or betrayal. The repeated theme of balance between the heart and mind underscores the narrator’s thoughtful, intentional approach to living with love.

By Verse 3, the narrator acknowledges the challenges of staying open to love, noting the risk of being hurt but asserting that love remains the ultimate truth. The song ends with an outro that ties the themes together, reminding listeners that forgiveness is a gift to oneself, and love, even when tested, is the only way to truly be free.

This song is a celebration of resilience, forgiveness, and the transformative power of love. It acknowledges the scars and struggles that come with loving deeply, but also serves as a reminder that choosing love—despite everything—is the greatest strength of all.

The inability to hate

One of the most haunting and psychologically intense tracks on the Regrets album, Puppeteer is a chilling self-confrontation—a deep dive into control, self-sabotage, and the realization that we are often our own worst enemy. The song presents the narrator as both the puppet and the master, acknowledging the choices, pain, and patterns that have led to repeated heartbreak and betrayal.

The intro opens with a moment of self-doubt: "Where did I go wrong? Where did it start?" But before the blame can be placed elsewhere, the truth emerges—it was always them pulling the strings. From the first verse, the song shifts into a dark, almost menacing realization: "It’s me, bitch, who else would it be?" The narrator admits they are the architect of their own suffering, orchestrating their own downfall, allowing toxic people in, and ignoring every red flag.

The verses take on a cold, commanding tone, painting a picture of someone who both sets the stage for their own destruction and then plays the victim when it all collapses. The repeated imagery of knives, doors, walls, and strings creates a sense of fate being predetermined, as if every bad decision has already been scripted and rehearsed. "I tell you stop, you run full speed. I tell you ‘no,’ but you fucking bleed."—the narrator acknowledges their reckless tendencies, fully aware of the consequences but seemingly unable to stop themselves.

The choruses reinforce the song’s theme of control, with eerie, almost theatrical phrasing:
"The stage is set, the lights are low, guess who’s runnin’ the fuckin’ show?"
This line serves as both a confession and a warning—the narrator controls everything, yet they still feel trapped.

As the song progresses, frustration turns into cold, calculated resolution. The bridge is where the narrator makes their final decision:
"You begged for love, but love’s a lie, a pretty trick to waste your time."
This is a full rejection of hope, compassion, and trust. The realization hits that letting people in only leads to pain, so the narrator decides to pull the strings tighter, closing themselves off entirely.

By the final chorus, the song reaches its most haunting and hypnotic moment. The strings are pulled so tight that movement is no longer possible—the narrator has locked themselves into a fate of control, but at the cost of emotional freedom. The outro fades into whispered, mocking tones:
"Sweet dreams, puppet."
With that final line, the song leaves listeners in a chilling silence—who is truly in control? Is the narrator finally safe, or have they simply imprisoned themselves in their own protection?

Puppeteer is a dark, introspective track that tackles self-sabotage, emotional walls, and the illusion of control. It fits into the Regrets album as a moment of raw realization—the understanding that the pain isn’t just from the outside world, but also from within. It’s a song about coming to terms with the role we play in our own suffering, and the terrifying decision to either break free or tighten the strings.

Puppeteer

‘The Clock and the Rope’ is an acoustic song about time running its course and the weight of choices that can’t be undone. Each second moves forward, each mistake stays behind, and some things can never be rewound. It’s simple, raw, and filled with the quiet truths we all face.

Lyrics:

There’s a clock on the wall that stares me down,
Each tick a threat, each chime a sound,
It binds my steps, it holds its ground.

The rope hangs loose, it sways with time,
A silent keeper of every crime,
It counts the weight of my own design.

The clock and the rope, they wait for me,
A silent judge I cannot see.
They pull my choices into the fire,
A slow confession of my desires.

I try to run, but they pull me back,
Each second tightens the endless track,
A line I walk but can’t retract.

The clock and the rope, they wait for me,
A silent judge I cannot see.
They pull my choices into the fire,
A slow confession of my desires.

The clock and the rope, they wait for me,
A silent judge I cannot see.

