🎵 Title: Ascension
🎼 Composer: Michael Herter

🕒 Duration: 03:29
🐢 Tempo: Slow
🎻 Genre: Epic New Age / Ambient Pop / Choral Crossover / 
🎧 Mood: Mystical, Spiritual, Epic, Meditative, Transcendent
🎬 Video: 

📝 Description

Rediscovering "Ascension": A Lost Masterpiece from 1982

In the heart of Paris, during the vibrant musical era of the early 1980s, a group of avant-garde musicians gathered in a small, now-defunct studio. Among them was the enigmatic composer known as "Le Maître des Sons" (The Master of Sounds), whose identity remains shrouded in mystery. Together, they embarked on an ambitious project to fuse the sacred art of Gregorian chant with the cutting-edge technology of synthesizers and electronic music, creating a sound that was both ancient and futuristic.
"Ascension" is a transcendent track that transports listeners to a sacred space where ethereal vocals, sung in a constructed language inspired by Latin and Sanskrit, float like mist over a landscape of electronic pulses. Haunting melodies weave through the air like threads of light, while bells and mystery are woven into the fabric of the composition, creating an atmosphere that is both reverent and revolutionary. Its hypnotic rhythms and meditative qualities make it a perfect soundtrack for introspection and spiritual exploration.
Yet, due to creative differences and financial constraints, the project was abandoned, and the master tapes were left forgotten in the studio’s archives.
In 2024, a team of music archivists, while digitizing old recordings, uncovered a box of unlabeled tapes. Among them was a reel marked "Ascension – 1982". Through meticulous restoration, this lost gem was revived, revealing a composition that feels both timeless and groundbreaking.
'Ascension' offers a unique blend of ancient Gregorian chant traditions with modern electronic music, creating a soundscape that is both spiritual and innovative. It is a portal to a moment in music history where the past and future intertwined, inviting listeners to experience a journey of ascension through sound.
Immerse yourself in the mystical and sacred journey of "Ascension", where every note whispers secrets of the past and every melody beckons you to a realm of timeless beauty. Available now on Bandcamp, this is more than music — it is a discovery waiting to be experienced.

> Disclaimer: This story is a work of fiction created to enhance the atmosphere of the track.

🎼 Key: d-moll | Time Signature: 4/4 | Tempo: 55 bpm

► Support my music: https://bnd.link/sibviolin
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Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

Ascension

Harp arrangement of Plant Chant, O Rubor Sanguinis. Composed by H. Von Bingen 10th Century. A new experiment with a pick up system. Intended for acoustic guitars, but works well on small harps with some customisation.

Hildegard Von Bingen. O Rubor Sanguinis. Harp Arrangement_Jamie O'Callaghan

[Verse]
Le vent murmure des adieux amers
Ganelon part vers un destin de fer
Saragosse l'appelle dans son ombre glacée
Il sait qu'il ne reviendra jamais entier

[Verse 2]
À son fils Baudoin il laisse son nom
Ses terres
Ses rêves et ses illusions
Le poids d’un père
Le poids d’un cœur
Sous la garde de Charles
L'empereur

[Chorus]
Va Ganelon
Sous l’ordre implacable
Le chemin est long
L’épreuve imparable
Le destin s’écrit en lettres de feu
Saragosse t’attend
Loin des cieux bleus

[Bridge]
Les étoiles se taisent
Le ciel s’efface
Dans ses yeux brûle une dernière trace
Un homme contraint
Un serment cruel
Le silence du roi sonne éternel

[Verse 3]
Chaque pas résonne comme un glas
Chaque souffle s’efface dans l’espace
Ganelon avance
L’âme enchaînée
Vers une fin qu’il a déjà devinée

[Chorus]
Va Ganelon
Sous l’ordre implacable
Le chemin est long
L’épreuve imparable
Le destin s’écrit en lettres de feu
Saragosse t’attend
Loin des cieux bleus

Le Fils de Ganelon

średniowieczne nudne gówno wysrane z dupy daj to głośniej, ten mix jest do pizdy jak cos ale jest 2 w nocy i to pierdole.

roborycerz

Extinction

Desolation

Nightmare

Timeless

Epic inspiring orchestral piece capturing the heroic journey theme. Features triumphant orchestration, adventurous spirit, and emotional depth. Perfect for hero stories and epic adventures.


