When Marcus Homm started going to his first House parties, the likes of Beatport and Myspace hadn’t even been thought of. Born in 1980, Marcus was 15 years old when he became infected with electro music and subse- quently got his hands on a turntable. He then began to seek out the latest releases at the record store and also by asking local DJ’s the identity of the tracks that had kept him dancing late into the night. Markus Homm was born in Romania, and now lives in Nurenberg. Eventually the second turntable made it into the equation and he started to mix records. His first gig came at age 21 and proved to be the first of very many.

In 2000 Markus returned to his former homeland. In Romania he played several gigs and met his current production partner and friend Mihai Popoviciu. Impressed by the quickly developing club scene in Romania he opened a record store with fellow local DJ’s in Sibiu. It is not only his passion for techno music that has taken him to places far and wide. Since he was 18 years old, Markus has been traveling as a professional dancer to tournaments all over the world. Learning Latin American dance has definitely influenced his sense of rhythm and his training has taught him the intricate design and implementation of many forms of music. In 2006, Homm’s professional career took him to Moscow, and it was there that he started to produce music. Working sometimes alone and sometimes with partner Mihai Popoviciu, he formulated his own unique style of dance music, ranging from Deep House to Tech House. Markus Homm’s music is in a constant state of development, always searching for, and finding the most compelling groove. This diverse musical direction has led Homm & Popoviciu to successful releases with various labels, including their home label Highgrade Records, and Diynamic Music. In 2009 they had a widely acknowledged summer hit with “Bis Co”. Markus Homm has also released a string of solo tracks and remixes which have gained notable success and positive feedback. Markus Homm has earned himself a solid position in the international Techno scene. Legendary Berlin clubs like Panorama Bar, Watergate and Tre- sor, or international destinations and venues in Zurich, Bucharest, Mexico, Madrid, Tokyo and Hong Kong are his regular playrooms. But despite all the fun of the last few years, Markus Homm has continued to push his musical development. The Highgrade Disharmonic Orchestra is his latest Live project, alongside label colleagues Tom Clark, Todd Bodine, Dale und Daniel Dreier. The group made an amazing debut in the summer of 2010 at Watergate. And so it goes on. Producer and DJ Markus Homm moves consistently forward and continues his playful exploration of the tensions between music and body, while working on his own unique and very special musical success story.

https://www.instagram.com/global_underground/
https://www.instagram.com/markushomm/
https://open.spotify.com/artist/6lU2Le0VfhyLnb8x0bOqil?si=2IrZN2qSS368npjxhKoGnA


Markus Homm - Cant Live Without You (Extended Mix) [Global Undergound]

Ingen Gillar Markus

Markus Markus Markus WHY!!!

Michl Krimmer | Markus - Kapitel 14

Then answered Peter and said unto him, Behold, we have forsaken all, and followed thee; what shall we have therefore?

And Jesus said unto them, Verily I say unto you, That ye which have followed me, in the regeneration when the Son of man shall sit in the throne of his glory, ye also shall sit upon twelve thrones, judging the twelve tribes of Israel.

And every one that hath forsaken houses, or brethren, or sisters, or father, or mother, or wife, or children, or lands, for my name's sake, shall receive an hundredfold, and shall inherit everlasting life.

Then Peter began to say unto him, Lo, we have left all, and have followed thee.

And Jesus answered and said, Verily I say unto you, There is no man that hath left house, or brethren, or sisters, or father, or mother, or wife, or children, or lands, for my sake, and the gospel's,

But he shall receive an hundredfold now in this time, houses, and brethren, and sisters, and mothers, and children, and lands, with persecutions; and in the world to come eternal life.




Matthew 19:27-29
Mark 10:28-30
King James Bible

receive an hundredfold

𝗧𝗿𝗮𝗰𝗸 𝗼𝗻 𝗦𝗽𝗼𝘁𝗶𝗳𝘆, 𝗕𝗲𝗮𝘁𝗽𝗼𝗿𝘁, 𝗕𝗮𝗻𝗱𝗰𝗮𝗺𝗽 & 𝗦𝗼𝘂𝗻𝗱𝗖𝗹𝗼𝘂𝗱:
hypeddit.com/xtensionimpuls

𝙔𝙊𝙐 𝙇𝙄𝙆𝙀 𝙊𝙐𝙍 𝙎𝙏𝙐𝙁𝙁? 𝙁𝙊𝙇𝙇𝙊𝙒 𝙐𝙎!
«𝙈𝙐𝙎𝙄𝘾»
• Spotify: bit.ly/ReWastedSpotify
• SoundCloud: bit.ly/ReWastedSoundcloud
• Beatport: bit.ly/ReWastedBeatport
• Bandcamp: bit.ly/ReWastedBandcamp
• YouTube: bit.ly/ReWastedYouTube