The Clock and the Rope

The Clock And The Rope

🍂 Seasons Change
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🌧️ “Seasons Change” is a sweeping country-pop ballad that reminds us how life, love, and time are always shifting. With melodic hooks, uplifting choruses, and a sound that blends folk and country-pop, this song is perfect for reflection, growth, and embracing change.

🔥 For fans of: Faith Hill, Kelsea Ballerini, The Band Perry, Trisha Yearwood

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🎶 Let the seasons carry you forward—press play now! #SeasonsChange #CountryPop #MelodicStorytelling #LifeLessons

Wildfire & Grace

Seasons Change

🌑 Eclipse🌗
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💋 Some loves burn so bright, they disappear just as fast. “Eclipse” is a moody, seductive country-pop anthem about love that’s fleeting but unforgettable. With hypnotic melodies, sultry vocals, and deep storytelling, this song captures a romance that was never meant to last.

🔥 For fans of: Kelsea Ballerini, Carly Pearce, Lady A, Bailey Zimmerman

📢 Tag a friend who needs this on their playlist! 🎵👇
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🌘 Fall into the darkness—listen now! #Eclipse #CountryPop #ForbiddenLove #HauntingMelodies

Eclipse

Prod. by OBMP Music
https://www.hellraizer.com/music/

Dying to Forget

Listen to more

A confessional from the ashes.
“I Wasn’t There” is a letter to the people I failed when I was drowning in addiction—my brother, my father, my past self. It's the guilt that won’t fade and the promise to never forget. This ain't just a song, it's a scar set to melody.

I Wasn't There

🎵 "Boyfriend" by 4Me2BeFree

🔻 Song Insight

“Boyfriend” is a gentle, aching confessional set against a soft acoustic backdrop — a yearning heart’s quiet prayer for something real. With layered guitar textures and a voice full of both hope and hesitation, the song captures the in-between space: no longer heartbroken, but not yet whole. It’s about longing — not just for love, but for something genuine in a world that often trades depth for convenience.

The song’s repeated refrain, “To cuddle and be gay,” becomes both a mission statement and a soft rebellion — a reclamation of intimacy that’s playful, honest, and proudly queer. Wrapped in reverb, carried by fingerpicked melodies, “Boyfriend” doesn’t beg for attention. It just exists, in all its soft, imperfect beauty — and that’s what makes it unforgettable.

🔻 Lyrics

[Intro]  
I know I’m okay  
Just lonely today  
I miss having a friend  
Like the one that ran away  

[Verse 1]  
I manage on my own  
Going to sleep alone  
Making meals for two  
When there’s only one  

[Pre-Chorus]  
I’m learning to be okay  
Taking it in stride  
Hurts a little less  
I’m a hot little mess  

[Chorus 1]  
I want something more  
A boyfriend to adore  
To laugh and play  
To cuddle and be gay  

[Verse 2]  
It might be strange  
But I take it slow  
I’m not the type  
To love then let go  

[Pre-Chorus]  
Look into his eyes  
Find love before I die  
I won’t hide away  
Pretending it’s all okay  

[Chorus 2]  
I want something real  
A boyfriend who can feel  
To laugh and play  
To cuddle and be gay  

[Verse 3]  
To know where to start  
There must be a better way  
They talk about some app  
But that’s just not my lane  

[Verse 4]  
This love I have inside  
Is the real deal, for real  
I don’t want to share my man  
I hope you understand  

[Chorus 3]  
I want something true  
A boyfriend to hold on to  
To laugh and play  
To cuddle and be gay  

[Verse 5]  
It’s just you and me  
Let’s bridge our lives  
To see eye to eye  
Stay by my side  

[Verse 6]  
I know I’m crazy  
Hopelessly obsessed  
I just want someone to lay…  
*their head upon my chest*  

[Outro]  
I promise I’m worth it all  
Just waiting on your call  
Let’s start something small  
Let’s start something small  

[Chorus 4 – Soft Reprise]  
I want something more  
A boyfriend to adore  
To laugh and play  
To cuddle and be gay 
 
🔻 Personal Reflection
This song came from a place of quiet clarity. I wasn’t heartbroken — not anymore — but I wasn’t healed either. I was just... still. Still waiting, still wondering, still making two plates for dinner even though I eat alone. “Boyfriend” wasn’t written for a specific person. It was written for the idea of someone — someone who could see past the mess, the noise, the years of almosts and not-quites, and just... choose me.

