Mist | #1TAKE - P110

youtu.be/zlWbyIz8FJ0?si=OLyU_…?si=OLyU_FG2bw_fO5dT

Mist - #1TAKE (Part 2) | P110
www.youtube.com/watch?v=dvVBb_m0RGk

Mist | Warm Up Sessions [S9.EP34]: SBTV

www.youtube.com/watch?v=TGD41MILw…jQ5&index=4&t=59s

Mist - Fire In The Booth

www.youtube.com/watch?v=WQHKYspaL…9xA00SjQ5&index=5

Mist & MoStack- On My Ones [Music Video] | GRM Daily

www.youtube.com/watch?v=EknNq21fg…xA00SjQ5&index=17

Jaykae & Mist - Living - P110

www.youtube.com/watch?v=KX_YHY4m5…9xA00SjQ5&index=6

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Sickmade Science Two | The Next Episode
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Sickmade Science Three
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LIL DURK - MIDDLE OF THE NIGHT | PIANO | TRAP INSTRUMENTAL

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Copyright Disclaimer under section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.
We remixed Middle of the Night into an Anime Opening for Jujutsu Kaisen

uploaded by Thai Mcgrath

We remixed Middle of the Night into an Anime Opening for Jujutsu Kaisen

@prod_sjl [0:00]
ME  [1:10]

Thank you @prod_sjl for helping me with the mix on my part. And Thank you @prodvtxmvx so much for the COVER!!!! <333 You both are great. Everyone, have a nice day/night. Thank you for listening.

CALL MY NAME - SJL Beats x VIN

Elley Duhé - MIDDLE OF THE NIGHT (Epixel Remix)

keep following, a drumkit omw, when hit 200

thanks to @user-699532387 (RXQUIEM) for making this amazing artwork

Middle Of The Night

Buy AV002

Premiere: A2 - Ace Vision - Middle Of The Night [AV002]

The Sub Bass - Song 1

U$ELE$S - Middle Of The Night II

Hani Ft. Andrea Martin - Middle Of The Night (Miles Blacklove ReWork)

Get this Full Audiobook NOW for FREE with our 30-Day Trial → Click Here: https://getaudiobooks.today/2024/06/13/middle-of-the-night-by-riley-sager-audiobook-free-listen-online/

Middle of the Night Audiobook Free 🎧 by Riley Sager

In the latest jaw-dropping thriller from New York Times bestselling author Riley Sager, a man must contend with the long-ago disappearance of his childhood best friend—and the dark secrets lurking just beyond the safe confines of his picture-perfect neighborhood.

The worst thing to ever happen on Hemlock Circle occurred in Ethan Marsh’s backyard. One July night, ten-year-old Ethan and his best friend and neighbor, Billy, fell asleep in a tent set up on a manicured lawn in a quiet, quaint New Jersey cul-de-sac. In the morning, Ethan woke up alone. During the night, someone had sliced the tent open with a knife and taken Billy. He was never seen again.

Thirty years later, Ethan has reluctantly returned to his childhood home. Plagued by bad dreams and insomnia, he begins to notice strange things happening in the middle of the night. Someone seems to be roaming the cul-de-sac at odd hours, and signs of Billy’s presence keep appearing in Ethan’s backyard. Is someone playing a cruel prank? Or has Billy, long thought to be dead, somehow returned to Hemlock Circle?

The mysterious occurrences prompt Ethan to investigate what really happened that night, a quest that reunites him with former friends and neighbors and leads him into the woods that surround Hemlock Circle. Woods where Billy claimed ghosts roamed and where a mysterious institute does clandestine research on a crumbling estate.  

The closer Ethan gets to the truth, the more he realizes that no place—be it quiet forest or suburban street—is completely safe. And that the past has a way of haunting the present.

Disclaimer: This podcast episode contains an excerpt from the audiobook described in the title for educational and promotional purposes and has no intention of infringing any type of copyright.

