Mool Mantar Ravneet Singh
waheguru simran

ੴ ਸਤਿ ਨਾਮੁ
ਕਰਤਾ ਪੁਰਖੁ
ਨਿਰਭਉ ਨਿਰਵੈਰੁ
ਅਕਾਲ ਮੂਰਤਿ
ਅਜੂਨੀ ਸੈਭੰ
ਗੁਰ ਪ੍ਰਸਾਦਿ ॥
॥ ਜਪੁ ॥
ਆਦਿ ਸਚੁ ਜੁਗਾਦਿ ਸਚੁ ॥
ਹੈ ਭੀ ਸਚੁ ਨਾਨਕ ਹੋਸੀ ਭੀ ਸਚੁ ॥੧॥

Ek onkar satnam kartapurakh
Nirmoh nirvair akaal murat
Ajuni sabham
Guru parsad jap aad sach jugaad sach
Hai bhi sach nanak hose bhi sach

Mool Mantar Ravneet Singh Waheguru Simran

Valhalla Hammering

Mantar "Valhalla Hammering"

Waheguru Simran | Meditation | Mantra

Waheguru is a name given for God and commonly translates as Wonderful God. Simran refers to the remembrance of God. Kirtan are words or phrases which are sung in praise of God.

Waheguru Simran is one of the best ways to directly connect with God.

Waheguru Simran by Jhinda-Music ft Mandeep Kaur

Eğitmen ve Mantar Avcısı Ömer Üngör ile mantarların ekosistemdeki yeri ve önemi, iklim krizinden nasıl etkilendikleri, dünyadaki ve Türkiye’deki mantar türleri,  Türkiye’nin mantar haritası ve dahasını konuştuk.

Doğa Konuşmaları - 166.Bölüm - Olmasalardı olmazdık: Mantarlar

Ek Onkar	There is only One God
Sat Naam	Truth is his name
Karta Purkh	He is the creator
Nir Bhau	He is without fear
Nir Vair	He is without hate
Akaal Moorat	He is immortal, without form
Ajooni	He is beyond birth and death
Saibhang	He is self-illuminated
Gur Parsaad	He is realised by the kindness of the true Guru.

Mool Mantar by Gurpartap Singh Sugga

Mantar "Halsgericht" from the album "Post Apocalyptic Depression"

Mantar "Halsgericht"

Mantar "Rex Perverso" from the album "Post Apocalyptic Depression"

Mantar "Rex Perverso"

Bir Kilo Hüzün, Yarım Kilo Gurur Alabilir Miyim Abi

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

NTVRadyo’da haber ve hayat var!
24 saat esasına göre haber yayını ve #sondakika gelişmeleri yanında radyo tiyatrosu, polisiye roman, doğa, masal, kitap, gezi, gastronomi, müzik, ekonomi, spor, sosyal güvenlik, engelli-özel spor dalları, sıra dışı hayatlar, kadın programları ve radyo belgesellerini dinleyin.

Jhinda Music hails from the infamous London town! Raised in Southall he grew up fortunately being surrounded by punjabi culture, language and music. His first ever memories of punjabi music included the tapes of legendary artists like The Safari Boyz, The Sahotas, Malkit Singh, Jazzy B and Surjit Bindrakhia whilst in his Mums car on the way from school.

His own musical journey started off as many do in music class’s in the local Sikh gurdwara encouraged by his parents who both did Kirtan. However his eyes and ears only truly opened up to music when he began learning north indian classical music from Raj academy. He started with the Rabaab and Sarangi and moved on to other instruments like Dilruba/Tarshahnai, Tabla/Jori as well as music theory. He took this interest further and began tutelage under Namdhari Ustads such as Surjit Singh ji and Sarod player Gurdev Singh ji. 

When he got to university his interest in bhangra and folk music really developed. Armed with his knowledge of classical music from a young age he was able to pick up punjabi folk music up quite easily and apply it to "lohk saaj” such as the Tumbi, Algozeh, Bansuri, Sarangi. He was introduced to his Ustad ji and older brother Gurvi Kambo Dholi who pushed him further into folk music its various styles and even music production. Jhinda developed a name for himself on the UK live bhangra scene as a musician for the award winning bhangra team Vasda Punjab. Having spent years performing at various competitions and exhibitions traditional folk bhangra is a huge influence on him.

The 2 words he would use to describe his sound are Folk and Electric. His musical influences range from Punjabi folk/Indian classical/qawwali right through the spectrum to Electronic music, live digital performers and controller-ism. His first ever piece of production equipment was an Akai MPC 1000 having been inspired by sampling videos off youtube. The vast collection of equipment soon followed, Jhinda is a self confessed gear junkie loving all types of analogue and digital pro audio equipment!

Becoming a music producer has been a natural progression, from bedroom musician, to playing for bands and artists, to recording in studios to now having his own studio and making his first album. He endeavours to make fresh bhangra music for all and promote true punjabi values. His first EP named "Aad the beginning” features 5 tracks recorded in 2014 whilst on a backpacking trip around India.

He has gained some social media recognition for his numerous instagram and vine videos. He showcases different instruments in various styles from acoustic folk to electro fusion. He hopes that on the back of his first EP he gains some recognition for his work and looks forward to working with different artists and including some of his heroes.

New tracks tagged #Mantar