It’s kind of funny, really. For a song that says “I want something more,” it’s made from the simplest things: a guitar, a voice, a line that stretches just long enough to make you ache. But that’s the whole point. Love isn’t complicated. People make it that way.

This song is me, saying I’m still here — still soft, still hopeful, still looking for a kind of love that laughs, plays, cuddles, and doesn’t flinch when I say “gay” out loud.



🔻 Copyright Notice
"All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited."

Boyfriend

I do not like my state of mind;
I’m bitter, querulous, unkind.
I hate my legs, I hate my hands,
I do not yearn for lovelier lands.

[Chorus]
I shudder at the thought of men. . . 
I’m due to fall in love again

I dread the dawn’s recurrent light;
I hate to go to bed at night.
I snoot at simple, earnest folk.
I cannot take the gentlest joke.

[BRIDGE]
Maybe you think I’m being unreasonable,
And falling in love isn’t seasonal,
But like hay fever hits my nose,
That’s the way romance goes

I find no peace in paint or type.
My world is but a lot of tripe.
I’m disillusioned, empty-breasted.
For what I think, I’d be arrested.

I shudder at the thought of men. . . 
I’m due to fall in love again

I am not sick, I am not well.
My quondam dreams are shot to hell.
My soul is crushed, my spirit sore;
I do not like me any more.

I shudder at the thought of men. . . 
I’m due to fall in love again

I cavil, quarrel, grumble, grouse.
I ponder on the narrow house.
I shudder at the thought of men. . . 
I’m due to fall in love again.

I shudder at the thought of men. . . 
I’m due to fall in love again

Original Poem 'Symptom Recital' by Dorothy Parker


I Shudder At The Thought Of Men

Based on Invictus
Poem by William Ernest Henley

Out of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate,
I am the captain of my soul.

Beyond the pain,
Beyond the doubt, 
Beyond the dark,
My light shines out,

I can only be free,
Because inside of me,
Is an unconquerable soul,
Indivisible and whole.

So don’t give me your shouts,
And your derision,
Your sneers and twisted face,
Because you have no vision,

Of a better world,
More beautiful than this,
That we will bring to be,
It is a certainty,
It is an inevitability 

We are captains of our souls

I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.
My head is bloody, but unbowed.
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.
It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate,
I am the captain of my soul.

I am the master of my fate,
I am the captain of my soul.

I am the master of my fate,
I am the captain of my soul.

Unconquerable Soul

Dying Sun is an evolving journey. This is where our take on alternative rock, post-rock, ambient rock, shoegaze, and experimental music converges to create something raw, real, and unfiltered. This is a space to discover immersive, atmospheric soundscapes that push boundaries and explore the edges of emotion. We’re not about playing it safe. This is about exploring the edge—where light fades into shadow, hope clashes with power, and the music pulls you into something deeper.

Every track we share is a piece of a bigger story—a moving, ever-changing cycle of endings and beginnings. It’s not about polished perfection; it’s about capturing the moment as it unfolds. Heavy textures, haunting melodies, cinematic soundscapes, and unexpected turns define our sound. It’s where destruction and beauty collide, creating music that resonates deeply and stays with you.

We use SoundCloud as a space for authenticity. This is our workshop, our testing ground, where raw demos and ideas take shape. Every track here offers a glimpse behind the scenes—rough cuts, early takes, and unpolished material that may never make it to an album but still tells an essential part of the story. It’s music at its most honest.

Your plays, your comments, your love—and even your critique—drive this journey forward. You’re not just a listener; you’re part of the process. Together, we’re shaping the sound and vision of Dying Sun’s future.

So hit play. Discover atmospheric rock, cinematic post-rock, and raw, shoegaze-inspired sounds. Let the music take you somewhere new, challenge you, and inspire you. Every ending is just the start of something greater, and this? This is where it all begins.