Middle of the Night Audiobook FREE 🎧 by Riley Sager

Jordan is joined this week by Cade and Maggie to go over her first foray into thrillers. What starts as a book club gathering to discuss the recent novel "Middle of the Night" soon becomes an analysis of Riley Sager's entire body of work culminating in Maggie and Cade's rankings of all eight of his novels.

The trio also discuss some of their favorite tropes of the genre and the surprising cross-over that might exist between fantasy and thriller fans. Plus Jordan confesses to the crime of the century!

BOOKS MENTIONED

Riley Sager Novels
- Middle of the Night
- Final Girls
- The Last Time I Lied
- Survive the Night
- The House Across the Lake
- The Only One Left
- Lock Every Door
- Home Before Dark
Eragon by Christopher Paolini
Tender is the Flesh by Agustina Bazterrica
The Hunting Wives by May Cobb
Fire & Blood by George R.R. Martin
Darling Girls by Sally Hepworth
The Last One by Will Dean
The Chamber by Will Dean
Razorblade Tears - S.A. Crosby
All the Sinners Bleed - S.A. Crosby
Blacktop Wasteland - S.A. Crosby

Lost in Plots

Book Club: Riley Sager & Thrillers

sound art for disquiet0654.

More on the 654th weekly Disquiet Junto project, Just Notation — The Assignment: Interpret a graphic score by Franziska Baumann — at https://disquiet.com/0654/ 2

woken by cats (disquiet0654)

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Aoma Nito - Middle Of The Night

Telling Secrets from A Dark & Stormy Night @ Charlie-O's 7/10/2024

Telling Secrets

An outtake single from live performance recordings from the summer of 2024.

Thrives In The Cold

Thrives In The Cold (Carl Arseneault cover)

"Middle of the Night" takes listeners on a hypnotic journey, blending dreamy melodies with captivating lyrics. Exploring themes of connection, elevation, and transcendence, the song invites you to feel the highs of life and love. A sonic escape that touches your soul, day or night.

Feat. Joule$ & Peyton Miller

Middle of The Night (Feat. Peyton Miller, Joule$)

18yo prod

as i promised, here's your drumkit (click on tracks)

second acc: @prod_vega2

archives: @vega-archives

discord: vegaily

collectives:
inferno: @inferno-collective
north star: @northstarcollective
dievergence: @dievergence
anarchy: @anarchycollective
omega: @omega_collective
oshi: @oshiclctve

I grew up listening to my dad's records in the '70s. Darkness on the Edge of Town, Who's Next, Zep IV. As an '80s teen, I became fascinated by rap music & loved Run DMC, but also consumed significant doses of Metallica. Pretty typical midwestern kid.

In my 20s, I was living in Iowa City, not working because I was just about to move to Santa Fe when my old college friend Michelle Rubin called with a mini-emergency & asked if I could go deliver some newspapers for the weekly ICON. I was busy packing up, but had plenty of time so said "sure". After I'd finished filling the vending machines around town, she handed me a couple tickets to a Paul K show at Gabe's later that night.

I didn't plan to go, but said thanks & went home & got back to packing. But as the evening wore on & I had a few beers, I figured I might as well take a break & go check it out, so I walked downtown.

With all apologies to Mr. K, I don't remember any of the music from that night except for two songs. He introduced them by saying he had just been at the wake for a recently deceased musician named Townes Van Zandt. I'd never heard of the guy before, but those next two cover songs, Lungs & Our Mother the Mountain changed my life. I walked out of there in a daze of wonderment. The universe had just opened up & played me some music that was exactly how I'd always wished music sounded, just didn't know it till right then.

I spent the next couple decades trying to play Townes songs & failing miserably. But the extended accumulation of all that determined failure, mixed in with a penchant for Surrealist poetry, Dylan harmonica, & John Lee Hooker's foot stomping added up to where I'm at right now. A quirky songwriter who mixes in Townes covers, spoken word pieces, & lotsa foot stomping with a little harp now & then. I'm really only just getting started as a performer & recording artist even though I'm in my 50s. Took me a while to put the pieces together, but better late than never!