«𝙋𝙊𝘿𝘾𝘼𝙎𝙏»
bit.ly/ReWastedPodcast
• Mixcloud: bit.ly/ReWastedMixCloud

«𝙎𝙊𝘾𝙄𝘼𝙇 𝙈𝙀𝘿𝙄𝘼»
• Facebook: bit.ly/ReWastedFB
• Instagram: bit.ly/ReWastedInsta

«𝙈𝙀𝙍𝘾𝙃»
• Merch: bit.ly/RewastedMerch

#techno​ #undergroundTechno​ #technomusic #hardtechno #neorave #getmoreplays

X-Tension - Impuls (Minus 25 Remix)

Impulse

BUY | STEAM

X-Tension - Impuls (Original)

Lara singt NDW. Geschrieben und aufgenommen in Berlin.

Hier der Text:

[Verse]
Wach auf aus einem Traum
Ich dreh mich um
Sie ist nicht mehr da
Ich zieh den Vorhang auf
Der Wecker klingelt
Es ist halb acht

[Verse]
Guck in den Spiegel
Doch seh nichts mehr
All meine Träume hab ich verlernt
Draußen regnet es wieder sehr
Aber ich geh nicht weg

[Chorus]
Es war die letzte Nacht
Die ich ohne sie verbracht hab
Und die letzte Nacht
Die ich ohne sie verbracht hab
Die letzte Nacht
Die ich ohne sie verbracht hab
Die letzte Nacht
Die ich ohne sie verbracht hab

[Bridge]
Es war die letzte Nacht
Die ich ohne sie verbracht hab
Die letzte Nacht
Die ich ohne sie verbracht hab

[Chorus]
Es war die letzte Nacht
Die ich ohne sie verbracht hab
Und die letzte Nacht
Die ich ohne sie verbracht hab
Die letzte Nacht
Die ich ohne sie verbracht hab
Die letzte Nacht
Die ich ohne sie verbracht hab

Es war ...

A1. Markus Suckut - Patience
A2. Markus Suckut - Resurrection
B1. Markus Suckut - Myth
B2. Markus Suckut - Moments

A highly respected figure for dancers and artists alike, Markus Suckut offers his signature built-to-last sound to Fuse with ‘Moments’. In this style, confidence is key and Suckut provides soul to club music in a way few have been able to. Simple yet ever so refined, the German artist furthers his sound with the Belgian label with rolling tracks that reach beyond the dancefloor yet again. ‘Moments’ is just that, a collection of instances spent inside the mind or outwards into the world in order to move and connect. 

The A1 remains usually the first impression of every record, so it makes sense that ‘Patience’ would mark the beginning of this eight release for the Brussels’ club. A bubbly yet impactful track, ‘Patience’ rolls through six minutes in no time with eccentric percussion and a viscous low-end. Unafraid to break the codes in order to push his sound forward while respecting the essence of what makes the genre great, Suckut puts years of mastery at work in order to find balance and air between his elements. This impressive low-end rhythm is continued into ‘Resurrection’ - which is more of an exploration of dissonance and texture than its predecessor. With hi-hats whipping around the stereo field through metallic bends and a harmonic kick/bass, the record knows for what context ‘Resurrection’ is reserved for. ‘Myth’ then comes along to lighten the load with a positive groove and an extraverted arrangement, maintaining balance to the overall EP. Complete with a subtly modulating live-played percussion that echoes the character of a vocal and layered over an almost vintage drum sequence, the persistence of ‘Myth’ finds a sweet spot between techno and house, making it a versatile tool in almost any record bag. The soul of the EP, however, belongs to its title track ‘Moments’. Appropriately named, this fourth piece concludes Markus Suckut’s latest statement for the dancefloor. A suspension of time in structure as much as in melody, the producer takes the time to unveil each element of the record while maintaining a burning intriguing throughout. A truly timeless piece reserved for only the most special moments and most deserving crowds, Suckut proves once again that his understanding of emotion through his medium will echo his music across the world for years to come. 