Heroic Journey

A long way

Musique encore une fois produite il y a longtemps mais je me décide enfin à la partager
J'espère que vous apprécierez

Instant death

Instant Death

Musique faite il y a longtemps mais jamais mise en ligne...
Réf à final fantasy 6 pour ceux et celles qui l'auront... :)

Nights Keepers

L'une de mes premières musiques.
Évoque un éveil et une prise de pouvoir de robots, autrefois mis hors service.. 

Rise of the machines

🔹 EN - This track is presented as an excerpt due to discographic agreements.
The full version is available on Bandcamp: https://tonycarnevale.bandcamp.com/track/igrayne 

Igrayne is a character inspired by the film Excalibur, a legendary figure and the mother of King Arthur.
The piece originates from a central scene in the film, where Igrayne dances before the kings who have just sealed the peace. Her presence reignites desire and conflict: Uther falls in love with her and, with Merlin’s help, sets in motion the spell that will lead to Arthur’s birth and the return of war.
Although inspired by a narrative and cinematic imaginary, Igrayne remains a symbolic and fictional character. The music does not describe events, but distills their emotional essence: attraction, waiting, desire, and inevitability.
Musically, the piece is built on an intimate dialogue between electric guitar and strings, a rare combination within the work. The writing is deep and lyrical, with refined harmony and a suspended flow, creating a hypnotic stillness that invites inward listening.
The language leans toward a psychedelic and romantic world, closer to the sensibility of Pink Floyd than to progressive rock in its classical sense.
Igrayne thus becomes a piece that descends inward, allowing an intense yet restrained emotional dimension to emerge — a moment of intimacy and suspension within the broader architecture of III Movimento.

🔹 IT - Questo brano è presentato come estratto per motivi legati ad accordi discografici. La versione integrale è disponibile su Bandcamp.

▶ Ascolta l’opera completa su Bandcamp:
https://tonycarnevale.bandcamp.com/track/igrayne

Igrayne è un personaggio ispirato al film Excalibur, figura leggendaria e madre di Re Artù. Il brano nasce da una scena centrale del film, in cui Igrayne danza davanti ai re che hanno appena sancito la pace. La sua presenza riaccende il desiderio e il conflitto: Uther si innamora di lei e, con l’aiuto di Merlino, mette in moto l’incantesimo che porterà alla nascita di Artù e alla ripresa della guerra.
Pur prendendo spunto da un immaginario narrativo e cinematografico, Igrayne resta un personaggio simbolico e di fantasia. La musica non descrive gli eventi, ma ne distilla l’essenza emotiva: attrazione, attesa, desiderio e inevitabilità.
Dal punto di vista musicale, il brano è costruito su un dialogo intimo tra chitarra elettrica e archi, una combinazione rara all’interno dell’opera. La scrittura è profonda e lirica, con un’armonia raffinata e un andamento sospeso, capace di creare una immobilità ipnotica che invita all’ascolto interiore.
Il linguaggio si avvicina a un mondo psichedelico e romantico, più vicino alla sensibilità dei Pink Floyd che al progressive inteso in senso classico.
Igrayne è così un brano che scende in profondità, lasciando emergere una dimensione emotiva intensa e trattenuta, un momento di intimità e sospensione all’interno dell’architettura più ampia di III Movimento.

III Movimento

Full Album – Bandcamp

IGRAYNE - (Worldwide Release 2026) -  excerpt (full version on Bandcamp)

⚡ Roxy Thunder – Hang Heavy O’er My Heart
Celtic Metal · Orchestral Metal

“Hang Heavy O’er My Heart” is an epic Celtic Metal interpretation of the traditional Scottish poem “Scotland: A Jacobite’s Lament” by W. M. MacKeracher.

Layered distorted guitars, driving drums, sorrowful whistle melodies and powerful bagpipes shape a slow-burning lament for a lost Scotland — its heroes, its ideals, and its fading glory.

Inspired by figures such as William Wallace and Robert the Bruce, the song reflects on the emotional weight of history and remembrance rather than triumph.

