do you really want to end up out there?


cover art: photo i took at meow wolf convergence station

starviscera

Bora Bora 33º (Asra3 53-tone Pythagorean scale Remix)

Shur in Bb

Movement 9 out of 26 from my Spiders from Space album.

https://tachybunker.fr/sfs

Buy on Bandcamp!!

Mv9: Apex Obscura (x/Bnay) [WORK IN PROGRESS]

Title: Quantum Wind
Artist: Kamioto Roi (神音 呂伊)
Genre: Post-Ambient Cinema / 24-TET Harmonic Drift / Multi-Temporal Sound Sculpture

“Quantum Wind” is not written on a single timeline.
It is shaped like a slow-motion cloud drifting through a gravitational field—
a piece where pitch, time, and air pressure all bend at once.

The foundation of the track rests on 24-TET microtonal motion,
but not as a mathematical experiment.
Here, microtones behave like wind direction,
constantly tilting the harmony by a few perceptual degrees,
as if the entire room were breathing.

The internal structure contains multi-tempo layers:

a hidden, ultra-slow arc that stretches the ambient field,

a mid-range pulse that shifts speed in gradual curves,

and a higher micro-pulse that never fully locks into either grid.

These three flows don’t synchronize—
they glide past each other,
creating the sensation that time itself is being refracted.
It is “tempo” not as BPM,
but as gravitational curvature.

Harmonically, the pads lean slightly outside 12-TET,
with pitch-slides shaped to mimic
the way light bends when passing through warm air.
The track feels less like a composition
and more like a “moving atmosphere”—
a cinematic sound object drifting in and out of focus.

This work marks a new phase for Kamioto Roi:
an independent, self-directed exploration
of multi-axis time design,
microtonal phrasing,
and AI-assisted spectral shaping.

Created after the first month of activity,
“Quantum Wind” shows the beginning of a longer research path—
a future-forward approach to post-ambient cinema
where sound behaves like a living fluid.

Thank you for listening.

タイトル： 宇宙の風（Quantum Wind）
アーティスト： 神音 呂伊（Kamioto Roi）
ジャンル： ポスト・アンビエント／24平均律・周波数流体構造／多軸時間シネマ音響

『宇宙の風（Quantum Wind）』は、
ひとつの時間軸では捉えきれない音楽 です。
ゆっくりと歪む空気、
重力のゆらぎ、
光が屈折する瞬間──
そうした “世界の呼吸そのもの” を、24平均律と可変テンポで描いています。

基盤となるのは 24平均律の微細な揺れ。
ただし数学的ではなく、
風向きが変わるように
和音がほんのわずかに傾いていく。
それが “宇宙の風” の動きをつくっている。

内部には 三つのテンポ軸 が流れている：

アンビエントの層は、時間が止まるほど遅い呼吸、

中域の鼓動は、なだらかなカーブを描いて速度を変える、

高域の微細パルスは、どのテンポにも寄り添わず、すれ違い続ける。

三つの時間が決してひとつにならず、
すれ違い、重なり、離れていく。
その“ズレ”の中に、
聴く人の心が吸い込まれていく余白が生まれる。

和声は12平均律の外側へ、
そっと傾く。
温かい空気の中で光が曲がるように、
音の尾がやわらかく滑り込んでいく。

曲というよりも、
ひとつの「大気」そのものが形を変え続けるシネマ音響作品 と言える。

この曲は、
デビュー1ヶ月を超えた神音 呂伊が
独自に研究を深めはじめた“新しい音楽形式”の第一歩。
AIの微細な表情と、人間の感性、
そして多軸時間の設計を組み合わせた、
未来のポスト・アンビエントへの試作でもある。

聴いてくださり、ありがとうございます。

More cinematic works & research:
Official Website → https://kamiotoroi-official.jimdosite.com

#QuantumWind #KamiotoRoi #24TET #Microtonal #PostAmbient #CinematicAmbient #MultiTempo #TimeCurvature #AIxHuman #SpectralShaping #AmbientFilmScore #FutureAmbient #AtmosphericMusic

Roi Kamimoto – Quantum Wind（宇宙の風）

Inspired by a concert featuring works by composer Julián Carrillo I programmed a 1/3 note scale in Sonic Pi. The code can be found here: https://in-thread.sonic-pi.net/t/microtonal-1-3-tone-or-1-16-tone-piano-in-sonicpi/9892

1/3 note scale on sonic pi

emission apero du festival Beirut and Beyond! 4,5,6 decembre a Metro Al Madina avec Farah Kaddour & Marwan Tohme, Deena Abdelwahed, Wari, Awtaf, Bonne Chose, Charbel Haber / Sary Moussa / Nicolas Jaar, Farah Azrak de l'edition 2025 mais aussi Osloob Abdelrahman, Lynn Adib, Liliane Chlela ❤️ stream 

Champ Sonore DIM 30 NOV 2025

white death

Another short spiral round, this time in 53edo!

Created for the Tuning of the Month Club, November 2025.

Ladderly

This piece came to me in a dream fully formed.  I set about realizing it, exactly as it came to me, as soon as I woke up.  Fortunately (as far as I'm concerned!) I received no visit from any person on business from Porlock.

The piece is very mildly indeterminate, as the 8 tones on the implied "base line" are chosen at random.  The pitches combine the overtone series, to the 23rd partial, above these 8 fundamentals.    Then the complex rhythms emerge from a process that takes account of the precise intonation of the pitches.

No Visitor On Business from Porlock, for MIDI piano

NaSoAlMo 2025. Improvised various microtonal piano pieces with field recordings as a background!

Breezy Meadow Morning

Machine Echoes

Gray City Rain

Celebratory Birdsongs

Moonlit Forest Stream

Quiet Nature Stroll

Crowd Apprehension

Composer, mathematician, visual artist. 
Seeks collaboration with performers and choreographers.

Please don't spam this account!

15yo producer from usa (i hate it here lol)
#trashwaveforever, fdt

pfp is not my art for the record (i wish i could draw lol)

Kamioto Roi is a Japanese ambient composer who paints the unseen landscapes of the soul through sound. 
His music is a fusion of cosmic resonance and gentle healing tones, inviting listeners to drift beyond time and space. 
Each composition is a celestial gate, leading toward meditation, inner peace, and spiritual awakening. 
With more than one hundred original works, Kamioto Roi continues to weave soundscapes that embrace both the mystery of the universe and the quiet beauty within.

神音呂伊（Kamioto Roi）は、音を通して魂の見えざる風景を描く、日本のアンビエント作曲家です。 
その音楽は、宇宙の共鳴と優しい癒しの響きが溶け合い、聴く人を時空を超えた漂いへと誘います。 
ひとつひとつの作品は「天上の門」であり、瞑想・内なる平和・そしてスピリチュアルな目覚めへの道を開きます。 
100曲を超えるオリジナル作品を持ち、宇宙の神秘と内なる静けさを結ぶ音の風景をこれからも紡ぎ続けていきます。

☨ You won't survive the Second Cosmocide ☨

Hidden discography:
https://on.soundcloud.com/nb6Aa1BLnMp61Pmd8

New tracks tagged #Microtonal