For Good from the Wicked musical (Short Cover)

"Grateful" - words and music by John Bucchino

Tonight We Find Out, Tomorrow We Know

Listen To The World

Climb

Up There With You

Can You Imagine?

Walk In The Stars

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FireFormant is a girl group from Southeast Asia (SEA). We were called Team Ashley during pre-debut. Our fans are called InFormants. Thank you guys for following our musical journey! :)

MICHAEL WINTHER

Acclaimed by Stephen Holden of The New York Times as “a theater singer of unusual refinement” with “a voice that traverses genres,” Michael Winther is passionate about and active in the development of new American musical theater. The Village Voice described Michael as “an exciting voice doing exciting new voices. Like Audra McDonald, he loves plucking selections from the new writer’s bumper crop.” He received nominations from the Drama Desk and Drama League for his critically acclaimed solo performance in Songs From An Unmade Bed at New York Theater Workshop with lyrics by Mark Campbell and music by eighteen different composers. David Schweizer directed this “theatrical song cycle” with musical direction by Kimberly Grigsby (Spiderman, Spring Awakening; Light In The Piazza; Caroline, or Change). The world premiere recording is available from Sh K Boom/Ghostlight Records and on iTunes. 

Currently, Michael collaborated with the jazz composer/pianist, Fred Hersch, on his multimedia concert piece, My Coma Dreams, which premiered last May. He has appeared with Robert Kapilow in “What Makes It Great?” for Lincoln Center’s Great Performers series, as well as in other major venues across the country, celebrating the songs of Sondheim, Rodgers, Gershwin, Porter and Bernstein. Other recent concert credits include: William Finn’s Songs by… at Barrington Stage and Merkin Hall; The Songs of Fred Hersch as part of Lincoln Center’s acclaimed American Songbook series; Broadway Cabaret Series, Broadway By The Year and Broadway Unplugged series’ at The Town Hall; as well as concerts at Avery Fisher, Merkin Hall, Symphony Space, Joe’s Pub, Birdland, The Metropolitan Room and Ars Nova. Michael is a graduate of The Hotchkiss School and Williams College.

Broadway: 33 Variations, Mamma Mia!, 1776, The Crucible, Artist Descending A Staircase, Damn Yankees. Off-Broadway includes: Songs From An Unmade Bed (NYTW/Drama Desk Nom/CD on Ghostlight), Radiant Baby (NYSF/Public), Hapgood (Lincoln Center Theater), Berlin to Broadway, Forever Plaid, Predator’s Ball (BAM), Tony `n’ Tina’s Wedding (co-creator/original cast). Regional: Band Geeks! (Goodspeed), Little Miss Sunshine, Saint Ex (Sundance Theatre Lab), Grey Gardens (Theaterworks/Palo Alto), Most Wanted (La Jolla Playhouse), The Mysteries of Harris Burdick (Barrington Stage), Falsettos (George St Playhouse), Boys From Syracuse (Centerstage), The People’s Temple (Guthrie/Perseverance), Great Expectations (Goodspeed), Galileo (Yale Rep), King Lear (Old Globe), Jacques Brel (Santa Fe Stages), Plaid Tidings (Pasadena Playhouse). Recent Film/TV: Leverage, Meet Dave, Jumper, The Break Up, Mr. & Mrs. Smith, Law & Order. 

Recent press:

"Old love, new love, straight love, gay love: as many varieties of passion as there are songs in the program are scrutinized with a sophisticated 21st-century eye in “New Love Songs,” the singer Michael Winther’s tender, witty show at the Metropolitan Room. Accompanied on piano by Kimberly Grigsby (the musical director of “Spring Awakening”), Mr. Winther stakes out some of the most fertile artistic territory in American music: the high ground where show tunes, art songs and the singer-songwriter tradition merge.
It takes a first-rate singing actor to extract all the juice from this polyglot style, whose spiritual godfather is Stephen Sondheim, although none of the show’s composers could be described as Sondheim imitators. Mr. Winther has both the voice and the intelligence for the job.
His singing is strong but refined, with perfect intonation and a warm sound that becomes incandescent when he raises the volume. He has none of the blustery, flowery mannerisms of the typical theatrical baritone. Discreet understatement is his method, a raised eyebrow, a playful grin and an insinuating hesitation substituting for fist-shaking declamation and sobbing histrionics."

Stephen Holden, from “A Whole Lot of Love Songs, Gay, Straight, Young, Old,” New York Times, June 20, 2008

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