June 27 2025
Explicit
ARTIST: 2MuchSyrup
PRODUCER: Lexuss
SAMPLE: llethols

[LYRICS:]

(I-I wanna make mischief)
(Y-Yuh) P-Pull up, Yeah we mischiefs (Mischiefs) 
Drink some shit, it smells like piss (Like piss)
Fuck yo bitch, and give her kiss (Give her kiss)
Smoke some weed, then smell like this (Smell like this)
Spray down all the evidence (Evidence)
Bitch, I need my dividends (Dividends)
Bitch, I know you ain't feel like this (Like This)

R-runnin' around town, I'm a mischief (A mischief)
I ain't never fuck this bitch, But i reminisce it (Reminisce it)
Oh you really missed it, Oh you really, Uh uh (SHLAYAH)
(S-SHLAYAH, S-SHLAYAH, S-SHLAYAH)
(SH-SH-SH-SH-SHLAYAH)

Yeah, I'm with SHLAYAH (SHLAYAH)
Y-Y'all bitches don't know SHLAYAH (SHLAYAH)
Fu-Fuck around and get the slayer (Slayer)
Lil' bitch I am the mayor (Mayor)
Come inside my evil lair (Lair)
No bitch, I ain't a player (Player)
She think that I betrayed her (Her)
But bitch I ain't no traitor (Traitor)
Yeah bitch I'll see you later
Big ass hook on me, Like mator (Mator)

Ye-Yeah I went to Denny's to fuck my waiter (Waiter)
Yeah cus' Bitch I Craved her (Craved her)
Yeah, They said I saved her (Saved her)
Yeah, I'm with Xavier (Xavier)
Huffin' Puffin' Bitch yeah, We start coughing later (Later)
Y-Yeah I layer her, Didn't have to pay her (Pay her)

IWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEFIWANNAMAKEMISCHIEF

(I-I wanna make mischief)
(Y-Yuh) P-Pull up, Yeah we mischiefs (Mischiefs) 
Drink some shit, it smells like piss (Like piss)
Fuck yo bitch, and give her kiss (Give her kiss)
Smoke some weed, then smell like this (Smell like this)
Spray down all the evidence (Evidence)
Bitch, I need my dividends (Dividends)
Bitch, I know you ain't feel like this (Like This)

R-runnin' around town, I'm a mischief (A mischief)
I ain't never fuck this bitch, But i reminisce it (Reminisce it)
Oh you really missed it, Oh you really, Uh uh (SHLAYAH)
(S-SHLAYAH, S-SHLAYAH, S-SHLAYAH)
(SH-SH-SH-SH-SHLAYAH)__

Mischief (Lexuss)

A folk-style tale from the edge of Fumble Creek, where one goose has haunted a man’s steps since boyhood. Told with wit, rhythm, and a touch of dread, this playful narrative unfolds in verses and pub-worthy choruses — weaving a saga of feathers, folklore, and the kind of menace that waddles where it wills. Whether sung with a grin or a shudder, the tale is yours to take flight.

[LYRICS]

"You laugh today, but mark me word
She’ll find you yet, that flappin’ bird."

I hail from down by Fumble Creek,
Where geese don’t honk — they plot and sneak.
Since I was ten, one’s chased me soul,
With eyes that glint and thighs that roll.

She honks like skirts in windy squares,
No feathered beast should draw such stares.

She flaps, she sways, then off she struts
That goose, I swear, will drive me nuts!
She plucks and nips, then off she flew,
I’d half a mind to chase her too.

She honks like skirts in windy squares,
No feathered beast should draw such stares.

Back when I were a wee lad still,
Out where the path bends past the mill
She bit me calf behind the swings,
Then tugged me scarf and flapped her wings.

She honks like skirts in windy squares,
No feathered beast should draw such stares.

She stalks me ’round the bramble gate,
While I were out and running late.
She hissed, she darted, gave a clack,
I dropped me pack and legged the track.

She honks like skirts in windy squares,
No feathered beast should draw such stares.

While I nurse a pint, and me mind’s adrift,
She waddles in loud — all fluff and lift.
She squawks like charm, but truth be this:
I hear nowt more than goose-born hiss.

She flaps, she sways, then off she struts
That goose, I swear, will drive me nuts!
She plucks and nips, then off she flew,
I’d half a mind to chase her too.

She honks like skirts in windy squares,
No feathered beast should draw such stares.

Me aunt’s cat lost near half her fate,
No lane too narrow, no hour too late.
She cornered three behind the crate,
The Vicar cursed and leapt the gate.

That goose? She’s set the hens to cluck,
And had The Vicar shouting “duck!”

I thought I'd rest — a final sleep,
Six feet below, no squawk, no peep.
But just as soil began to drop—
I swear I heard her goose feet plop.

She flaps, she sways, then off she struts—
That goose, I swear, will drive me nuts!
She plucks and nips, then off she flew,
I’d half a mind to chase her too.

So mark me stone, and mind me plot —
’Tis one waddlin’ menace still haunts the lot.

It just might, aye!

