pi ri ri

para eLIsA

Alone or connecting with friends, then connecting MIDI and sync the gear - Ready for live jamming... No DAW, no post production. Recorded snippets will be published continiously.

MIDI Connections #1 (live sessions)

Alone or connecting with friends, then connecting MIDI and sync the gear - Ready for live jamming... No DAW, no post production. Recorded snippets will be published continiously. - in this part, for example, are some failures... but thats live! my favorite is #3 - you can follow the improvement. hope i can publish part 4 after the weekend ;)

MIDI Connections #2 (live sessions)

Alone or connecting with friends, then connecting MIDI and sync the gear - Ready for live jamming... No DAW, no post production. Recorded snippets will be published continiously.

This Weekend with the Roland TB-03, MC-101, Commodore 64, MicroKorg and Arturia Minibrute2s. The Arturia is a wild horse and needs a lot of patience to get it under control. And this takes time. Sunday is Patchday.... And today I defenitly hear my dark influences ;)

MIDI Connections #3 (live sessions)

EDA BROWN_Lake Moon「湖上の月」 2025.08.29 Live at DELI

Opera

This is the recording of a spontaneous livesession - hardware only, no DAW, no plugins, no fancy shit and certainly no AI.

Gear used:
Sequencers: Arturia Keystep Pro, Beatstep Pro, Keystep 37
Drums: Korg Volca Sample
Synths: Korg Micro Korg („E-Piano“), Behringer ProVS Mini (Main Arp), Behringer Crave (Bass), Korg Volca Keys (Second Arp)
Piano: Roland FP4

Mixer: Yamaha 03D - recorded via digital coax out
Effects: Alesis Microverb 3 (Reverb), Alesis Microverb 4 (Delay), Yamaha 03D (Reverb 2)

Let me know, if you have any questions.

Image Credit: NASA

Voyager One - Livesession (DAWless - hardware only)

Zero Phase

Produced using the Boss RC-50 Loop Station and an RCA portable tape recorder with guitar, machines n things 
Recorded December 2016 - November 2018 

Formerly Loopy Pee II 
Fat-free n reimagined

All music written, performed and produced by Troll Foot Frass 
Album art by Troll Foot Frass

released November 27, 2018 

feed my cats

Spring Rust

Capable

Snake n Shake

Crack Bot

Live, Raw & Uncut @ Umbo/ZH Nov 2025

synth recorded on iPhone 13 and EQ from garageband

in da store (korg only)


She's a successful corporate attorney, 
Her office is in a building
that doesn't have signs in the lobby.
She's never been to a car dealership.
She wears a suit that's expensive, 
but looking at it ya don't know
why it's expensive
ya just know it is. 

She has giant breasts, 
augmented by a sketchy doctor
who works in a strip mall 
somewhere in the Midwest. 
Her hair is big, blonde and curly, 
as if her second job involves a pole. 

Wait!? This story is going south fast. 
It's probably going to involve a pizza guy. 
I swear sometimes I read a naughty story
and it just seems 
like they added descriptive audio for the blind,
to some generic porn,
then the closet case
who sent me this, 
wrote it all down. 
While he was high. 

It's probably just me
I wrote a book
with a few sexy bits
in between the crazy bits.
Now when this guy thinks 
of kinky freakery 
he thinks of me. 
I'm not really happy 
about being ambassador
from the realm of sexy
to the aspiring perves 
unwilling to engage 
in literary discourse
with the people in
their own trailer park
in Oroville. 

I slug through the whole story, 
a few notes go into an email. 
"Successful corporate lawyers 
don't have a lot of time on their hands"
"Middle aged pizza delivery guys 
aren't muscular handsome
and usually don't have 
baguette sized weenies." 

More follows,
I proofread the email,
I backpedal, soften,
and edit. 
If dude asked me to rewrite this
how would I do it? 
How would I expect him to do it? 
Hours go by, 
half a pot of coffee 
goes into me
then back out. 