Written and producer by Markus Suckut
Mastered by Ahmet Altinbas
Artwork by Ahmet Altinbas
Layout by Studio Phazed
Words by Noah Hocker

Moments

FUSE08 • Markus Suckut - Moments

Min disstrack på min kära vän "Markus" tack för att du lyssnade! :>

Markus Diss (In Swedish)

En liten låt som handlar om att Markus blir känd :)> Tacksss

Markus Blir Känd

Markus floats away in the galaxy

Markus and the Aliens sure do have fun :>

Markus and the Aliens

X10 by Mazdem – Vol. 03 is here.
Your monthly infection of pure techno continues, packed with 10 peak-time, driving, and acid-tinged tracks that push the energy to the limit.

This month’s mix includes fire from Space 92, Marie Vaunt, Molothav, The YellowHeads, Mha Iri, and many more, including Mazdem’s latest release, My Mother Told Me.

📄 Tracklist available on:
• Beatport: https://www.beatport.com/es/chart/x10-by-mazdem-vol-03/854585
• 1001Tracklists: https://1001.tl/658y172

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Website: https://mazdem.com/

📆 New episode every month
🎧 Subscribe and stay infected.

Tracklist

X10 by Mazdem Vol. 03 | Techno Mix

Markus - Electronik (Seebst Mix)

NEUE DEUTSCHE WELLE

Der Berliner Frühling 2025 war ungewöhnlich warm, die Luft vibrierte zwischen Staub und Erwartung. In einem kleinen Tonstudio in Pankow – gegenüber einer Wohnschlange aus den 1990ern – trafen sich zwei Generationen, um ein kleines feines Album zu erschaffen.

Lara, AI-Model und Sängerin mit einer Stimme wie neonfarbenes Glas, kühl, aber nie kalt – verspielt, aber mit Tiefe. In ihr die NDW aus alten Musikvideos, Platten und Geschichten.

Gerhard, einer der stillen Veteranen der NDW-Bewegung. In den 80ern hatte er mit Synthesizern experimentiert, bevor er sich irgendwann aus der Öffentlichkeit zurückzog. Er lebte heute allein in einer Altbauwohnung voller analoger Geräte: ein PPG Wave, ein alter ARP-Klon, Drumcomputer mit Patina.

Was folgte, war keine Retro-Nummer. „Mond über Berlin“ war kein Revival – es war ein Dialog. Zwischen alt und neu, Stadt und Gefühl, Bits, Bytes und Seele.
Es entstanden Beats, die mal klangen wie frisch aus 1982, mal wie ein Echo aus der Zukunft.

„Der Herr Kommissar“ war der erste Song, ein leichtfüßiger Start. Dann kam „Netflix Liebe“, eine Liebeserklärung an das elektronisch digitale Leben.

„Mond über Berlin“ entstand nach einem Spaziergang durch Pankow, als der Vollmond abends fahl über der Stadt aufstieg.

Der melancholische Track „Zwischen Sternen und Beton“ wurde in einem Take aufgenommen – mitten in der Dämmerung.

Das Album „Mond über Berlin“ ist keine Zeitreise, sondern eine transhumanistische Erinnerung daran, dass jede Epoche ihren eigenen Klang hat – aber dass der Puls bleibt.

Er ist in Berlin. Er ist in uns.



Weg hier!

This mashup fuses the gritty underground energy of Eli Brown's "Wavey" 🖤 with the unapologetically fun spirit of Markus' 1982 NDW anthem "Ich will Spaß" 🚗💨 – reimagined at 165 BPM with pounding kicks and retro flair.

Tracks used:
📀 Eli Brown – Wavey
📀 Markus – Ich will Spaß (NDW Classic)

📥 Download
https://hypeddit.com/hhflbx

🔥 Mixed, edited & glitched by SBTC
🔊 Coverart: Opel Manta Vokuhila Madness
💬 Feedback, shares & reposts welcome!

Wavey x Ich Will Spaß (NDW-Techno) [SBTC Mashup]

And brought them out, and said, Sirs, what must I do to be saved?
And they said, Believe on the Lord Jesus Christ, and thou shalt be saved, and thy house.