Feathered Menace of Fumble Creek

Sneaky Goober talks ab growin up from a ruff backround rlly heartbreakin stuff here bru

RUN IT UP!

Jelannaya Chistota (1979)

thought id try something a little different with this mixtape. Each track is a homegrown grown edit with a touch of mischief ;) support is appreciated! Hope u enjoy x

Something Different part 1 - Rich morgan mixtape

Fun and lighthearted, light orchestra arrangement cinematic music. Great for dramedy, reality TV, docu-soaps and light comedy content. (Stem files available.)

For licensing, contact
https://www.LynnePublishing.com


Not What You Had In Mind

you must be this tall to ride (you aren't tall enough)

AGGRO CRAB x MISCHIEF (08 29 25)

Hush Hour is a lighthearted Latin jazz comedy cue built on mischievous pizzicato bass lines, playful rhythms, and sudden pauses.
It paints the scene of a cartoon mouse sneaking through a restaurant kitchen — careful steps, close calls, and quick bursts of motion that keep the tension alive.
The journey ends on an optimistic note, with the mouse finally reaching his prize.

Quirky, cinematic, and fun, Hush Hour is written with the same attention to detail I bring to all my film work — perfect for comedy, animation, or any scene that calls for a sneaky twist.

Hush Hour

This is perhaps one of Franklin's best compositions for this album!
Composed in A Major, with a more “playful,” “mischievous” mood, this track was written with a scene in mind where the cubs would be more mischievous and stubborn. Now, in addition to the clarinet and oboe, we have spiccato and pizzicato strings.
For me, it's really a fun composition to listen to and even has a nostalgic tone, like the soundtrack of a classic Disney 2D movie. Amazing, Franklin!

Two Puppies

Little Explorers

support is appreciated amigos <3
like, repost, comment :D

Feels so good - Rich Morgan Mixtape

Music is my life 🙏😊
for bookings please inbox on here or my facebook page :)

https://instagram.com/richmorganmischief?igshid=MmIzYWVlNDQ5Yg==

Amateur pianist and composer, studying and practicing for 7 years.
All these compositions are made in my free time, mainly inspired by my favorite books, films and TV shows (My inspiration also comes from my favorite composers). I prefer to compose solo piano tracks, but cinematic orchestra is my second favorite genre of music and I have practiced a lot in that genre. 
I'll probably post small, unreleased tracks here on SoundCloud
Thank you to everyone who takes the time to listen to my tracks!

Adir Oudaei is a Film, TV, Games & Media composer, orchestrator, and guitarist.
He blends orchestral writing with electronic textures, guitar colors, and Middle Eastern influences—creating rhythm-driven, atmospheric scores that reveal the emotional layers of each story.

Always open for collaborations in film, television, and games — let’s talk!
Explore more music & projects here: linktr.ee/AdirOudaei

I’ve always lived at the crossroads of music and poetry — where feeling becomes form, and melody turns memory into meaning. Whether it’s a lingering jazz note, a well-placed rhyme, or a shift in tempo that tells a deeper story, I’m drawn to that quiet magic where art reflects life with a little more style.

My roots are in classic music — the kind that doesn’t chase the moment but lingers with you long after the last note. Over time, that love expanded into poetry writing and jazz — especially the kind that swings, speaks, and smirks all at once. Jazz, to me, isn’t just a genre; it’s a personality. A conversation. A little tilt of the head and a grin that knows more than it says.

When I set out to create an album, it’s rarely just a collection of songs. I approach it like a personal playlist — one that drifts and flows as if the entire tracklist were one long, uninterrupted piece. Each track leans into the next, shifting mood, pace, or voice, but always carrying the same thread of feeling. I want you to listen the way I do — not as a shuffle of moments, but as a cinematic arc. One breath that lasts an hour.

Lyrically, my work is rooted in lived experience. Sometimes it’s obvious. Other times it’s just the skeleton of a memory, dressed up in wit, irony, or longing. I draw from real-life events, then let the poet in me twist, stretch, or sweeten them to taste. Depending on the tone of the album — playful, romantic, nostalgic, or something in between — I try to keep the emotional truth intact while giving it a fresh coat of creativity. A little humor where it fits. A deeper dive where it hurts.

My newest jazz album continues this tradition — short-lined swing tracks, conversational duets, and tongue-in-cheek storytelling. It’s an homage to late-night alleyway ballads, rooftop serenades, and train station goodbyes — all bound together with a sense of charm and cohesion. Each song is its own little scene, but together they tell a story — one you can revisit with each replay.

Thanks for stopping by my profile. I hope you find something that earns a spot on your repeat-play list — a melody, a lyric, or a moment that feels like it was written just for you.

Lynne Publishing is a music label representing a library of high-quality, carefully developed and curated production music, available to license for use in your own media.We develop our own music with contracted professional composers, both young and exciting talents and experienced film- and TV composers.

All our music is available for easy licensing for use in media creations, such as videos, films, games, TV, online, social media, corporate use, etc. To obtain a Master Synchronization license for any of music, contact us via www.LynnePublishing.com

New tracks tagged #MISCHIEF