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Artist and non-musician making visionary sound art with found objects.

I collect litter and make small scale sonic sculptures and rudimentary instruments. When I play them I’m thinking of natural rhythms like the wind in the trees or animal movements.

Join Jordan and Cori as they discuss and dissect all things bookish! Peek behind the curtain at the inner-workings of OwlCrate and our growing "nest" community!

Hani AlBader is a prolific Brooklyn-based DJ / Producer / Remixer who has maintained an appeal in both underground and commercial circles. 
A Strong work ethic & gutsy attitude earned this prolific artist worldwide recognition as a top producer & the remixer to stars like Justin Timberlake, Alicia Keys, Pink, Christina Aguilera & Michael Jackson to name a few. 
Hani started out in 1984 as a bedroom Dj recording mixed cassette tapes for himself & close friends.   By 1988 during his college years in Denver Hani became a professional Dj at several major clubs.  Saved enough money to buy used Synthesizers,  Drum Machines & 4 track tape decks from pawn shops. Hani learned on his own the art of making Electronic Dance Music & was able to release a few underground records just to put his name out there but,  that was not enough. In 1993 Hani got his start doing underground Acid House tracks for Carl Craig's Label Planet-e & Deep Dish's label Yoshitoshi.  
By 1994 Hani was enrolled in the Institute of Audio Research in New York City. There he gained a well-needed knowledge of the fundamentals of audio acoustics, electronic circuitry, engineering & mixing.  While attending the institute Hani also wasted no time. Hani started his remix career working on projects for Artists such as Deee-Lite, Repercussions & Urban Soul.  Upon graduating IAR, Hani started at Bass Hit Studios as an intern assistant engineer. He chose this particular studio only because it was the closest to his apartment.  Soon Hani learned that Bass Hit was a Mecca for House music producers & remixers. Call it destiny.
It was at  Bass Hit Studios that Hani acquired a deeper sense of Electronic Dance Music by working for such House music luminaries as Masters at Work (Little Louie Vega & Kenny Dope), Roger Sanchez, and Danny Tenaglia. 
Hani cleaned the studio after them, picked up the garbage, and delivered food however, he also learned the basics of House arrangements and mixing.
The competition in New York City was very high & Hani had to quickly make a name for himself therefore, he did not follow the rules. He did not wait for record labels to give him a chance at remixing songs he liked. He chose songs he gravitated to & went on to produce his own remixes in his simple little studio without being commissioned or paid to do it. Through his connections, Hani built a long list of Dj friends who admired his talent & consistently played his work around the globe. His 1995 unauthorized remix of Sade’s "I Never Thought I'd See the Day" under the given alias Musk Men got him the exposure he'd been working for. It got bootlegged by several distributors in US & Europe and gave Hani a Jump-start. Sade was not into remixes so the remix never got approved by(Epic / Sony). Then came Hani's unauthorized remix of Sting's  "Sister Moon" bootleg. This was a big Sound Factory Bar/ Ministry Of Sound records thanks to Louie Vega & friends like Roger Sanchez . Due to its success, this one got the official approval by Sting & got released on AM:PM by Simon Dunmor. This bootleg remix & many others are available on http://djhani.com/
This Biography continues on http://djhani.com/hani-biography/

Send your demos info@cherokeerecordings.com
A division of Planeta Mix Records based in Barcelona (Spain). Cherokee Recordings is a record label created with the intention to bring the public the most current musical trends. With a large team and years of experience in the sector, main purpose is the distribution of electronic music.

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I'm useless. 哀
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Discord: its_useless

MEGA DJ ___ DJ ONE

ALAIN CORCESSIN 

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a special mention to the people that helped me so frickin much and are the reason I am now here:

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Trommel is an online media platform and electronic music magazine focusing on events, music and producers from the underground scene

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