Official 'Westwood Instruments' demo's by Adrian Banks. 

Find out more:
https://www.westwoodinstruments.com/instruments

These tracks are used to promote the libraries included in the music.

Libraries include Novella Origin, Alt Piano, Electric Home Piano, Lost Synth, Lost Piano and the entire Untamed Series.

Out Of Luck

Now There's A Name To Die For

I Got The Driver

Take It Back To The Origin (Ft. Dolly Mavies)

Nightcap

Escape The Manor

A New World

Black Hole

Lost In The Wood

“Help me, Obi-Wan Kenobi. You’re my only hope.” With this theme, John Williams captured both the tenderness and heroism of Princess Leia Organa. Through flute, horn, and brilliant strings, each variation of the motif reveals a new side of her character.

When Star Wars hit cinemas in 1977, it changed movie soundtracks forever. For more than four decades, John Williams has written unforgettable themes that instantly transport us to a galaxy far, far away…

This is my fifth MIDI orchestral mockup, and I’ve learned more from this one than I can list. After studying multiple John Williams scores, I started to see patterns—like the “lift” (raising a theme a step during the climax) for emotional impact, or reusing motifs across instruments to create evolving textures.

With each mockup, I aim to push the realism even further. For this one, I went the extra mile by tempo-syncing my project to the original recording—yes, that meant matching the timing of every beat to the 1977 performance. The result is a more organic and expressive tempo that breathes like a real orchestra.

In the mixing stage, I focused on recreating the vintage character of the original by using compression and lo-fi plugins which replicate the hardware used for the 1977 recording. Ironically, making the mix sound less clean is exactly what helps our ears recognize it as authentic to this era and genre.
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🎹 What is Orchestral Programming?
Orchestral programming is the art of creating lifelike orchestral music using virtual instruments. Each part—strings, brass, woodwinds, percussion—is crafted with deep control over dynamics, articulations, and expression, to simulate the emotional impact of a real orchestra.
This piece was created entirely in MIDI with a single keyboard and a lot of detail work.

My goal is to produce music that captures the full emotional and sonic range of live orchestration, allowing me to bring my visions to life with just a keyboard and a keen musical ear.
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👤 About me:
Stefan Werdekker
Composer, Producer and Orchestral programmer
Switzerland & The Netherlands
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🔗 Follow / Support:
https://linktr.ee/stefanwerdekker  
https://www.instagram.com/mockupmaestroorchestration/  
https://soundcloud.com/stefanwerdekker  
https://www.patreon.com/c/mockupmaestro
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🎶 Original Song Credits:
"Princess Leia's Theme"
Featured on: Star Wars (Original Motion Picture Soundtrack)
Composed by John Williams
Produced by John Williams, George Lucas
Released by 20th Century (1977)
All rights reserved to its respective owners
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🎻 Libraries used:
-Spitfire Audio Symphonic Woodwinds
-Spitfire Audio Symphonic Brass
-Spitfire Audio Symphonic Strings
-Spitfire Audio Studio Strings
-Spitfire Audio Solo Strings
-Spitfire Audio Percussion Redux
-Spirfire Audio Harp
-Cinesamples Cinebrass Descant Horn
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🖥  Software Used:
-Presonus Studio One
-Native Instruments Kontakt

John Williams - Princess Leia's Theme [Star Wars] (Orchestral Mockup)

http://www.banksaudiotheatre.com

Media Composer, Producer and Sound Designer.

Product Manager at Westwood Instruments and Head of Audio at Oxford House Motion Pictures.

Library Music (EMI/Sony) with EMMY winner and BAFTA nominated composer, Michael Price (Dracula/Sherlock).

🎼 Composer // Orchestral programmer
🎹 Songwriter // Music producer

𝗔𝗹𝗹 𝘀𝗼𝗻𝗴𝘀 𝗼𝗻 𝗺𝘆 𝗽𝗿𝗼𝗳𝗶𝗹𝗲 𝗮𝗿𝗲 '𝗢𝗿𝗰𝗵𝗲𝘀𝘁𝗿𝗮𝗹 𝗣𝗿𝗼𝗴𝗿𝗮𝗺𝗺𝗲𝗱'

Orchestral programming uses virtual instruments to mimic a live orchestra by carefully shaping dynamics, articulations, and timing, enabling composers to create expressive, lifelike music with emotional depth and realism.

𝘽𝙧𝙞𝙣𝙜 𝙮𝙤𝙪𝙧 𝙘𝙤𝙢𝙥𝙤𝙨𝙞𝙩𝙞𝙤𝙣𝙨 𝙩𝙤 𝙡𝙞𝙛𝙚 𝙬𝙞𝙩𝙝 𝙗𝙧𝙚𝙖𝙩𝙝𝙩𝙖𝙠𝙞𝙣𝙜 𝙧𝙚𝙖𝙡𝙞𝙨𝙢 𝙖𝙣𝙙 𝙚𝙢𝙤𝙩𝙞𝙤𝙣𝙖𝙡 𝙙𝙚𝙥𝙩𝙝 —𝘤𝘰𝘯𝘵𝘢𝘤𝘵 𝘮𝘦 𝘵𝘰 𝘵𝘶𝘳𝘯 𝘺𝘰𝘶𝘳 𝘴𝘤𝘰𝘳𝘦 𝘪𝘯𝘵𝘰 𝘢 𝘴𝘵𝘶𝘯𝘯𝘪𝘯𝘨 𝘰𝘳𝘤𝘩𝘦𝘴𝘵𝘳𝘢𝘭 𝘮𝘢𝘴𝘵𝘦𝘳𝘱𝘪𝘦𝘤𝘦 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘦𝘹𝘱𝘦𝘳𝘵 𝘱𝘳𝘰𝘨𝘳𝘢𝘮𝘮𝘪𝘯𝘨 𝘢𝘯𝘥 𝘮𝘦𝘵𝘪𝘤𝘶𝘭𝘰𝘶𝘴 𝘢𝘵𝘵𝘦𝘯𝘵𝘪𝘰𝘯 𝘵𝘰 𝘥𝘦𝘵𝘢𝘪𝘭.

Music composer & Sound Designer
Head photo by Pauline Giolland

New tracks tagged #Midimockup