The songs in Direct Memory Access are the ghosts of the notes that carried you through the void. The ones that validate your truth when no one else wants to hear it, asking nothing in return. Their origins were lost and discarded, but their spirits stayed alive in these renders. I thought I left them in the dark, never to be heard again.

No stems. No project files. Just a corrupted drive full of bad sectors and half-broken memories. I kept them buried on a forgettable device, believing they’d eventually be replaced. Instead, they became artifacts from a time that doesn’t need revisions.

High Speed Corruption is the unending chaos of the moment.
I/O Recovery is what we piece together once the noise subsides.

These tracks haven’t been touched beyond moving them from one drive to another. No edits. No polish. Exactly as they survived.

Welcome, ghosts.

The Rising (Demo Version)

Data ID Not Found: The Error State &  Persistence State Part 2 (Demo Version)

Current Pending Error (Demo Version)

The Oracle Bap (Demo Version)

“Waiting” by Kolbi Jordan is a soulful R&B confession wrapped in vulnerability and truth. With warm vocals and a smooth, atmospheric groove, Kolbi paints the story of loving someone who moves too slow while your heart beats in real time. The song captures the tension between hope and hurt; the quiet moments staring at the phone, the promises that never show up, and the strength it takes to finally recognize your worth.



Haunting, honest, and beautifully melodic, “Waiting” is for anyone who’s ever held on longer than they should have. Kolbi Jordan delivers a performance that feels intimate, raw, and unforgettably relatable.

WAITING

A song that lingers on the question of whether love, like lightning, ever strikes the same place twice. It traces the quiet fault lines that appear even in strong relationships, where a moment’s spark can pull the heart off its steady path. A meditation on desire, drift, and the fragile balance between devotion and the urge to wander.

CREDITS
Vocals/ Backing Vocals - Naresh Ramnath
Acoustic Guitars - Siddharth Cota
Bass Guitar - Raunaq Kapoor
Drums - Sreenath Sreenivasan
Organ Solo - Jason Quadros
Keyboards/ Programming - Vinod Sreedhar


Written, composed, and produced by Vinod Sreedhar
Mixed & Mastered by Vinod Sreedhar

Recorded at The Back Gate Studio, Mapusa, Goa.


Once Again

Fuzon - Neend Na Aaye (Dxhers Lounge Mix)

This one's a tongue in cheek tribute to every indie musician (including myself) who ends up taking the art too seriously. Stay loose out there folks!

Happy Go Luck Indie Guy

Acoustic Rock ballad describing how love is beyond just words.

I Don't Care

🔥 ETERNAL – OUT NOW 🔥
Color bass ritual at 150→75 BPM. Filthy reeses, shifting rainbow supersaws, heavenly choir, and a halftime drop that feels like stepping into another dimension.
This isn’t just a song — it’s the moment you realize you never really die, you just echo forever through the void.
Virtual Riot × REZZ × 1788-L × SLANDER level sound design with pure emotional devastation.
Close your eyes. Feel the frequency. Become eternal.
⚡ Drop a ∞ in the comments if you felt the timeline shift
Repost if you’re ready to live forever in the soundwave
#ColorBass #Midtempo #FutureRiddim #Wave #CinematicBass #Halftime #PsychedelicBass

ETERNAL

TimXE (pronounced "Time X E") emerged from the digital underground.

Music producer with influences rooted in the Seattle grunge scene but also more recently catching vibes from Indie acts such as Sam Fender and Isaac Gracie. PJ Drummer has been a drummer (duh) for 13 years, playing in rock bands in India before moving to the UK in 2018. The artist recently picked up the songwriting book and hopes to etch out the sounds in his head.

Intertidal is Vinod Sreedhar’s experiment with a sound that lives between states, moving with the quiet force of shifting tides. Ideas rise and fall, with riffs, textures, and melodies surfacing, sinking, and returning in new shapes. Grit and clarity work together here, the rough edges and the finer details sharing the same space without getting in each other’s way.

The music draws from classic rock, jazz, Carnatic and Hindustani traditions, fusion, and Western classical influences, allowing each to flow in and out like layers shaped by the tide. Built on tension, movement, and steady evolution, it breathes in waves - never fixed, always in motion, always becoming.

Kolbi Jordan is a dynamic, soul–rich singer-songwriter whose voice instantly pulls audiences in with its warmth, power, and emotion. Blending the sounds of church, pop, R&B, and jazz, she’s crafted a style that’s unmistakably her own; marked by stunning vocal range, intentional choices, and an authentic, magnetic presence.



Born and raised in Tulsa, Oklahoma, Kolbi grew up surrounded by music, with parents who were both singers and musicians. Her artistry expanded onstage through standout roles in productions like Cats, Shrek (Dragon), Mary Poppins (Ms. Andrews), Newsies (Medea Larkin), and Once on This Island (Asaka).



Beyond music, Kolbi is passionate about advocating for veterans and plans to use her platform to support disability and service-related causes.



With every performance, Kolbi continues to evolve, push creative boundaries, and deliver the unforgettable music her fans love.

Canadian Composer Joe Garrisi creates music of various styles, and moods. Ranking in the top ten for CBC's new Hockey Night in Canada TV anthem, Joe has been commissioned to write Jingles for a multitude of applications. His compositions have been placed in various playlists and compilations for Ring Tones, Product Demo Instrumentals, and Scores in many different genres, including, Action, Children's, Comedy, Corporate, Dramatic, Drums, Electronic, European, Jazz, New Age, Pop Rock, Sports and World Fusion.

New tracks tagged #Mid Tempo