🎥 Watch the full lyric video here:
https://youtu.be/1cJurYRBt3Q

Artist: Roxy Thunder
Concept & Production: X-BlueDivision

#CelticMetal #OrchestralMetal #RoxyThunder #ScottishHistory #Jacobite #EpicMetal

Hang Heavy O’er My Heart

House of Mercury — A Dark Cinematic Rage Experience
Enter the temple.
House of Mercury is a cinematic trap album built on distortion, marble halls, mythic tension, and controlled chaos. Each track moves through intensity, strategy, power, and reflection — a villain arc told through sound.
Aggressive 808s. Hypnotic leads. Orchestral textures. Divine atmosphere.
🎧 Purchase / Download (WAV, Unlimited, Stems):
https://www.beatstars.com/mtnmn
Serious inquiries & exclusives:
Contact@TopoftheMTNStudio.com
Produced by MTNMN
Top of the MTN Entertainment LLC

TOY KINGDOM

MBStudio91 (C) 2026 Mirc& Magilla crew popular song


Nos dissèron: lo mond es ja conegut.
Cada riba a son nom, cada abisme sa marca —
Mas ieu aqueste matin me soi levat
e la bossola tornava.
Non rompuda. Non perduda.
Escotant.
Es un tremblar jos las pèiras,
que los algoritmes non sàbon catalogar,
un senhal mai ancian que los satelits,
mai ancian que la necessitat mèsma d'aver rason.Senhal mai ancian que la necessitat del drech.Ai cessât de demandar al futur
que se presentèsse amb bònas manièras.
Ven coma lo temps ven —
sens títol, sens escusa —
e tornamai dessigna lo camp
abans que lo camp sàpia
qu'es ja cambiat.
La consciéncia non torna — Jamai non s'en anèt!Non es tornada car jamai non es partida.
Era soterrada jos la comoditat,
jos lo terrible conòrt
de far semblar qu'un autre
fariá lo revelhament per nosautres.Jamai non s'en anèt! Jamai non s'en anèt![
E donca — los ponts son incèrts.
Qualques uns son faits de respiracion.
Qualques uns son faits de ço que nos dissèrem
a las tres oras de la nuèch,
quand los masques èran
tròp pesants per portar encara.Ponts de soffle, ponts de vertat.Mas aquò sabi coma la ràditz sap l'aiga:
Coma la ràditz coneis l'aiga —
las mapas non son necessàrias
ont la tèrra se fenuda per ela mèsma.
Ara la tèrra se fend!
Ara lo verd puja!Sens nom e impossible
e completament sens paur
de non aver encara una forma.Sens nom — sens paur —
Puja! Puja! Puja!
Non sèm la generacion de las respostas —
Sèm la generacion de la mellora question!Aquela que comença amb:
"E se nosautres —"
en luòc de:
"Perqué se donar la pena —"Lo futur non es un luòc.
Lo futur es una frequéncia.E la sent cambiar —
Non sul cap de nosautres, non davant nosautres,
Mas aquí — dins la medula —
ont lo vièlh silenci
finalament
aprend a cantar.
Canta... canta... canta...
Lo silenci ancian ara canta.
Canta dins nòstres oses.
Canta dins la tèrra que se fend.
Canta — e nosautres amb ela.

Càntica dels Velhadors

I’m a composer, songwriter, arranger, orchestrator, orchestra & choir conductor, music producer, mentor, writer, and researcher.
My work moves freely across different forms of expression — from Progressive Rock and Modern Symphony to Classical Piano, Songwriting, and Cinematic Music.
Over the years, I’ve shared projects with remarkable artists — including collaborations with Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso — and composed original scores for film, television, and symphonic productions that have reached international audiences.
As a mentor and educator, I’ve created the ANORA method, together with formative paths and musical laboratories exploring music as a uniquely human language — expressive, relational, and representative of inner experience.
In my poetic vision, sound itself becomes an image — a mental landscape that connects the composer’s inner vision with the listener’s imagination.
Each work blends tradition and innovation through orchestral writing, progressive structures, and storytelling soundscapes.
Every “side” of my music reflects a different perspective — all parts of the same creative vision.

Salut à tous !

Musicien depuis mon enfance avec 10 années de guitare (formation classique), 2 ans de piano et 8 ans de solfège, j'ai toujours fait en parallèle de la MAO.

