This is an archive of The Horizon Broadening Hour. More music added to Libretime, more music for y'all to broaden your horizons.

Laura Sea – Certified Anti-Depressant
Michael Quinn – Waking Giant
Komodo – Rat King
Houston Rydell – Letting Go
Ari Shiller – Story Untold
The Lad Classic – New Emotion 
The Thinkers – Let’s Go!
Gary Myrick – Death Letter 
Lone Pines – Fake Plastic Trees
Alex Southey – Waterloo, Where the Vampires Hang Out 
Meredith Moon – I Loved That Town 
Dana Powell – That’s How it Goes 
Bobby Henson – LA Freeway
Blake Jones & the Trike Shop – Used Record Store 
Flo Olavarria – Broke For You
Justine Tyrell – Ghost Town (feat. K. Forest)
Kuda Kwashe – Ms. Café 
Josh Tepper – Guide Me Meron (Hot and Sweaty Remix)
Natali Dizdar – Dobro Je Sve (Ana Marija Sir Remix)
Charlie P – Overthinking
NIGE B – Remarkable (feat. Artifice, the Visionary & Txreek) 
Keenan Mundane – T. Burbank (Ratchet & Clank) 
Leland Philpot – We Movin
FSQ – This is Caribbean Disco 
David Bach – City Lights 
Holland Phillips – On Whistlers Ridge 
Raphael Groten & Rebecca Kordis – Eternal Blossom
Erik Knear – Wonder of Mine 
Erik Knear – Beautiful Tonight 
Sunan Nabinacaboo – When Peace Like a River Attended My Way

The Horizon Broadening Hour

The Horizon Broadening Hour #35

Stops VIII, 2014, for violin and harpsichord, 7'17", recorded at Bifurcations, Smock Alley Theatre, Dublin, 5 December 2016, Larisa O'Grady, violin; Michael Quinn, harpsichord; Fergal, computer.

This work shares musical objectives as well as formal and stylistic features with other works in the 'Stops' series: the sounded material is always produced in the performance space in real time – there are no prerecorded materials; the sounds are not processed or treated in any way; decisions on what and when to record occur during performance time, and are based on details of the on-going performance. These processes result in extensive direct quotation of the actual performance, creating sequential repetitions, layerings and frequent elisions, interruptions and re-orderings of the temporal flow. Together, these reveal self-referential, concentrated musical arguments and an evolving formal relationship between the performer, the computer (operator), the material, and its context.

Stops VIII (for violin, harpsichord and computer)

Archives of The Clean-Up Hour, every Friday at 12:00 AM, hosted by your boy Mophead on CKMS 102.7 Listen here: https://radiowaterloo.ca/listen/

Also doing slowed + reverb music now lol

To those of you looking for the slowed + reverb version of "Benji the Dog" by Mac Miller (RIP), it was copyright claimed after 15,000 plays. If you're desperate for the mp3, dm me here and we can work something out.

New tracks tagged #Michael Quinn