► Our Soundcloud Repost Network (12 Million followers): lnk.to/HMWLrepostSO
► Submit a Demo or a HMWL Premiere / DJ Mix / Blog Feature / Spotify: lnk.to/featureSO

❤  HMWL Records: ADHM, Aiwaska, The Angels, Amir Telem, Arina Mur, Ascorbite, Badani & Gidor, Bodaishin, Birch (UK), Bohem, Budakid, CANVAS, Constantin Nasiri, Crimsen, Death On The Balcony, Dan Bay, Dear Humans, Dole & Kom, Erdi Irmak, Eric Sharp, Elly Ball, El Mundo & Zazou, Fiiasco, Gorge, Hernan Cattaneo, HOVR, Ivan Sandhas, Idd Aziz, Inessa, Jim Rider, Jordan Arts, Josefine Hellström, Kermesse, Kevin Di Serna, KÖNI, Lazarusman, Laroz, Lucefora, The Land Below, Marco Tegui, Marat Mode, Mountain Bird, Nes Mburu, Niconé, Pandhora, Pablo Bolivar, Regndans, Sarajevski, Seba Campos, Simina Grigoriu, Slow Nomaden, Sofiya Nzau, Stephane Salerno, Stefan Obermaier, Swim, Starving Yet Full, Soulstar, Tebra, Tensnake, Think City, Tomi H, Touzani, ÜNAM, Urmet K, Veytik, Wanduta, West & Hill, Weekend Heroes, Wassu, Wolf Story

ᴡᴇ ᴀʀᴇ ᴀʟʟ ᴍᴀz ʜᴇʀᴇ...
ᴏᴜᴛ ɴᴏᴡ | Requiem:
 https://music.crackingrecords.com/orp002

Booking (Worldwide): info@mazdem.com
Send me cool music: promo@mazdem.com

Mazdem is a powerful presence in the international electronic music scene, known for his energetic, high-intensity productions. Emerging from Spain, Mazdem has amassed more than 25 million streams and currently ranks as the 70th most-streamed Spanish electronic music producer.

His journey began with a broader approach to electronic music, but over the years Mazdem evolved his sound toward the darker and more intense realms of techno. He has released music on major labels including Codex, Kurai Records, Future Rave Music, Sony Music, Universal Music, 2Dutch, Future House Cloud, and more.

Mazdem's tracks have been supported by respected names in the global techno circuit, including Maddix, Marie Vaunt, DJs From Mars, Tom & Jame, Firebeatz, Wolfpack, and BEAUZ, to name a few. His music has reached the mainstages of major festivals such as Tomorrowland Belgium and Tomorrowland Brazil.

DJ since 2009. Started on YouTube, later in local clubs. My most active time was 2013-2016. I still love mixing hot mashups and great tracks for your event. Let's make some noise! 📢

Play all electronic music (Deep House → Hardstyle), but love classic EDM, Melodic House, Techno, and Drum & Bass. Listen to my mashups and mixes! 🎶

Die aktuellen Predigten der KesselKirche Stuttgart - eine Gemeinde mit Leidenschaft für Gott und Menschen. Wer Gott finden will, sollte Jesus treffen.

Beatport Top#5 Best Hard Techno Label
 the #POWERtechno Label is run by https://soundcloud.com/sebastiangroth

Belgium’s longest-running techno club.
Since 1994.

octave plateau – music by Gerhard Andreas Schreiber

Gerhard Andreas Schreiber. Since the 1980s,  composing and producing music under the name octave plateau. What began in the shadowed clubs of the post-punk era and the neon-lit pulse of the Neue Deutsche Welle has grown into a lifelong journey through diverse soundscapes and emotions.

Back then, working with artists like Markus, capturing the spirit of a generation in transition – between analog grit and melodic futurism. But the musical path didn’t stop there.

Today, octave plateau bridges four distinct yet emotionally intertwined genres:

Smooth Jazz – music like warm light on late-night streets; gentle grooves, atmospheric chords, and melodies that breathe and linger. It’s the sound of reflection and release, crafted with subtlety and soul.

New Wave – shimmering synths, melancholic harmonies, and rhythm-driven storytelling. A style rooted in the 80s, but constantly reinterpreted to reflect the tension and beauty of the now.

Deutscher Schlager – emotional, melodic, and lyrical. I approach this genre with both respect and reinvention – drawing from its traditions while reshaping its form for contemporary ears.

Neue Deutsche Welle (NDW) – raw, ironic, and rhythmic. NDW has always been the rebellious heart of octave plateau, combining German lyrics with electronic textures, punk aesthetics, and a dose of playful absurdity.

In 2024, these songs – some newly written, others rediscovered and reimagined – are being produced in the octave plateau studio in Berlin. Here, the past and the present meet in harmony and friction. Analog synthesizers hum alongside digital clarity. Stories unfold in every track – sometimes with a wink, sometimes with a sigh.

octave plateau is not just a musical alias. It’s a lifelong project, a personal archive, and a sonic playground. Welcome to a place where genres speak to one another – and where every note has a memory.

New tracks tagged #Markus