EVIL OVERLORD

I am Reborn (19 EDO)

Movement 13 out of 26 from my Spiders from Space album.

https://tachybunker.fr/sfs

Buy on Bandcamp!!

Mv13: Nausée Gravifique (2::5D)

Free Improvisation. Made it without actually hearing it

the lost dreg can (not) find the way home - P.I

From my YouTube video “[Microtones] Scales & Modes Visualized”.
https://www.youtube.com/watch?v=kcBdiJnJX2g&list=PLUPfWiftqUrIy3dMXdcpaYpGt6vZAeW5a&index=7

From “Scales & Modes Visualized”

tuning is supersuper16, my favorite tuning as of late

AI brainrot fugue state nirvana

been staring at l4mplight's works for the past 5 months so i should probably make something

slosche

50 minutes, 46 samples
KEY: D#Maj+50
BPM: 150.00

Made using Neoluminum Vol. 3 Sample Pack
@neoluminum 

a new era °❀.ೃ࿔*

wishingstar. (NLV3 sample pack demo)

Marco Lucchi : synthesizers

*

from 2017 - relaunching it 

The previous interpretations are compiled here 
https://on.soundcloud.com/ErfDeawBKABInIzoNn

The path [you to play with, if you like it]

accidental huh? :re

Didier Aschour is a pioneer specialist performer of microtonal guitar music.  His custom guitar allows for rapid exchange of fingerboards, and he has worked with a luthier to build a collection of fingerboards that cover a vast range of tuning systems.  

This piece exists in two versions.   

While the two versions share a common score, they differ with respect to the arrangement of the fingerboard frets (the "warp") and the tuning of the strings (the "weft").   Didier commissioned two special fingerboards for the piece.


In each version, between the tunings of frets and the strings, one constitutes a fragment of the overtone series and the other a fragment of the undertone series.   The resulting interaction provides a very rich selection of pitches: within a limited span, arbitrary numerators and arbitrary denominators arise--thinking here of the available pitches by their ratios to the guitar's lowest open string.  

"Just intonation" always means composing with intervals formed from small integer ratios, thus with some subset of the rational numbers.   The tuning here, you might call it Cartesian, means to project the structure of the rational numbers writ large, so without imposing any subjective selection process.

Performed live, the piece would have Didier sliding a glass "bottleneck"  for the warp and strumming for the weft.  Or course that timbrel conceit is lost in these MIDI realizations.  But hopefully one day I'll have a recording of an instrumental performance for sharing.  This will have to do for now.



   




Warp Weft (I), for microtonal guitar (1998), for Didier Aschour

Didier Aschour is a pioneer specialist performer of microtonal guitar music.  His custom guitar allows for rapid exchange of fingerboards, and he has worked with a luthier to build a collection of fingerboards that cover a vast range of tuning systems.  

This piece exists in two versions.   

While the two versions share a common score, they differ with respect to the arrangement of the fingerboard frets (the "warp") and the tuning of the strings (the "weft").   Didier commissioned two special fingerboards for the piece.


In each version, between the tunings of frets and the strings, one constitutes a fragment of the overtone series and the other a fragment of the undertone series.   The resulting interaction provides a very rich selection of pitches: within a limited span, arbitrary numerators and arbitrary denominators arise--thinking here of the available pitches by their ratios to the guitar's lowest open string.  

"Just intonation" always means composing with intervals formed from small integer ratios, thus with some subset of the rational numbers.   The tuning here, you might call it Cartesian, means to project the structure of the rational numbers writ large, so without imposing any subjective selection process.

Performed live, the piece would have Didier sliding a glass "bottleneck"  for the warp and strumming for the weft.  Or course that timbrel conceit is lost in these MIDI realizations.  But hopefully one day I'll have a recording of an instrumental performance for sharing.  This will have to do for now.


Warp Weft (II), for microtonal guitar (1998), for Didier Aschour

woozy

The Thing With Feathers, for flute, oboe and clarinet

Complete recording "L'Être contre le vent" – Composed improvisation by Matthias Krüger, performed by Tobias Hagedorn (manual organ control) and Matthias Krüger (live-electronic processing + computer-enabled organ control)

Voice recording by Constance de Bock (Paris). Excerpt of "La Jeune Parque" by Paul Valéry (1917).

National Music Forum, Wrocław (Poland)
Live Recording of the European premiere on May 21st, 2025 – 09:00 p.m.

