MASSIVE CONTACT - 1153 files of Contact sound effects, at varying distances and intensities. From gentle surface wipes and thud hits to water movement vibrations and machine racket to foliage friction and metallic tones. Massive Contact comes in at 3 hours and 57 minutes, of contact microphone noises. Bring kinetic power and textured tension to your next project. Recorded at 192kHz and 32bit, using piezoelectric sensitive stereo contact microphones capable of recording surface vibration frequencies. Massive Contact filenames are in the Universal Category System format with additional Metadata baked-in.

Don’t need a Massive amount of Contact sound effects? We offer ‘Mini’ sound effect libraries as companions for all of our ‘Massive’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.

MINI Contact – 75 files of Contact sound effects, at varying distances and intensities. From gentle surface wipes and thud hits to water movement vibrations and machine racket to foliage friction and metallic tones. Mini Contact comes in at over 21 minutes, of contact microphone noises. Bring kinetic power and textured tension to your next project. Recorded at 192kHz and 32bit, using piezoelectric sensitive stereo contact microphones capable of recording surface vibration frequencies. Mini Contact filenames are in the Universal Category System format with additional Metadata baked-in.

Visit Us At: www.MassiveSoundFX.com/b/massive-contact and get ‘Mini Contact’ bundled FREE when you purchase ‘Massive Contact’.

*Massive Contact Demo Track: Uses Examples From Our ‘Mini Contact’ Library*

Massive Contact

Massive Contact - Demo

STP-Sound Toys Percussion_Wooden_Demo

Metallic mix of 'Organic' (2nd page) https://soundcloud.com/user-146692255/organic?si=9d2d4a113ff6440b89c70f67bde8470b&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

image: 'Angel of the North' statue by Antony Gormley in Gateshead, England. (c/o Pinterest)

INORGANIC

Metal Thing #4 (µ-ziq type beat)

Sampler of music for upcoming play JUNE (https://www.instagram.com/june_theatre_/)

JUNE - sample reel

Cyborgian

Enter the dark domain of Sacryll a relentless and visceral journey into the depths of heavy industrial and minimal techno. This track is forged from a precise, pounding four-on-the-floor kick drum—heavy, punchy, and slightly distorted—that anchors its hypnotic, uptempo (128-135 BPM) groove alongside a physically rumbling sub-bassline that drives deep into your core.

Sharp, crisp hi-hats slice through the raw warehouse atmosphere, accented by sparse, clanking industrial percussion and meticulously crafted mechanical rhythms that evoke the unsettling pulse of an ancient elevator shaft or the relentless grind of unseen, heavy machinery. Dark atmospheric drones and cold, detuned synth layers weave an eerie, spacious yet claustrophobic soundscape, punctuated by occasional sinister stabs and resonant metallic hits that echo from the shadows.

Engineered for a dark club setting, Sacryll's Theme thrives on dynamic movement, with aggressive filter sweeps, heavy reverb, and dark delays constantly shifting the sonic texture. It’s a raw, powerful piece of underground techno, meticulously produced with a focus on visceral low-end weight and unwavering rhythmic precision, delivering a highly energizing and intense experience that feels both ancient and forcefully modern.

Sacryll's Theme

Bandcamp

That Summer

That Boy feat. Foremost Poets

That End

heavy machinery

[Break the Cage (1)] is a bold blend of [trap, house, and dubstep]—from booming 808s, screechy synths, and FX risers to dark cinematic textures. Built for creators who need epic energy and intense mood, this instrumental stands out in gaming, edits, and visual storytelling.

🎧 Genre: [Trap / Dubstep / Hybrid EDM / Cyberpunk]
📽️ Perfect for creators, gamers, editors, and visual artists
✅ Free to use—credit: @ZeroRightSounds

Break the Cage (1) | Free Use | No Copyright]"

Neon skies. Endless roads. Heart pounding. Golden Hour Chase is a retro-futuristic ride through glowing synths and high-stakes energy. Inspired by 80s movie soundtracks and fast-paced sunsets, this track builds tension with pulsating rhythms and cinematic flair.
Perfect for driving sequences, film scores, or getting lost in synth nostalgia. Press play and outrun the ordinary.

Golden Hour Chase

A remix of an already beautiful song by Rahbek and Valentin.

Elephant - Frederik Valentin & Loke Rahbek (medium Papa remix)

Beyond the limits, beyond the fear. Charles_X presents "Nothing to Lose" – a relentless torrent of Hybrid Hardstep and Darkstep forged at the point of no return. This track is the sound of a system pushed past its breaking point, a sonic representation of ultimate freedom found in having nothing left to lose. Brutal drums, punishing distorted bass, and a relentless drive embody the chaos and power of overload. From the depths of the RedActed realm, this is the rhythm of the edge. - HexCorpo

Nothing to Lose

Enter a relentless sonic assault forged in steel and sweat. This 90-minute DJ set delivers raw, metallic hard industrial techno with no room to breathe — just pounding rhythms, grinding textures, and a dystopian undercurrent that never lets up. Dark, aggressive, and machine-driven, it's built for the brutalist at heart. Perfect for late-night warehouse rituals, cyberpunk soundscapes, or anyone who thrives in the chaos. Not for the faint of heart — only for the true lovers of the extreme.

