C'est la baleine qui tourne, qui vire
Comme un joli petit navire
Prenez garde à votre doigt
Où la baleine le mang'ra !
Croc !
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Instruments et percussions utilisés avec les enfants selon : ukulélé, tambour de mer & claves.

La baleine (qui tourne, qui vire)

силиконоваяyaba (bonesoul)

PIATA PIOSENKA PRODBY. ME NA MALY GIGANT THE EP

BARDZO PIEKNA PIOSENKA (prodby. mały gigant)

pink lean
"mam wolne (zaslonilem okna)"
prod. dj lumpex
prrt 2025

mam wolne (zaslonilem okna) [prod. dj lumpex]

Сколько мне осталось жить?

Мамино Молоко - ŇƗǤĦŦ (prod. velvwtlain)

This song is a vulnerable emotional ballad about struggle, faith, and finding strength through love. It begins in a vulnerable, reflective place, questioning whether anyone — or anything — truly hears the pain inside. As it unfolds, the lyrics reveal the presence of a guiding angelic force, someone who shields, protects, and lifts the singer through chaos, mistakes, and heartbreak. The choruses rise with anthemic power, blending grit and tenderness, while the bridges expose moments of deep weakness that are healed by unconditional love. By the end, the track swells into a soaring, almost gospel-like celebration of resilience, closing softly with the reassurance that even in the darkest times, the angel’s love remains.

down-the-waterfall

Soy Medicina is the first full-length release by Xtis, a traditional Mayan therapist, healer, and singer from Guatemala’s Mam territory. Sung in Spanish and Mam, one of the most endangered Mayan languages, the album is both a deeply personal act of healing and a rare expression of Indigenous knowledge through contemporary sound.

The Mam language, once widely spoken in the western highlands of Guatemala, now survives only in fragments. Many words have been lost, not passed down, erased by colonization and systemic neglect. In this context, Soy Medicina is not only music, but an act of preservation. A way to keep ancestral memory alive through melody, rhythm, and breath.

Each song speaks to a different facet of womanhood as experienced through a Mayan lens. Cargadora De Historia honors the role of women as the carriers of memory and ancestral knowledge, both divine and undervalued, central to existence yet often erased. In Abuela Luna, a woman calls out for help after abuse under the moonlight. Here, Grandmother Moon becomes a source of medicine and listening, a feminine symbol of refuge that holds both pain and power.

The music is grounded in Mayan healing traditions but shaped by Xtis’ lived experiences: years of institutional abuse, social exile, spiritual repression, and finally, rebirth. She taught herself to sing and compose while enduring twelve years in a convent where she was silenced and mistreated. Later diagnosed with leukemia, she turned away from conventional medicine and embraced her ancestral roots, co-founding Casa Biosalud Ancestral Kyaje Ix to bring Mayan healing to her community.

Soy Medicina is the result of that healing journey. It’s a record about survival, womanhood, and identity, not polished for mass appeal, but raw, real, and rooted in a centuries-old cultural lineage. It’s also a sonic preservation of a language that is at risk of vanishing; a reminder that when culture is erased, so are stories, voices, and possibilities for healing. 

Mujer Llena De Amor

Los Cuatro Elementos De La Cultura Maya

Humildad

El Color De Tus Ojos

La Dirección De Vida

El Caminar De Las Mujeres

La Danza De Las Abuelas

Abuela Luna

El Amor De Una Madre

hide - nie mam konkurencji

delay de-delay

#uralwoods #yabagang #дискордшишки

My Music, My Story

Goal: To write 1,000 songs inspired by everything I see and hear over the course of a full year.
Music never leaves my head — or my phone. I can create a song about almost anything, anytime.

My Playlists:
These feature my newest creations, covering a mix of genres. I push myself across all styles, though most of my tracks lean toward dance and pop. Still, I’ve always had a deep love for country music — and nothing moves me like a fast violin over a driving beat.

Every one of my songs tells a story.
I’m a product of the 1990s — raised on After Dark and Colosseum, where raw mic energy ruled the night. There’s something about those loud voices and echoing bars that still sends shivers down my spine.

After years of creating and refining music as a way to heal, I’ve decided it’s time to step back and let you take the sound and make it yours.

Massive thanks to everyone who’s listened, shared, and connected.
I never mean to upset anyone with the sad songs — I just sing what I feel and what I see.

Check out the playlist for my best tracks: handpicked, heartfelt, and real — funny, silly, sad, and happy all mixed together.
I love what I do, and I hope you’ve enjoyed experiencing my life through my songs.

Much love and respect to all of you — and big thanks again!

If you’ve got pop song ideas or topics you’d like me to explore, send them my way:
📧 themusichutch@gmail.com

Musiques, percussions, comptines, chansons d'animaiton, livres sonores, kamishibaï-photos, voila ce que je propose aux tout-petits, aux enfant, aux ados et aux adultes encadrants.
J'y rajoute aussi mes reprises plus personnelles...

Amselcom has forever been near the forefront of change, exposing new ideas and giving insight through music and creativity. Our goal is always to bring the world closer by removing barriers and letting sound and rhythm demonstrate humanity's true, loving nature.

prrt swagger, fact spitter, oui'd pilot, hi-pitch enjoyer

prrtx3x3x3

prrt core
prrt trap
prrt style
nightcore rap
shitpost rap
experimental rap
alternative hip-hop
hobby core
dirty trap shit
escape room
modern warfare
pedestrian dance
sztuka retrospektywna
earrape
diff swag
scam na rzeczywistości ścieżka dźwiękowa
ten next pro na sc tweakin bruh
deconstructed club prrt

New tracks tagged #MAM