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"Cómo pueden los vulcanólogos mejorar la resiliencia urbana al cambio climático"
De Jonathan Fink y Michael Armstrong
Publicado en Eos.org 27 marzo 2025
Traducción y grabación de audio de Saúl A. Villafañe-Barajas

Cómo pueden los vulcanólogos mejorar la resiliencia urbana al cambio climático

Nesta quinta-feira, 10 de abril de 2025, a produtora cultural Júlia Ho participou do programa Expresso 104,5, para dar detalhes da segunda edição do Festival Horizontes Mapping, que ocorre neste sábado, 12, em BH.

O evento mistura tecnologia e performances visuais no centro de Belo Horizonte, com a proposta de apresentar a técnica de criação audiovisual digital, que envolve o ajuste preciso de uma imagem de vídeo à superfície de um objeto: o videomapping cria efeitos visuais que valorizam a arquitetura da cidade, tecendo uma narrativa que coloca a arte como grande protagonista em meio ao cenário urbano da capital. Oito artistas são convidados nesta edição: Mobius Studio, VJ Eletroiman, Tuto, Coletivo Corrocobó, VJ Bah, PYÄTY, Holy.xtian e VJ Flame. A festa conta também com seis DJs. Mais informações em instagram.com/horizontesmapping.

Belo Horizonte recebe a segunda edição do Festival Horizontes Mapping

Preview for forthcoming projects including Know Thyself opportunities, peer to peer groups for utilising neurodivergent traits & New Earth Weavers Sessions for overcoming wonky paradigms and stepping into Highest sacred activist timelines!

Happy Vedic New Year - whats coming up for D STARS brigade!

We nemen je mee naar de tweede editie van de Gouden Vink. Elf teams gingen de uitdaging aan om de beste CX-strategie te ontwikkelen voor een realistische klantcase.

Je krijgt een mini-college van Kees Kerkvliet, customer experience-expert, over customer journey mapping. Hij benadrukt het belang van het valideren van aannames bij echte klanten en gaat in op het verschil tussen de experiencing self en de remembering self bij klantervaringen.

Sabine Oosterholt van VodafoneZiggo licht de klantcase toe waarmee de teams aan de slag gingen. Het ging om een klantreis rond het oriënteren, kopen en installeren van een nieuw internet- en televisiepakket. De focus lag op een persona genaamd Thomas, een vader van drie kinderen met wifi-problemen thuis.

Arne van Weenen vertelt over het hoe en waarom van dit event, Tinne van den Broeck deelt waar zij als jurylid op let en natuurlijk spreken we met verschillende deelnemers en de winnaars!

Podcast De Gouden Vink 2025

Fogg

就像你把一段原本跳得很正常的鼓 loop，拿去摺紙、扭轉、然後直接反摺你的神經。

Stunning Fold

Au bord du Canal Saint-Denis, l’eau est partout et ne se fait entendre presque nulle part. Accompagnant le mouvement du courant, du parc de la Villette au cœur de Saint-Denis, on suit ses variations sonores, sa façon d’apparaître et de disparaître dans le paysage accessible aux oreilles. L’eau d’abord silencieuse, puis éclatant parfois sous son propre fracas… Il faut chercher tout ce qui, à son contact et dans ses remous, peut se mettre à résonner.

On the banks of the Canal Saint-Denis, water is everywhere, and almost nowhere to be heard. Following the movement of the current, from the Parc de la Villette to the heart of Saint-Denis, we follow its variations in sound, the way it appears and disappears in the landscape accessible to the ears. The water is at first silent, then sometimes bursting into its own roar... You have to look for everything that, in its contact and in its eddies, can begin to resonate.

Composé par Ilaria Despina-Bozzi, Anouk Grandidier, Juliette Meulle et Daniela Stubbs-Levi.

Pièce No. 1 Following the Water (Au fil de l’eau)

Cette pièce sonore compose avec les sons des chantiers de construction et des zones de transition le long du Canal Saint-Denis. Ces paysages sonores brisés, auxquels s’entremêlent des fragments de The Waste Land de T.S. Eliot, font écho à l'épuisement, à la discontinuité et aux possibilités latentes d'un territoire en mouvement. Au fil des textures sonores brutes et d'es énoncés poétiques, une écoute stratifiée émerge : où le rugissement des machines converse avec les ruines modernes du texte, ouvrant une brèche délicate dans le paysage auditif du canal.

This composition draws from the sounds of construction sites and transitional zones along the Canal Saint-Denis. Layered with fragments of T. S. Eliot’s The Waste Land, these broken soundscapes echo the exhaustion, discontinuity, and latent possibilities of a shifting territory. Through the interplay of raw sonic textures and poetic utterance, a stratified listening emerges: where the roar of machinery converses with the modern ruins of the text, opening a delicate breach in the canal’s auditory landscape.

Composé par Marius Larrayadieu, Lou Menut, Nassim Mouayed, Paul Raygade, Paloma Tisaire Sánchez

Piece No. 3 Fragments from a Wasteland

September - Imogen Wegman, Edward Foord Bromley's disappearing New Town

All fucked up for CC, if you want that you got that.

The Tasmanian Historical Research Association promotes research into and the publication of Tasmanian history.

ArTeC est une École Universitaire de Recherche consacrée à la Recherche-Création. Implantée sur les sites des universités Paris 8, Paris-Nanterre et du Campus Condorcet, elle accompagne les pratiques expérimentales qui s'appuient sur des gestes artistiques pour réinventer la recherche universitaire. Au moyen de ses podcasts et des restitutions sonores de ses productions scientifiques et artistiques, ArTeC vous propose une fenêtre sur le territoire mouvant de la Recherche-Création dans les domaines des arts, des sciences humaines et sociales, et des technologies. Ce programme est soutenu par l'Agence Nationale de la Recherche.

Eos is a leading source for trustworthy news and perspectives about the Earth and space sciences and their impact. Published by the American Geophysical Union.

A Rádio UFMG Educativa é uma parceria entre a Universidade Federal de Minas Gerais (UFMG) e a Empresa Brasil de Comunicação (EBC), com transmissão de programação diária na frequência 104,5 FM, para a Região Metropolitana de Belo Horizonte, e on-line, pelo site http://ufmg.br/radio. Inaugurada em 6 de setembro de 2005, a emissora oferece uma programação diferenciada e alternativa aos formatos e gêneros musicais já existentes no mercado. Referência em produção radiofônica entre as rádios universitárias do país, a UFMG Educativa tem a missão de dar visibilidade à produção de conhecimento da Universidade, por meio da comunicação pública da ciência e do fomento à discussão constante de temas relacionados à educação e à cultura. A emissora está vinculada ao Centro de Comunicação da UFMG (Cedecom) e é composta pelos núcleos de Jornalismo, Operações e Programação.

New tracks tagged #Mapping