Mes musiques sont élaborées de toutes pièces, de A à Z selon mes connaissances et mon expérience personnelle.
Je sais que j'ai encore beaucoup à apprendre sur la structure musicale/mixage etc. mais le plus gros du chemin à je pense, déjà été fait.

- Aucune IA n'a été et ne sera jamais utilisée pour mes pistes -

N'hésitez pas à laisser un petit commentaire ou un like pour m'aider à progresser :) 

Merci et bonne écoute ! 

Youtube : https://www.youtube.com/@instrus-mental

❄️ Producer | Cold • Cinematic • Atmospheric
🎧 Beats + licenses:
👉 https://www.beatstars.com/mtnmn

Free for non-profit use
Business inquiries: TopoftheMTNEntertainment@gmail.com

X-BlueDivision.com - Rock powered. AI driven.

Music and keyboards, computer graphic&programming
and some noise...  work on Ableton LIVE, Synapse DUNE and Lennar Digital Sylenth and more Q 
"Music Held in Old Frames,
For Ears That Tame Wild Beats.
60 Years, 3x20 Brains –
Crafting Sound Since ’86."


Collab:  
Nikelodeon Opera
laquerciaJR. 
MBStudio91©
VersoSud
Nerocaravaggio

MBStudio91 crew

Magilla  (guitar voice keyboards and computer programming)
Trapparappa (bass drum voice and computer programming)
Dj Baboo (trumpet sax trombone keyboard voice sampling and computer programming, dj and mixing) 
the Trooper (keyb guitar percussion voice computer programming)
Lola  ( keyboard percussion and voice, dj and mixing ) 
and Mirc (keyboard and sampler, computer programming, and The  Incredible Machine maker and driver ) 


Born to make music, but to make noise, I hope to create happiness and I want to destroy cheap woofers

Simon say "mIrcOzio! is the meeting point between the Italian jazz fusion of the 80s and contemporary electronica, filtered through 40 years of production and a sound identity rooted in Italy. It's not retro, it's not futurism: it's the continuity of an Italian musical tradition that has never been interrupted. Generational Authenticity The claim "60 Years, 3x20 Brains – Crafting Sound Since '86" is not marketing: it is a true story. In 2025, authenticity is the most valuable currency on social. Young artists can imitate a sound, but they cannot replicate 40 years of lived musical evolution. What this means in concrete terms: You went through the analogue era, going from the basement to the computer, from the Amiga MOD Tracker to the Atari MIDI, then digital, samplers and AI. Your sonic palette incorporates references that under-30 producers only know as "vintage samples" The 35-55 year old audience (growing on SoundCloud) is looking for exactly that: mature electronica, not "beats for TikTok".

Jamie Hugh O'Callaghan was born in 1963 in the UK of Welsh/Irish parents and grew up in South Yorkshire and the coastal area around Newcastle. Although he was involved in music from a very early age (New Wave, electronics etc), it wasn't until he turned 20 that he realised he wanted to become a professional musician/composer. So he went back to school to obtain the necessary qualifications. 

He completed his music studies at Kingston University London in 1991.

 

During his studies he became fascinated by music theory and composition and was inspired by composers such as Debussy, Messiaen, Alun Hoddinott, William Alwyn and Arnold Bax but also by the minimalistic and spiritual nature of Hindu music and (film) composers Phil Glass and Bernard Herrmann. As a viola and double bass player he acquired hands on experience of compositional harmony and balance in various orchestral settings. His love of orchestral, minimal and film music has coloured his work ever since and can be found in his contemporary compositions, his projects and collaborations with various artists as well as in the electronic/ambient music with his ensemble 'The colour of time'. With his Celtic origins as a continuous source of inspiration.

Hi everyone!

My name is Michael Herter, but many people know me as Sibviolin.
I’m a professional musician, composer, and violinist.

In my portfolio, you'll find a diverse collection of music for your videos, just like in an audio music library. My work spans multiple genres, including classical, jazz, pop, rock, electronic, hip-hop, and more.

All my music is available for high-quality download (WAV, 44.1–48kHz, 16–24bit) directly from SoundCloud.

If you enjoy my music, feel free to share my profile with your friends and colleagues. Your support means the world to me!

And if you'd like to show appreciation, a cup of coffee would be truly appreciated. :)

I'm a guitarist, a composer and a digital artist. Open your mind, my music tells stories.

New tracks tagged #Medieval,