Fateful rider 
Fateful ghost 
Fateful rider 
Fateful girl
I move the evening 
I rule the wasteland
I wrote the handbook
Of everything 
I’m time and order
I wind the spring
You the blue sky
And I am rich
Come close to me my darling
My one and all
The fateful rider
Comes to us now

Fateful Rider

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רצועה מס' 8 מתוך האלבום החדש שלנו - רוד טריפ.

בקשיש הם:
אודי אהוד שדות (קלידים וסינטיסייזרים)
אלמוג אלקיים (כלי נגינה אתניים וגיטרה חשמלית)
אפי טליאס (בס)
עמית פלד (גיטרה חשמלית וגיטרה אקוסטית)
יובל חן (תופים)

לחן ועיבוד: בקשיש
הפקה: בקשיש וגיא ינגמן
מיקס ומאסטר: סתיו פארדו
עיצוב עטיפה ואלבום: MantisVision Art & Design

בקשיש הם הרכב אינסטרומנטלי המבצע מוזיקה מקורית המשלבת רוק מתקדם, מוזיקת עולם והשפעות אלקטרוניות פסיכדליות.

© ℗ כל הזכויות שמורות לבקשיש.


Track no. 8 from our new album - Road Trip.

Band Members:
Udi Ehud Sadot (Keyboards and Synths)
Almog Elkayam (Ethnic instruments and electric guitar)
Effi Telyas (Bass)
Yuval Chen (Drums)
Amit Peled (Electic Guitar and Acoustic Guitar)

Written, arranged and Performed by Buckshish
Produtcion: Buckshish and Guy Youngman
Mix & Master: Stav Pardo
Art Design: MantisVision Art & Design

Buckshish are an instrumental quintet, writing and performing original compositions, combining Progressive rock with a fusion of Ethnic world sounds and influences of psychedelic electronics.

© ℗ All rights reserved to Buckshish

Road Trip | רוד טריפ

Arafel | ערפל

Buckshish - Arafel | בקשיש - ערפל

Mist | #1TAKE - P110

youtu.be/zlWbyIz8FJ0?si=OLyU_…?si=OLyU_FG2bw_fO5dT

Mist - #1TAKE (Part 2) | P110
www.youtube.com/watch?v=dvVBb_m0RGk

Mist | Warm Up Sessions [S9.EP34]: SBTV

www.youtube.com/watch?v=TGD41MILw…jQ5&index=4&t=59s

Mist - Fire In The Booth

www.youtube.com/watch?v=WQHKYspaL…9xA00SjQ5&index=5

Mist & MoStack- On My Ones [Music Video] | GRM Daily

www.youtube.com/watch?v=EknNq21fg…xA00SjQ5&index=17

Jaykae & Mist - Living - P110

www.youtube.com/watch?v=KX_YHY4m5…9xA00SjQ5&index=6

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Sickmade Science : music.apple.com/gb/album/sickmade…cience/1215032895

Sickmade Science Two | The Next Episode
: music.apple.com/gb/album/sickmade…pisode/1387120707

Sickmade Science Three
: music.apple.com/gb/album/sickmade…-three/1455525123

Pain On The Riddem vol 1
: music.apple.com/gb/album/pain-on-…entals/1743081723

Go Get That 🏃🏾
YO ITS #SHADOWONTHEBEAT💯

MIST - FOOD ON THE SCALES | DETROIT | RAP INSTRUMENTAL

TUNDE X MIST - NEW CRIB | DETROIT | RAP INSTRUMENTAL

C3NA

Morning bread and yesterday’s wine,
Strings are dusty, but the tune is fine.
Old boots creak on the castle floor,
I hum a song I’ve sung before.

Chorus:
Just another day, the sun will rise,
Just another day, beneath these skies.
Just another day, the world will turn,
Lessons learned, and fires burn.

Verse 2:
Coins in a cup, a wink from the cook,
A drowsy cat by the chimney nook.
Dreams of forests, green and wild,
But I miss the laughter of a child.

Chorus:
Just another day, the sun will rise,
Just another day, beneath these skies.
Just another day, the world will turn,
Lessons learned, and fires burn.

Bridge:
Sometimes I fight shadows in my mind,
Sometimes I just want bread and time.
But every day, I play along,
And find a little peace in song.

Chorus:
Just another day, the sun will rise,
Just another day, beneath these skies.
Just another day, the world will turn,
Lessons learned, and fires burn.

Outro:
Just another day, the song plays on,
From dusk till dawn, from dusk till dawn

Just Another Day (dark castle core story)

LONDON BRIDGE IS BURNING DOWN.MP3

Wilki Mgły

Hidden Secrets
Ambient Fantasy track by FunFant

Hidden Secrets

"Sumun Syvimmästä Sopukasta" ("From the Secret Depths of the Mist") was premiered in Fordell Hall, Kokkola, Finland on the 3rd of April, 2025. It is a piece for string orchestra, composed by A-H Nikkinen. Here are some clips of the premiere.

