Video 🙏🏼

Where Elves Ride

Male choir/vocal quartet version of 'I have not your dreaming' performed by False Relations.

I Have Not Your Dreaming TTBB

Hudobné dielo AVE Pavla Kršku pre mužský spevácky zbor zvýrazňuje duchovné posolstvo autora v kombinácii symetrických mužských vokálov v špecifickej hudobnej harmónii.

[EN: The musical work AVE by Pavol Krška for a male choir highlights the spiritual message of the author in a combination of symmetrical male vocals in a specific musical harmony.]


||| Obsadenie (interpréti):
Spevácký zbor slovenských učiteľov, držiteľ štátnej ceny Alexandra Dubčeka
Štefan Sedlický | dirigent



||| Autor:
Pavol Krška (*1949)
Patrí k popredným osobnostiam hudobného umenia na Slovensku predovšetkým ako skladateľ veľkých chrámových vokálno–inštrumentálnych diel, ktorým zasvätil väčšiu časť svojej rozsiahlej kompozičnej činnosti. 

Viac informácii získate na https://www.PavolKrska.sk 

Ďakujeme za podporu slovenskej hudobnej tvorby.
#pavolkrska




###
So súhlasom SZSU: https://www.spevackyzbor.sk/
Právne otázky a autorské práva k náhrávkam: legal@pavolkrska.sk

Pavol Krška: AVE | [male choir, vocals] #pavolkrska

Discover the power of an epic medieval choir with "Guardians of the Realm: The Siege of the Ancients." This track features a male choir with robust vocal harmonies, creating dynamic choral textures that transport you to a time of legendary battles and ancient fortresses. Delve into the low-register polyphonic chanting that evokes the grandeur and mystery of medieval lore. Perfect for fans of cinematic music, fantasy soundtracks, and historical epics, this composition captures the essence of a grand siege with its haunting melodies and powerful vocal arrangements. Ideal for enhancing your gaming sessions, movie watching, or simply immersing yourself in the atmosphere of a bygone era.

Epic Medieval Choir - "Guardians of the Realm: The Siege of the Ancients

King All Glorious
Verblijdt u in Zijn naam (English / Dutch)
https://www.molenaar.com/details/1/11190/en

King All Glorious (arr. Jack Ham) - C. Wesley

One day I attempted to fart into a Kazoo, and instead of a fart sound this men's choir pushed out with a long droning F# Major.
A day later I tried again, and I almost had my whole hoopla tightly around the wider end of the kazoo, but as an elder homosexual, naturally it lisped a bit, so then that clarinet-saxophone-Frankensound came out. I figured it was close enough, so I ran with it.

This has been long in the making. I just didn't really have ay idea where to publish it, since my main name needs to stay PG13. Enjoy!

Lyrics:

Late at night in a silent block,
Boots on tile with a heavy walk.
Shadow thick and the streetlight dim,
No one knows what’s inside of him.
He stops, he stares, he turns down a lane,
No signs posted, no one to blame.
He knocks three times on a metal sheet,
The door creaks open, he wipes his feet.
Something strange in the air within,
A heat, a beat, a scent on skin…
But no one speaks. They just begin…
And he walks inside with a hungry grin.

You’ve arrived at the PlayPen,
Private Club completely hidden,
The burly man’s dearest wish
To Roll around the floor in bliss
His lacy thong glazed with jizz,
Gaping bussy oozing lube and piss. 
You might be a twink, a fem, next gen, body less than perfect ten,
You’re always welcome to this hole of men,
A lustful den, it’s PlayPen

He moans through leather, the lights go dim,
Muscles twitchin’, sweat on skin.
“I’ll flip your skinny ass, and wreck you right—
But not tonight.
I want it deep. I want it rough.
Stick your manhood up the Duff, 
On my knees, ass in the air,
Dozen hard dicks around
Just about ready to pound.
His beard is wet, his lashes curl,
He’s daddy and debutante, one gorgeous gurl
Thong pulled high, he arches proud,

“Say I’m pretty,”
he grunts out loud.

So pop your pills get ready to nut,
In this tweaked out Burly Slut,
A permanent marker in black light’s Glow
Just tally your gift inside this bro.
On his back after you blow.

The lights go red, the bass goes low,
He’s crying out when juices flow.
This ain’t just sex, its holy bliss
Each load’s a gift , each grunt’s a kiss.
“This is my Church, now hand your Eucharist”

His eyes roll back, he starts to float,
Moaning prayers from a smoke-ripped throat.
Boots in the air, holes open wide,
He’s cum-slicked glory, Submissive Pig with pride.

You’ve arrived at the PlayPen,
Private Club completely hidden,
The burly man’s dearest wish
To Roll around the floor in bliss
His lacy thong glazed with jizz,
Gaping bussy oozing lube and piss. 
You might be a twink, a fem, next gen, body less than perfect ten,
You’re always welcome to this hole of men,
A lustful den, it’s PlayPen

You’ve arrived at the PlayPen,
Private Club completely hidden,
The burly man’s dearest wish
To Roll around the floor in bliss
His lacy thong  glazed with jizz,
Gaping bussy oozing lube and piss. 
You might be a twink, a fem, next gen, body less than perfect ten,
You’re always welcome to this hole of men,
A lustful den, it’s PlayPen.

Burly Man’s Wish (69xxx Hail Mary Edit)

Patrí k popredným osobnostiam hudobného umenia na Slovensku v oblasti vážnej hudby.

Molenaar Edition is a publisher of sheet music for Concert Band, Fanfare and Brass Band. Molenaar Edition also has its own CD label, MBCD, that releases 3 to 4 CDs , a year.

The company was founded in 1933 by Pieter Jan Molenaar under the name Molenaar’s Muziekhandel. In the 1970s, his sons Jan and Bob joined the growing company. The name was changed to Molenaar’s Muziekcentrale, and later to Molenaar Edition BV.

Welcome to the SoundAds channel!  Here you will find uniquely generated music in a variety of genres. The channel is sponsored by webdelo.org.
Webdelo.org: Boost your US business with our online promo services! We offer competitor analysis, website development, coding, SEO, content creation, social media management, PPC ads, email marketing, plus analytics and optimization for growth.Use promo code “SoundAds” to get a discount on website development and promotion

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Sydney-based composer and educator. Former Music Director, Sydney Chamber Choir. Associate Professor of Composition, Sydney Conservatorium of Music.

New tracks tagged #MaleChoir