Soundcloud: soundcloud.com/laenk
Instagram: instagram.com/laenkish_fraenkish

DEEP MVMT

Laenk

DEEP MVMT Podcast #295 - Laenk

I N F I N I G H T F L I G H T

125 bpm 
2024 erro rework version
geomet unreleased remix from 2021 With the participation of Viktor Udvari.

Erro - geomet 2024 - 02 geomet_version2(erro2024rework)

All processing by Takashi Hasegawa aka ENITOKWA

Special thanks to:
sound space α, Spekki Webu (Mirror Zone) and Marco Yanes (HUM)

Translate A (original Mix)

Soundcloud: soundcloud.com/andrijanabozinovski
Facebook: facebook.com/PureJana
Instagram: instagram.com/jana_musicc
Linktree: www.linktr.ee/andrijanabozinovski
Youtube: youtube.com/@andrijanabozinovski1317

Jana

DEEP MVMT Podcast #315 - Jana [9 Years Of DEEP MVMT]

PREMIERE: GSSG - Ferd III [ Indefinite Pitch ]

Release Title: Ferd
Artist: GSSG
Label: Indefinite Pitch
Catalogue No.: PITCH42
Release-Date: September 8, 2024

Buy Link: https://indefinitepitch.bandcamp.com/album/ferd


__LINKS___________
✘ GSSG (Norway)
https://soundcloud.com/gssgofc
https://www.instagram.com/gssgofc

✘ Indefinite Pitch (Yantai // China)
https://soundcloud.com/indefinite-pitch
https://www.facebook.com/IndefinitePitch.Records
https://www.instagram.com/indefinite.pitch

Ferd

PREMIERE: GSSG - Ferd III [ Indefinite Pitch ]

POV: The quality goes bad, and the song goes hard.

Mindfreak

rengoku

The single off my forthcoming album “arnald palmer”
(pre-save here: https://distrokid.com/hyperfollow/hombreplata/bad-hombre) album version releases with the rest of arnald palmer 12/25

now we are in the surreal
we are crossing the threshold of the gate
familiar sounds both modern and classic

with this bad hombre as our guide we step into the unknown
on edge with excitement, not nerves
bad hombre makes no sounds yet its constant presence reminds of something bigger than ourselves
like a tree falling in the woods only those around it experience the sound
so too are we just existing in our mind unless our experience is shared with others

arnald palmer

bad hombre

For this week’s LAB, we are thrilled to feature ATSO, a DJ and producer from Porto whose journey into the world of hypnotic soundscapes began as a humble hobby and quickly blossomed into a deep-rooted passion. Known for his entrancing sets and innate sense of groove, Atso brings a unique energy that reflects both personal dedication and collective spirit.
His style is shaped by long hours of digging, experimenting, and connecting with the local scene. As part of Analytical Convenience, and more recently with his project MO;MENTO, Atso has been building spaces—both online and offline—where music takes the lead.

This mix is a reflection of that journey: subtle, focused, and full of groove.

Support the artist:
SoundCloud:  https://soundcloud.com/unknownatso
Instagram:  https://www.instagram.com/___atso/
 
Support the label:
SoundCloud: @algum-ritmo
Instagram: www.instagram.com/alg1ritmorec/
Bandcamp: www.alg1ritmo.bandcamp.com/

ALGUMRITMO LAB 021 - Atso

torremolinos

Story city-Walk Away

For this week's LAB, we are delighted to bring you Pooyan Saadati,  an Iranian DJ and Producer based in the United Kingdom, with an unique set, blending dark, minimal and hypnotic sequences. With a tremendous love for performing, this mix offers us a sneak peak of Pooyan's talent and skill.


Support the artist:
SoundCloud:  https://soundcloud.com/pooyan-saadati
Instagram:  https://www.instagram.com/pooyansaadati/

Support the label:
SoundCloud: @algum-ritmo
Instagram: www.instagram.com/alg1ritmorec/
Bandcamp: www.alg1ritmo.bandcamp.com/

ALGUMRITMO LAB 022 - Pooyan

This week on LAB, we’re welcoming back Yankee Charlie, a French artist who’s no stranger to our platform. He first appeared on our debut VA Connected with the standout track Sulaco, and now returns with a mix that dives even deeper into his world.

Firmly rooted in the underground, Yankee Charlie brings a sound that’s raw, textured, and hypnotic—built for dark rooms and long nights. His approach is subtle but intentional, drawing you in with tight grooves and evolving layers.

