And this is the final tune in this set. Not really a waltz (more of a brisk march really) and in a mode (lochrian) that isn't really there. Perhaps. 

#28 Jasper Waltz

this is an short arrangement for piano and synth flute of a melody by someone special to me. it was my personal gift.
synth flute sound was made by me in ableton live's operator, piano is ableton live's grand piano. both played by me. background rain is from a free sample pack from the great "99sounds", pack that i use a lot.
made this year 2025 in between february and june, when i finished it.

https://youtu.be/Y8dRUhiIW3A

Whispers Of The Past (Amyntas' Version)

The day slows, and the courtyard fills with gold. The oud speaks first—unhurried, close—then guitar answers like warm light on stone. They trade gentle phrases while the evening gathers: small smiles, soft steps, the hush of a garden at dusk. Nothing rushes. Nothing crowds. It’s music for candlelight, for a last cup of tea, for letting the room breathe. When the final notes fade, the quiet feels friendly.

Sunset in the Alhambra (with Ambient Fountain)

A soft rain finds the courtyards of Granada. The oud speaks in warm, unhurried phrases; the guitar answers like light on wet stone. Small echoes, quiet smiles, and the hush that comes after the first drops. It feels like walking slow under arches, listening to the city breathe. Put it on for reading, late tea, or a calm evening—when the rain is part of the room.

Rain Over Granada (Jadaka al-Ghaithu)

 تکه هایی از خویش، همچون کاشی های شکسته ای که ردی از گذشته در خود دارند اما دیگر تعلقی ندارند.قطعاتی منفرد  که اینک  از خط هویت گذشته جدا شده اند و در دگر-فرمی معنایی دیگر پیدا می کنند.
 


Fragments are short musical pieces that emerge from forgotten parts of the self—memories and sensations carried in body and mind, reawakened in exile or displacement.
These fragments surface in sudden encounters: in the familiarity of a melody, in the strangeness of an unfamiliar city, or in the longing for a home that has become distant, destroyed, or irretrievable.

I imagine them like broken tiles: carrying the texture and touch of the past, but no longer fitting into their original whole. They require a new context—a new collective in which they can belong. My aim is not to restore them to what they once were, but to reveal their transformation, to give them new color and resonance in the present.


Kamancheh: Siavash Mollaeian
mixing engineer: Maziar Bababashi - Studio Allepo - Tehran

Recorded in Paris - Sep 2025

Fragments no.1

Carolina Soul is a record seller based in Durham, NC, USA. They specialize in rare and classic soul, boogie, gospel and modern obscure tracks from the Carolinas and beyond, mixed with all-time bangers and ballads.

 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/carolinasoul/episodes/carolinasoul-19th-september-2025

Carolina Soul: Spiritual, Funky & Free Jazz 190925

Long Distance

Smooth Modal Funk w/Evan - Radio Free Brooklyn Episode 64

Artist, graphic designer and DJ Paul Camo sets out to push the boundaries: free of all restrictions. Jump in the chat and listen as Paul Camo's WE ARE brings you on a voyage through the spectrum of jazz fusion, spiritual jazz, experimental jazz and everything in between.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/we-are/episodes/we-are-27th-september-2025

We Are... w/ Paul Camo 270925

its starwars era so we brought you a starwars free download !!! @aryn-kred @aryn-kred @aryn-kred
•••••••••••••••••••••••••••••••••••••••••
BOOKINGS (WORLD):
cass@mbartists.co.uk
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FOLLOW GLOCKZ ON SOCIALS:
● FACEBOOK: www.facebook.com/glockz.dubz/
● INSTAGRAM: www.instagram.com/instaglockz/
● TWITTER: www.twitter.com/Glockz_666
● SPOTIFY: open.spotify.com/artist/1WXcHhsnUBraoMmHTCbETX
● SOUNDCLOUD: @glockzdubs
● DISCORD: discord.gg/JZEh2hcb7j
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FOLLOW ARYN KRED ON SOCIALS:
● INSTAGRAM: @aryn_kred
● TWITTER: @glymedubz
● SOUNDCLOUD: @aryn-kred
● LINKTREE: linktree.ee/aryn_kred
•••••••••••••••••••••••••••••••••••••••••

GLOCKZ X ARYN KRED - DEATH STAR [FREE DL]

Avid record collector that makes mixes from time to time

† 𝘿𝘼𝙍𝙆 𝙑𝙄𝘽𝙀 𝙊𝙉𝙇𝙔 †

BOOKINGS: cass@mbartists.co.uk
https://www.mbartists.co.uk
CONTACT: glockzdubstep@gmail.com

Realesed on:  DPMO, Interval Audio, Monsters, Full Flex Audio, Juize Box, Studio Dubstep, F Audio, ...

