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Visions V for Viola and Piano by R. Roland Jelinek – Post-Humanism, and the Square Root of Two. Is Mathematically Inspired Chamber Music,

"Visions V for Viola and Piano," composed by the acclaimed R. Roland Jelinek, is an innovative and mathematically inspired chamber work, available for purchase from Virtuosi Strings Publications. This contemporary composition is intricately based on the Square Root of Two to 200 decimal places, exploring the hidden numerical patterns within mathematics and their influence on musical structure.

A profound reflection of the Post-Humanist Era, Visions V melds the precision of mathematical music with the expressive possibilities of contemporary classical music. The work discovers small numerical patterns derived from the Square Root of Two to create a complex dialogue between viola and piano. This unique chamber piece invites performers to engage with its abstract mathematical origins while experiencing the emotional depth and innovation of Jelinek's modern compositional style.

Ideal for advanced musicians, chamber ensembles, and those passionate about both mathematical music theory and contemporary viola repertoire, Visions V offers a thought-provoking addition to any musician’s collection. Its exploration of the Post-Humanist narrative, combined with its foundation in mathematical sequences, makes it a compelling piece for those interested in the fusion of music and mathematics.

Available for purchase now at Virtuosi Strings Publications, Visions V for Viola and Piano is an essential addition to any chamber music library and is perfect for performances, study, and reflection in the context of modern classical music and Post-Humanist philosophy.

Visions V for Viola and Piano
R. Roland Jelinek composition
Post-Humanist Era music
Mathematical music theory
Square Root of Two in music
Contemporary viola repertoire
Modern chamber music
Advanced chamber music
Viola and piano composition
Mathematical inspiration in music
Contemporary classical music
Post-Humanism and music
Chamber music for advanced musicians
Mathematical patterns in music
Music and mathematics fusion

Visions V for Viola & Piano (Era of Post Humanism & the Square Root of Two)

Visions V- for Viola and Piano (Era of Post Humanism & the Square Root of 2-In Memorium)-excerpt

SIMPLICIPI 8-bit

Sound Ferry

Blogpost for Code & More:  https://blog.illestpreacha.com/drone-day-2025-soundferry

For Drone Day 2025 (https://droneday.org/, Sound Ferry would act as a ferry transporting these drones to their destinations and as all trips, their paths will vary. Which is represented through the effects made post SonicPi coded composition.

Poem:

Distances may vary
On the Sound Ferry
As some flourish
Even if off beat
While others nourish
By feeding on the sounds
That maintain their ground
Pouring in so deep
To the ocean floor and around

SoundFerry

-Ableton-Live: (Mathematical-Compostion).
-Adam-Szabo: (Viper: VIRUS-Tweaked-Fav).
-Matt-Tytel: (Helm-VST: Crazy-Insane-Favorite).
-Function-Loops: (Psytrance-Bass-VST-Favorite).
-VoxengoSPAN-VST: (Mastering-Visualisation-Favorite).
-Samples: (Ultimate-Multiples-Various-Animals-Samples).
-PS: M-Audio: (Oxygen49-Midi-Keyboard: Notes-By-Notes).

(Psychedelic-Trance-Viper-Virus-TI-Dark-Hitech) Track No: 5654.

step right through

Topological Music Project — Study 01

This piece explores how sequences of numbers — in this case, prime numbers — can be translated into evolving harmonic textures.

Each chord is formed from three consecutive numbers, dynamically mapped to musical pitch using a local normalization technique.

The result is a flowing structure where notes slide in and out of chords, with rhythm tied to the internal pitch spread.

Rendered from a generated MusicXML score using Python and MuseScore, this excerpt forms part of a larger research and artistic project investigating how mathematical topology and numerical growth can be heard through spatial and harmonic transformations.

Tools: Python (music21), MuseScore, MusicXML
Source sequence: OEIS A000040 (Prime numbers)
Website: GitHub Repository

Primescape No. 1 – Harmonic Drift

The music can speak for itself, sonically, if you prefer.

But if you care to understand what's going on, here it is in brief.  The durations in the cello are 2, 4, and 8 8th notes; the durations in the bass line of the piano part are 3,5,6, and 7 8th notes.  Any rhythm of any duration of the former sort admits a translation into a rhythm of the latter sort, and vice-versa, indeed a translation that preserves the overall duration (to within a fixed few beats anyway).   I expect that this fact hardly seems obvious!  But the violin part is the intermediary, along with the other voices in the piano part.   Attend to the relationship between cello and violin; and between piano and violin, and, with some concentration, the logic indeed reveals itself.

Elegy for Piano Trio (High Phi II)

All profits from the event went to the charity fund that supports war refugees.

This is my first set. Performed at Just Girls Charity event 29.06.2025

weights and measures

through the fire

Parthenon

Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

Please don't spam this account!

@car_sounds
@carsounds2
https://soundcloud.com/carsounds3
https://discord.gg/ZWzRKw7nTW

abstract, surreal, mathematical. order through chaotic perceptions. industrial/noise/glitch/ All music plus a bunch more on spotify, youtube, and just about everywhere else!
that's up to you, the art inspires the music, like a digital Dali converted into sound. All artwork by Alisyn Monroe.

(Roland-Hardwares) & (Ableton-Softwares), etc.
(Cats, Reptiles, Tarantulas, Scorpions, Birds), etc.
(Skateboard, Snowboard, Snowskate, Etc).

Favorite-Musics: PsyTrance, DarkPsy, HiTech, PsyCore, Goa-Trance, Acid, Techno, Minimal, Synthwave, Apache-Crown-Dancers & Mores.

-My Setup:
-Pioneer: (DJM-A9).
-Pioneer: (DJM-600).
-Pioneer: (2X CDJ-1000MK3).
-Roland: (TR-8S).
-Roland: (T-8).
-Roland: (S-1).
-Behringer: (RD-8).
-Behringer: (RD-9).
-Behringer: (TD-3-MO-AM).
-Yamaha: (PSR-2, Tweaked).
-M-Audio: (Oxygen 49, MkV).
-Novation: (Launch-Control-XL-Mk2).
-Ordinateur Sync: (Ableton-Live-v10).
-Laptop Sync: (Ableton-Live-v12).
-Micro-APEX 385: (Dynamic-Vocal).

-PS: (FAV) VST:
-Matt-Tytel: (Helm-VST: Insane).
-Function-Loops: (Psytrance-Bass).
-VoxengoSPAN-VST: (Visualisation).

-IMP: 
(Don't-Forget-To-Check-My-(Mixcloud)-Too).
(New-Live-&-New-Mix: (Every-Week-&-Month).

New tracks tagged #Mathematical