Performers
Orchestra: Keski-Pohjanmaan Kamariorkesteri / Ostrobothnian Chamber Orchestra
Conductor: Mikael Loponen

From the Secret Depths of the Mist / Sumun syvimmästä sopukasta (clips)

Buckshish are an instrumental quintet, writing and performing original compositions, combining Progressive rock with a fusion of Ethnic world sounds and influences of psychedelic electronics

Band Members:
Amit Peled (Electic Guitar)
Effi Telyas (Bass Guitar)
Udi Sadot (keyboards and Synths)
Yuval Chen (drums)
Almog Elkayam (ethnic instruments and electric guitar)

בקשיש הם הרכב אינסטרומנטלי המבצע מוזיקה מקורית המשלבת רוק מתקדם, מוזיקת עולם והשפעות אלקטרוניות פסיכדליות.
חברי ההרכב:
עמית פלד (גיטרה חשמלית)
אפי טליאס (גיטרה בס)
אודי שדות (קלידים וסינטיסייזרים)
יובל חן (תופים)
אלמוג אלקיים (כלי נגינה אתניים וגיטרה חשמלית)

Contact For Beats // Bookings ..
Email : ShadowOnTheBeatMGMT@gmail.com

Real Music For The Streets. 

- Hearing Good Music 
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CREDITS : Central Cee, Lil Durk, Joe Blow, Mist, 
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I am a devoted admirer of medieval music, and for over two decades I have lived inside its echoes, its modes, drones, courtly dances, and sacred resonances, translating them into a modern voice that still feels as old as stone. My work is rooted in the Castle Core aesthetic: evocative, atmospheric, and architectural. I build music like one builds a fortress, by layering arches of melody over foundations of rhythm, by carving timbres that feel weather worn and timeless, and by letting silence act as shadow. The result is a sound world that is both cinematic and intimate, at once austere and richly ornamented.

I am a multi instrumentalist by craft and temperament, with the violin as my lifelong compass. Trained as a professional violinist, I treat the instrument not only as a melodic narrator but also as an engine for texture, bowed whispers, harmonics like candlelight, and double stops that carry the weight of stone walls. Yet the violin is only one voice in a broader choir. I play and record a range of instruments, strings, plucked and bowed, hand percussion and frame drums, drones and keyboards, sculpting each layer with a producer’s ear and a historian’s curiosity.

I handle the entire production process myself. Composition, performance, recording, editing, mixing, and mastering all live under one roof, which gives my music a coherent atmosphere, nothing feels imported; everything is grown from the same soil. Over the years, this self contained approach has evolved into a signature workflow: I begin with a pulse or a drone, something elemental that sets the scale of the room, and then I weave in motifs that move like lantern light through corridors. The violin often enters last, not as a flourish, but as a storyteller stepping into view.

My musical language draws on medieval modalities and rhythms, Dorian, Phrygian, and Mixolydian colors; isorhythmic hints; the grounded insistence of bourdon, as well as on the rough hewn beauty of folk traditions. I am less interested in historical reenactment than in living memory, the feeling that a melody might have been sung in a great hall, or hummed by a traveler at dusk, or carried by wind across a battlement. That is the soul of Castle Core to me, a sense of place made audible. The music does not describe the castle; it inhabits it.

After more than twenty years, I have learned to trust slowness. Some pieces emerge quickly, as if I had only to open a window and let them in. Others require patience, days of adjusting mic positions, repainting the sonic palette, moving from gut strings to steel, swapping a frame drum pattern for a subtler heartbeat. I welcome that process. It is how the music gathers depth. I tend to record in low light, with minimal screens, letting my ears guide decisions before my eyes do. When I mix, I aim for a breathing dynamic, peaks that feel like torch flares, valleys that feel like cloisters.

My influences are varied, but they all share a devotion to mood and materiality, early music ensembles, folk fiddlers, cathedral acoustics, and contemporary ambient composers who understand that a single sustained note can hold a landscape. I often imagine architecture while composing, gatehouses, keeps, chapels, stairwells, and I build arrangements to match them, narrow passages opening into vast chambers, concealed alcoves revealed by a modulation, a hidden door suggested by a counter melody.

As a performer, I value restraint. Virtuosity is a tool, not a destination. The violin can dazzle, yes, but it can also console, bless, and haunt. I am happiest when a line feels inevitable, simple, shaped by breath, aligned with the grain of the piece. When recording multiple instruments myself, I think in terms of ensemble etiquette, each voice knows when to step forward and when to recede. That is how the music keeps its dignity.

Finnish composer and professional musician

emotional archivist 

https://alexrushfirth.substack.com/

I make a lots of music...
Niemela Heikki Antero - BMI, CAE/IPI number: 1061514200
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