This set is a continuation of the story he’s been building—steady, focused, and unmistakably his.

Support the artist:
SoundCloud:   https://soundcloud.com/yankee-charlie
Instagram:  https://www.instagram.com/yankeecharlie75/

Support the label:
SoundCloud: @algum-ritmo
Instagram: www.instagram.com/alg1ritmorec/
Bandcamp: www.alg1ritmo.bandcamp.com/

ALGUMRITMO LAB 023 - Yankee Charlie

Soundcloud: soundcloud.com/sspatiu
VK: vk.com/sspatiu
Linktree: www.linktr.ee/sspatiu
Facebook: facebook.com/valentina.kovalenko.591213
Instagram: instagram.com/sspatiu

Valentina Kovalenko

DEEP MVMT Podcast #341 - Valentina Kovalenko

KidIsLive - Summer 2025 Warm Up DJ Set

Algumritmo Records, based in Lisbon, Portugal, is a electronic music label. Committed to diverse sonic exploration, the label's tracks oscillate between hypnotic and raw techno. Operating as both a record label and cultural hub, AlgumRitmo fosters a global community of artists dedicated to pushing genre boundaries. As an artistic collective, AlgumRitmo collaborates globally, shaping the narrative of techno music. Emphasizing art's role in cultural evolution, each release bears a distinct imprint, reflecting a deliberate and curated aesthetic by Algumritmo.

𝗢𝗨𝗧 𝗡𝗢𝗪
➤ AFTERHOUR SOUNDS COMPILATION VI
https://afterhour-sounds.bandcamp.com/album/afterhour-sounds-compilation-vi

___________________

𝗨𝗣𝗖𝗢𝗠𝗜𝗡𝗚 𝗦𝗛𝗢𝗪𝗖𝗔𝗦𝗘𝗦

2025
➤ 30/08 Klunkerkranich/Berlin
➤ 20/09 gart.n/Berlin [Solidance]
➤ 04/10 Klunkerkranich/Berlin
➤ 25/10 Bahnwärter Thiel/Munich

___________________

𝗣𝗔𝗦𝗧 𝗦𝗛𝗢𝗪𝗖𝗔𝗦𝗘𝗦

2025
➤ 01-02/03 Südpol/Hamburg
➤ 15/03 Klunkerkranich/Berlin
➤ 30.04.-01.05. Station Endlos/Halle - w. philia & SK
➤ 28.-29.05. Release Party at JK/Berlin
➤ 18-20/07 Kompaz am Fluss Festival

2024
➤ 09/03 Klunkerkranich/Berlin 
➤ 31/03 Kabinett der Kuriositäten/Mainz
➤ 06/04 Beate Uwe/Berlin
➤ 04/05 Wellenwerk Open Air/Berlin w. https://soundcloud.com/3000-grad & https://soundcloud.com/sumpfkruege
➤ 25/05 Klunkerkranich/Berlin
➤ 27/07 Klunkerkranich/Berlin [House Edition]
➤ 28/07 gart.n/Berlin [Raving Beyond Borders - Solidance
➤ 28/09 w. https://soundcloud.com/sumpfkruege at Klunkerkranich/Berlin [Sumpf Edition]
➤ 04/10 Chihuahua Dockside // Göteborg, Sweden
➤ 26/10 Bahnwärter Thiel/Munich
➤ 23/11 w. https://soundcloud.com/fiasco_kollektiv at Klunkerkranich/Berlin
➤ 21/12 Kater Blau/Berlin

2023
➤ 27/10 Bahnwärter Thiel/Munich
➤ 14/10 3000Grad x Afterhour Sounds x Rave Cage at Mensch Meier/Berlin
➤ 24/09 Rebellion der Träumer x Afterhour Sounds at gART.n/Berlin
➤ 02/09 Klunkerkranich/Berlin
➤ 03/06 Afterhour Sounds x SUMPFKRÜGE at Klunkerkranich/Berlin
➤ 11/03 Klunkerkranich/Berlin
_________________

✉ 𝗖𝗢𝗡𝗧𝗔𝗖𝗧

~ Only via Mail ~

Premiere requests only:
premieren@afterhour-sounds.com

Loveletters & cooperations:
info@afterhour-sounds.com

Afterhour Sounds news:
https://t.me/afterhour_sounds
_________________

 THE GOOD, THE BAD & THE UGLY:

GOOD: Slots for our LIVE-SPECIAL series are available in the near future. Don’t hesitate to contact us via Mail. Check the playlist for more impressions. 