𝕳𝖊𝖑𝖑𝕽𝖆𝖎𝖟𝖊𝖗
HellRaizer’s music is built on personal reflection and real-world challenges, offering listeners a genuine connection through raw, relatable storytelling.

Anval is a hip-hop artist who transforms personal pain into powerful anthems of resilience. Forged in the fire of addiction, loss, and recovery, Anval's raw honesty and introspective lyrics resonate with anyone who's faced adversity. His debut album, "Forged in Fire," is a testament to the strength of the human spirit and a beacon of hope for those on their own journey to redemption.

"If it didn’t matter, it wouldn’t hurt. Pain is the gift of knowing you’re alive."

4Me2BeFree is more than music—it’s my story, my scars, and my survival. Every song is a piece of me, a raw melody of love, heartbreak, and resilience. I blend AI-generated vocals and instruments with real emotions, turning my experiences—especially from an LGBTQ+ perspective—into something that speaks to anyone who's ever felt lost, broken, or just searching for something real.

Breakup songs? Yeah, they hit different. Music carries us through the worst of it, and every generation finds their own anthems of love, loss, and getting back up. Heartache doesn’t care about age, gender, or where you come from—music connects us all.

I make music because I’ve been there. The pain, the anger, the hope—it's all in these songs. If something here hits home for you, let it. If you feel something, let me know. That’s the connection that keeps this alive.

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🌟 Welcome to your new home for Powerful Anthems & Neurodiversity Empowerment! Enjoy dynamic Pop Rock, Alternative Rock, EDM, and heartfelt acoustic sessions crafted to uplift and inspire. Advocating ADHD, Autism, Dyslexia, and Mental Health through authentic storytelling and emotional connection. Expect anthem-style songs like Paramore, Avril Lavigne, Bon Jovi & Imagine Dragons. 🌟 


Welcome to Logical Miracle, a project where a lifelong dream meets the cutting edge of technology, brought to life by two passionate creators, one a musician and songwriter, the other an edu tech enthusiast who turns ideas into reality.

Like many, my journey started with big dreams as a child. I imagined myself as a musical genius, learning to play the recorder and later moving on to the violin and guitar. Back then, I had no idea how challenging the music industry could be. As life moved on, new adventures like jobs, holidays, and eventually starting a family took over, and my musical dream slowly faded into the background.

But the story didn’t end there. Over the past 40 years, technology has evolved in incredible ways, creating opportunities that were once unimaginable. Social media has reconnected us with old friends and memories, while AI and music software have revolutionised how we create and share music. The music industry, once an exclusive club, has had to adapt, leaving space for new voices to emerge.

This is where Logical Miracle was born, a collaboration between my love for music and the technical genius of my partner. For years, I wrote poems, not realising they were songs in waiting. Today, with the help of AI, music production software, and my tech-savvy partner, we’ve brought those words to life. The dream of working in a big studio isn’t necessary anymore; with the right tools and expertise, we’re able to create professional-quality music right from home.

Logical Miracle is the result of this collaboration. It’s not just a musical project, it’s a testament to the power of dreams and the possibilities that technology brings. What started as a simple idea has blossomed into something much bigger, a dream shared and fulfilled. Now, it’s time for our music to be heard.

So, whether you’re here to discover something new or to support two dreamers who have turned their passions into reality, we hope you enjoy the music of Logical Miracle. Your feedback means the world to us, if you like what you hear, let us know. And if not, that’s okay too, just be kind in your comments. Either way, we’ll keep creating, inspired by the knowledge that our partnership and technology have made this dream possible.

Thanks for listening, and welcome to the world of Logical Miracle.

Expressing Myself through, Lyrics and Music is my way of cooping in this world <3

Painting on silence (Stokowski), Cú Ste studios craft audio canvases where digital and analog meet: blurring the lines between dance energy and introspective depth. With a flair for weaving narrative into sound—evident in tracks like "Somewhere in Texas: Belle's Version" and "Calypso"—their music feels like a journey from beach to country, from self to others, across every genre to the shared human experience.

New tracks tagged #LyricalDepth