Played in: Belgium, France, Canada, Hungary, Netherland, Luxembourg, ...

https://linktr.ee/glockzmusic

𝙁𝘿𝙋𝙂𝘼𝙉𝙂.
𝙅𝘼𝙂𝙀𝙍𝙒𝙊𝙈𝘽.

𝙎𝙄𝙉𝘾𝙀 𝟮𝟬𝟭𝟱

I’ve always lived at the crossroads of music and poetry — where feeling becomes form, and melody turns memory into meaning. Whether it’s a lingering jazz note, a well-placed rhyme, or a shift in tempo that tells a deeper story, I’m drawn to that quiet magic where art reflects life with a little more style.

My roots are in classic music — the kind that doesn’t chase the moment but lingers with you long after the last note. Over time, that love expanded into poetry writing and jazz — especially the kind that swings, speaks, and smirks all at once. Jazz, to me, isn’t just a genre; it’s a personality. A conversation. A little tilt of the head and a grin that knows more than it says.

When I set out to create an album, it’s rarely just a collection of songs. I approach it like a personal playlist — one that drifts and flows as if the entire tracklist were one long, uninterrupted piece. Each track leans into the next, shifting mood, pace, or voice, but always carrying the same thread of feeling. I want you to listen the way I do — not as a shuffle of moments, but as a cinematic arc. One breath that lasts an hour.

Lyrically, my work is rooted in lived experience. Sometimes it’s obvious. Other times it’s just the skeleton of a memory, dressed up in wit, irony, or longing. I draw from real-life events, then let the poet in me twist, stretch, or sweeten them to taste. Depending on the tone of the album — playful, romantic, nostalgic, or something in between — I try to keep the emotional truth intact while giving it a fresh coat of creativity. A little humor where it fits. A deeper dive where it hurts.

My newest jazz album continues this tradition — short-lined swing tracks, conversational duets, and tongue-in-cheek storytelling. It’s an homage to late-night alleyway ballads, rooftop serenades, and train station goodbyes — all bound together with a sense of charm and cohesion. Each song is its own little scene, but together they tell a story — one you can revisit with each replay.

Thanks for stopping by my profile. I hope you find something that earns a spot on your repeat-play list — a melody, a lyric, or a moment that feels like it was written just for you.

Producer of electronic, ambient and experimental music from the North coast of Italy. Subscribe to the channel, like, share. Thank you. 

▬ Follow me on Spotify ► https://open.spotify.com/intl-it/artist/7s4vWzcm3TI4vyjG7uOjfT
▬ Follow me on Bandlab ► https://www.bandlab.com/nativesoundproject
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🙏 If you'd like to support me, you can tip me on Ko-fi: https://ko-fi.com/nativesound or with Donorbox: https://donorbox.org/embed/make-a-donation-for-native-sound?language=en-us

Rosario Marcianò (Native Sound), in addition to being an author of essays, a documentary filmmaker and an independent investigator, especially expert in the field of clandestine geoengineering and geopolitics, is also a musical composer. Self-taught, since adolescence he has cultivated, among other things, a passion for art whose inspiring goddess is Euterpe. This passion, over time, has given rise to a style and inspiration transfused into instrumental productions of considerable emotional impact. 

His compositions, which tend to go beyond the boundaries of more or less codified genres or subgenres, tend to combine a tense, sometimes hammering sense of rhythm with melodic lines not devoid of a refined dissonance. Generally speaking, these creations can be traced back to the field of soundtracks accompanying dramatic films, thrillers, action films.

It is symptomatic that the motifs created are exclusively instrumental, we would say orchestral, so as to focus the enjoyment on the essence inherent to the art of sounds, without the intervention of the text which, although it can enrich the score, sometimes distracts from the heart of the inspiration. However, the titles, almost always coinciding with a single word or a syntagm of strong texture, introduce the forms and functions of verbal language to recover, so to speak, the eclipse of words.

The tracks are precisely fixed by incisive and pregnant titles, not only in relation to the phonic and melodic structure, but also foreshadowing abysmal themes: life, death, destiny, freedom, hope, nature, love, memory, meaning, power... They are the same contents that dot the section dedicated to the maxims: for this reason it seemed appropriate, indeed natural to us to match some pieces with precise aphorisms, as a harmonic complement. A music therefore to listen to, but also to read with a multisensory approach that involves soul and intellect, aesthetic pleasure and reflection.

Accordion, melodeon, concertina, ceilidhs, traditional and experimental

hi i make music :) this is mostly a music dump

(since soundcloud's storage limit makes it really hard for me to upload official stuff without having to delete them after a while!)

so for official stuff, check anywhere else

https://www.nts.live
https://www.instagram.com/nts_radio/

New tracks tagged #MODAL