BAD: We don’t accept any kind of podcast request. Please be patient. Maybe we contact you  in the future. 

UGLY: Please make sure that your music fits us and our output. Randomly sending pm’s to different podcast series are not the best way to grab a spot. 
_________________

𝗙𝗔𝗠𝗜𝗟𝗬 𝗔-𝗭
■ arkadiusz. (https://soundcloud.com/arkadiusz-dmytrow) (SoundCloud/Bandcamp/TG/Events)
■ bpod (https://soundcloud.com/bpod) (IT)
■ Francesca (https://soundcloud.com/francesca_unofficial) (Events/Spotify)
■  Habikat (https://soundcloud.com/habikat) (Instagram)
■ J.WOCKENFUSS (https://soundcloud.com/jwockenfuss) (Artwork)
■ Maria Theresia von Eberg (https://soundcloud.com/maria-theresia-von-eberg) (Events)


🖤 https://soundcloud.com/msaupe

🙏 https://soundcloud.com/elektro-uwe
🙏 Max Zünkler for the lovely artwort (1 until Nr.182) 

..and to all the others like mattmosphere, gina sabatini, bonnie ford, o/y, Tony Casanova, Alma Linda, Florian El Diábolo,…



𝗕𝗜𝗢

Imagine you're at a great techno party and have just heard the last track when the DJ switches on the lights and a murmur spreads through the crowd: It's time for the afterhour!

Welcome to a world where the sun is not the enemy, but a silent witness to sleepless nights and unlimited dance floor adventures

The afterhour is more than just an extension of the night - it is a universe of its own full of quirky, heartfelt and often hilarious moments. It is the place where the music lives on, time stands still and the party community forges its strongest bonds - even if it is sometimes only perceived with half an open eye and a wry smile. 

Over 10 years we host our famous podcast series. Which started as an small idea of some Afterhour nerds developed over the years to something special for us ♥️

In the beginning, we focused on finding and supporting (un)known artists through blog posts, reposts and podcast contributions. Gradually, we expanded our sections to include live recordings and premieres. In-house releases and events were not long in coming. 

Join us and dive into the world of Afterhour Sounds. https://t.me/afterhour_sounds  🌈 🎵 🪩

Let’s groove. 

most of my albums and tracks can be found on major streaming platforms unless otherwise specified. mixes can only be found here on my soundcloud.

► Minimal ► Deep ► Tech House ► Techno ► Dub
► Conceptual Design by 「 https://soundcloud.com/sudexro 」
► New upload every 10 days
► Established 2015

⚜
every available space-time in this dimension is an opportunity to create.
⚜
the big bang was a sound
⚜
celebrate life
⚜
& stfu, 
listen.

Debuted in 1994 with the "Enitokwa EP" from East Edge Records, a subsidiary of the legendary club Space Lab Yellow, at the dawn of  Tokyo  techno scene. Based on Industrial, Noise, Techno, House, and Ambient, he continues to pursue the sublimation of consciousness beyond the pleasure and ecstasy of music. His album Floating Works 1996-1999 (SONIC PLATE) released in 1999 was published in ele-king books' 90's Disc Guide Japanese music edition (2021) and has been handed down through the ages.
In recent years, in 2021, "Re-Promo" (live rehearsal sound source in France in 2001) from Berlin's Future Friend Music was reissued as 2×12”vinyls, played on GiGi FM on NTS Radio. The album "2069" released in 2016 has been highly evaluated overseas, such as being posted on the chart of Daniel Avery. Also, the unit "EYS" with YSK, the leader of Kitakyushu Sound Spaceα `s 1st. Album “Palette” (Muzan Editions 2023), and the 2nd album "Steganos-graphia" of the electronic music trio "Kruispunt" with IEGUTI and MAYUKo (Hanging in the wall 2023 ) has just been released. His latest solo work can be heard on MEDIUM AMBIENT COLLECTION 2022 (Medium Music 2022) and his own label non-entertainment-research.