– BACKUP RECORDING – (official recording coming soon)

l'Être contre le vent (2024) / Wrocław 2025 // Matthias Krüger [elx], Tobias Hagedorn [org]

bilbius

prison of our making

reupload because for some reason soundcloud uses only the oldest version of a track for a distribution.

ADhdSR

Man I hate Mathematics....

1/12th of @blankpagesofficial

Released on:
@juxtaposed-records
@wearenova
@novelchapters
@antithesysmusic
@amflara
@unbeyond-anthologies
@upright-collective
@sightandvisions
@teateamdesu

— Composer —

Matthias Krüger is a composer of contemporary classical and experimental music. He has studied music composition at Cologne’s Hochschule für Musik und Tanz and at Columbia University in New York City, as well as French language in Cologne and Sorbonne University in Paris. He spent the 2021/22 year following the postgraduate Cursus in electronic and computer music at IRCAM, Paris. His principal composition teachers include Krzysztof Meyer, Fabien Lévy and Johannes Schöllhorn. Aside from his activity as a freelance composer, he is currently a doctoral candidate at Hamburg's University of Music and Theatre, researching on hybrid composition between music, dance and theatre. Between September 2023 and April 2024 he is composer in residence at Goethe-Institut of Montreal/Le Vivier as well as a Graduate Researcher at McGill University Montreal.
He has received numerous awards (including DAAD, Berlin’s Mendelssohn competition in 2013, Cologne's Zimmermann award in 2015 and Prix Chevillion-Bonnaud of Orléans 2016) as well as commissions and has had his music performed in Austria, France, Germany, Israel, Italy, the Netherlands, Poland, Spain, Sweden, Switzerland, the US and Canada as well as China and Japan, including festivals such as ECLAT Stuttgart, Donaueschinger Musiktage, Warsaw Autumn Festival, Gaudeamus Muziekweek, Festival de Royaumont, Northwestern University New Music Conference 2014, Shanghai New Music Week and Mallorca Saxophone Festival, and venues such as Konzerthaus Berlin, Palau de la Música Catalana Barcelona, Centre Pompidou and Carnegie Hall New York.

His first portrayed disc "ain't nuthin' but fairy dust" was released in the fall of 2021 and has been longlisted for the German Record Critics' Award 01/2022.

Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

Please don't spam this account!

FKA Fatalist
à̖̞͚͆ͩͭ́ͅl̨̞̞̼ͨ͑̇͟l̖̥̀ͭ d̞ag̵̛̫̖̻ͤͤ̓̇ͮ͡g̥͈̪̖ͤ͆́͡ḛ̠͕̤̦͓̏̀͐r̬̀̌͌ n̻̦̥̿͢o̶̙̓͞͡ ĉ̖̤ͮ̇̊̿lö̡́̊̔͞ǎ̡̯́͐̊ͫ̕͡k͈̭̩̻̂ͩ


I work with microtonal music and conlangs.

YouTube: https://www.youtube.com/@L4MPLIGHT
X: https://x.com/L4MPLIGHT
Website: https://lamplight0.sakura.ne.jp/a/

Self-introductory art:
https://www.youtube.com/watch?v=cMnuMjXeHrY&list=PLUPfWiftqUrJPPFqMXo1UI8k78kYN0ogV&index=1

composition is fun, sound design is also fun
come listen to noises with me

Making music since 1998, mainly forms of electronic music such as House/Techno/IDM/Ambient/Industrial or a mixture of various genres.

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

I like messing with tuning and rhythm, occasionally I might even make actual music.

Bandcamp, which has a lot of my older stuff: https://guessw3rk.bandcamp.com/

youtube: https://www.youtube.com/channel/UCLHHDTjGCsETTIrbGTrL6Mw

got a freesound page, where I upload glitchy sound textures and such : https://freesound.org/people/dudebroman2/

☨ You won't survive the Second Cosmocide ☨

Hidden discography:
https://on.soundcloud.com/nb6Aa1BLnMp61Pmd8

🦋🦋open for collab🦋🦋
音楽的アナキズム、ワイフスと薬物誘発音楽
𒈙͝𒈙﷽꧅ဪ꧅
�� *♡+:≪•◦ ❈ ◦•≫'*•.¸♡ ♡¸.•*'↳ ❝ [] ¡! ❞ೄྀ*:`*:;,．★≡;- ꒰ °____ׂׂૢ་༘࿐⁂̩̩͙͙ ⁑̩͙̩͙ ⁎̩͙꒱𖦹‧—̳͟͞͞𖦹✮⌇🦋︶
𒈙͝𒈙﷽꧅ဪ꧅

New tracks tagged #Microtonal