For all the time I spend
writing an email 
about a story 
I really didn't like 
I could have written a story 
about reading a story 
that I really did. 

Anyway it's my day off
It's almost dinner time
there's a guy 
on the other end 
of this "send" button. 
That may or may not even remember
that he asked me what I thought
about his attempt at a sexy story. 

If I can convey that his story 
completely failed to arouse me
in a positive way, 
then we could have another 
talk about the nature of sex
that will culminate 
in literal activities
with his baguette sized weenie, 
and maybe some pizza. 

 



She's a successful 11 25 25

Recently finished this colossal beauty.  it's about daydreaming forever and ever.

(I Lay In) Torpor

THIS TRACK WAS CREATED USING ONLY MY OP-Z/OP-1 AND MICROKORG..
                                                                    NO DAW 
                                                                           ;-P

LOST IN SPACE

Everything said has already been said! But…

Coronardefekt is an electronic music project from Halle (Saale), Germany, that has been developing the connection between sound, technology, and emotion since the early 1990s.

My journey began in 1992, when a fascination with electronic sound generation and synthesizers laid the foundation for everything that followed. Influenced by Depeche Mode, Front 242, Delerium, Front Line Assembly, Dead Can Dance, and many others, I began creating my own sonic worlds – dark, driving, and emotional.

My music moves freely between Electro, House, EBM, Hip-Hop, and experimental sound structures – everything that inspires, excites, and moves me. I produce with a variety of synthesizers and analog sound sources – including the Yamaha MOXF6, Microkorg-S, Deepmind 12, Arturia Microbrute, Yamaha DX7, and Behringer TD-3-BU – with Ableton Live as the creative hub.

Each track is created with a focus on atmosphere, texture, and emotion – an expression of my personal sound journey. So far, all releases have remained private, but the essence lies in the creative process itself: sound research, sound design, and the pure joy of electronic music.

I don’t see myself as a product, but as an ongoing experiment – a project that grows, transforms, and continually redefines itself.

“Music is not a destination, but an eternal journey – and the processing of emotions.”

Bambino: One shop destroyed. Three heads split like overripe melons. One man wounded and one castrated. All in two hours. Just two hours I left you alone. Two hours.
Trinity: Well, you asked me to give you a hand.

Booking and Infos: randolphstadelhofer@web.de
10.03.17 Liveset @ Klaus/ZH
11.06.17 Liveset @ Sisyphos/Berlin
02.09.17 Liveset @ Mountain Melodies/Tessin
09.09.17 Liveset @ vfff /Nürnberg
18.11.17 KlangAllianz & LUBØMIR @ UMBO /ZH
07.01.18 KlangAllianz & LUBØMIR @ Hive / ZH
24.03.18 KlangAllianz & LUBØMIR @ Chämibar / Davos CH
28.04.18 Live @ Klaus / ZH
04.05.18 Live @ Science&Fiction Festival/ Basel
24.08.18 Live @ Hive / ZH
01.09.18 Liveset @ Mountain Melodies/Tessin
09.12.22 @ Im Tal der Maderaver / CH
04.03.23 @ Rümli / Schwerzenbach
22.04.23 @ Kraftwerk / Zürich
30.09.23 @ Kraftwerk / Zürich
13.10.23 Live im Radio @ GDS.FM
27.10.23 @ Hohlstrasse / Zürich
21.06.25 @ Ostival / Churwalden
08.11.25 @ Umbo / ZH

music/art project from east central mn
psychedelic prog rock or somethin


Photographer, but sometimes DJ. And at the moment more into producing ;)

Making music with analog and digital hardware synths, sequencers and other musical gear.

Synths: Korg (Microkorg, Volca Keys, Volca Sample), Behringer (Pro VS, Model D, Crave)
Sequencers: Arturia Keystep Pro, Beatstep Pro, Keystep 37
Mixer: Yamaha 03D
Reverb / Effects: Alesis Microverb III and IV
MIDI: MOTU MIDI timepiece

New tracks tagged #MicroKORG