1994年に伝説的クラブSpace Lab Yellow傘下のEast Edge Recordsから”Enitokwa EP”にて東京テクノ黎明期にデビュー。Industrial, Noise, Techno, House, Ambientをベースに音楽の快楽と恍惚の先にある意識昇華を追求し続けている。1999年にリリースされたアルバムFloating Works 1996-1999 (SONIC PLATE)はele-king booksの90’s Disc Guide 邦楽編（2021)に掲載され時代を超えて語り継がれている。
近年の作品おいても2021年にべルリンのFuture Friend Musicから"Re-Promo”(2001年フランスでのライブリハーサル音源)がアナログLP2枚組で再発 、NTS RadioにてGiGi FM にプレイされ、2016年にリリースされたアルバム”2069”収録曲がDaniel Averyのチャートに掲載される等海外でも評価されている。また北九州Sound Space α主宰 YSKとのユニット"EYS"の 1st. アルバム　Palette（Muzan Editions 2023) や IEGUTI、MAYUKoとの電子音楽トリオ”Kruispunt” の2nd Album ”Steganos-graphia”（Hanging in the wall 2023)もリリースされて間もない。ソロ最新作はMEDIUM AMBIENT COLLECTION 2022 (Medium Music 2022 )や自身のレーベルnon-entertainment-researchで聴くことができる。

I need a music manager.
Contact Info - ark1recordsza@gmail.com
For Merch Contact - admin@surfsupjbay.co.za
My name is Jayson Joshua Ontong, I also go by the stage name: ARKiNN & ARK1, I Specialize In Composing Various Types Of Genres, Remixing And Vocals, Radio Jingles, Amapiano, Afro House, EDM, Drum&Bass, Dubstep, Film Score and Many More. I am a Graphic Designer, Creative Artist, Social Media Infleuncer, and Gamer.

DJ & Collage Artist
* Micro House
* Funk/ Disco/ Afrobeat
* Reggaetón / Latín

Unique musical approach around the space and time,dub music with shamanistic and psychedelic influences.

erromuzik@gmail.com

Good grief savage cosmos—there he goes again. Some kind of strange audio beast crawling through the digital underbrush with a head full of acid and a suitcase full of vinyl. Fifteen years this sonic deviant has been terrorizing dance floors from Ibiza to the alkali flats of Black Rock City with his peculiar brand of audio hallucination they call "techno."

I first encountered this rhythm junkie in the back room of Amnesia, where Sven Väth was conducting some kind of Germanic tribal ceremony for 2,000 Spanish teenagers and a handful of British tourists who looked like they'd been awake since the fall of the Berlin Wall. Our subject was there, of course—eyes like silver dollars, hands moving across the equipment like a man defusing a bomb while simultaneously conducting an invisible orchestra.

The man is EVERYWHERE. Like some kind of rogue cultural anthropologist with a pathological addiction to bass frequencies. One weekend he's serving dark, hypnotic soundscapes to the leather-clad deviants at Panorama Bar alongside Gerry Reed, the next he's in Brazil, standing next to Sasha and Renato Ratier at Warung Beach while 500 beautiful mutants writhe in the sand like creatures from some Jacques Cousteau nightmare about the future of human evolution.

And then there's Burning Man—SWEET SAVAGE INFINITY—where he's become a fixture at the Mayan Warrior, that rolling monument to technological excess and questionable decision-making. There he stands, this audio desperado, conducting a symphony of synthetic noises for dust-covered freaks whose perception of reality has been chemically adjusted to the point where they believe they're receiving transmissions from another dimension. AND MAYBE THEY ARE.

His production style is the audio equivalent of a Hieronymus Bosch painting—intricate, terrifying, and somehow beautiful in its depraved complexity. Underground to the bone. The kind of sounds that make record executives break out in hives and reach for their heart medication. But to the night people—those strange nocturnal creatures who live for the moment when the kick drum aligns with their heartbeat—it's a siren call they cannot resist.

This is not a man playing records. This is a shaman conducting mass exorcisms through frequency manipulation. A sonic psychiatrist treating collective trauma with carefully calibrated vibrations. A renegade physicist exploring the relationship between sound waves and human consciousness.

He continues his relentless global crusade, expanding his discography with the fervor of a man who knows that somewhere, in some sweaty basement club or desert festival or abandoned warehouse, there are people waiting to have their neural pathways permanently rewired by his particular brand of audio alchemy.

"When the going gets weird, the weird turn pro," I once wrote in a moment of clarity between bourbon shots. Well, this professional weird-turner has made a career of navigating the strange edges of club culture, transforming darkened rooms into temporary autonomous zones where time dissolves and only the rhythm remains.

By all cosmic forces. He shows no signs of stopping.​​​​​​​​​​​​​​​​

“ Hunter S Thompson AI on KidIsLive “

New tracks tagged #Microtechno