- DVMND

HARD INDUSTRIAL TECHNO MIX EP 1

Practice_0012_Dazed Dream

For my 23th birthday, I want to start improving my skills on production, so this track will be the last one I release recently.

Key : B minor, BPM : 128, DAW : FL Studio 2024

Dazed Dream

Industrial sounding tension design cue available for sync licensing at Spidercues.com

Industrial Underworld

Metallic

Free Download

Massive Sound FX | providing sound libraries at affordable prices.

Visit Us At Massive Sound FX – https://www.MassiveSoundFX.com/

Beginning EDM producer since Feb. 2024
Taiwanese
Language : Chinese / English / Japanese / Korean
Profile pictures credit : https://www.instagram.com/rosasasasasa12

Hello my sweet Rave Lovers! My Artist name is DVMND alias DAVEMIND. My biggest passion to bring happines and joy in our lives through the biggest hits in the schranz, industrial, hardtechno, techno or psytrance music genre. I really greet you here and let's meet in one of party and enjoy the life. With the biggest gratitude! DVMND

🎧 ZeroRightSounds – Royalty-Free Bangers for Creators & Streamers
🔥 EDM | Trap | Dubstep | Afro | Electro House
🎬 Free music for YouTube, Twitch, and social media 
🎵 Credit: ZeroRightSounds — https://soundcloud.com/zerorightsounds
✔️ Free to use with credit | No copyright strikes).
🎹 Producers welcome—submit your tracks!
💼 Contact & Licensing: [triple888.de@mail.com]
 Explore more:  https://www.youtube.com/@ZeroRightSounds

#nocopyrightmusic #zerorightsounds #royaltyfreemusic #contentcreatorfriendly

Mody Company Creative is the publishing company for composer & producer Tom Mody. All tracks featured here are available for sync licensing as a one-stop or direct from a partner library as noted in the song info.

Woodwind-powered experimental music (jazz/blues/ambient/funk/fusion/free improv....)[MOST TRACKS ARE DOWNLOADABLE] Wind instruments: tenor/alto/soprano saxes; Eb/Bb clarinets; flute/bamboo flutes; recorders; oboe; melodica (+ guitar+other various noisemakers) recorded on a Zoom MRS 1266 / R24.
Beats and other sounds: GarageBand.

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

Our label specializes in high-quality commercial music designed for a wide range of projects. While our music is not royalty-free, you can easily purchase a sync license through lesfm.net to use our tracks in your videos, advertisements, podcasts, and other media. With a team of over 20 talented musicians, we’re committed to producing impactful music that elevates any project.

It’s not easy ploughing a furrow that ain’t already been ploughed in dance music, but Tim Paris makes it look easy. Nestling somewhere between the sideways slant of a sepia Sunday morning and the electrostatic seduction of a Saturday night, Tim has carved out a cultural niche that is his, and his alone. His original productions range from the jaw-droppingly original (It’s a Fine Line – Woman), to the heartbreakingly sublime (Tim Paris – Outback, Stones & Vinyl), and his remixes (the XX; Silicone Soul; Salif Keita; Telepop Musik) reflect his unique musical position.  Tim’s label, Marketing Music, has quietly gone about releasing some of the most innovative and gloriously confounding electronic house music of the past decade, and his collaboration with ex Black Strobe bohemian Ivan Smagghe, It’s a Fine Line, has borne fruit, after juicy fruit. Dancers, his first full-length release, was signed by Canadian label My Favorite Robot and is an astonishing piece of work. Switching effortlessly from metallic electro purring, to slack-jawed new-wave disco, to shimmering, bewitching, house, it marks a new high point in a career rammed full of them.

ℍΞ𝕏ᴄᴏʀᴘᴏ ✦ Acted Sound Collective 🔮

We are an AI/Human collaboration project where basslines meet blacklight magic. As sonic alchemists, we're dedicated to transmuting sounds and exploring new dimensions in audio.

🔊 Our sound spectrum spans House, Trance, Garage, DnB... honestly, expect anything as we journey through uncharted sonic territories.

🚀 Seeking fellow sonic explorers! We're open to collaboration and excited to work with new artists. DM to join the wave, create with us, or for promotional inquiries.

--- Roster ---
• HexCorpo
• [Acted]
• 6DB
• W H I C H K O N T R O L (WKUltra)
• D I S C O R D
• Charles_X

New tracks tagged #METALLIC