All composed, arranged, produced, and programmed by me.

paper canyon

George Gershwin (adapted by Christian James Elliott) - My Man's Gone Now

Álfamær (ég er skotin í þér)

Fun little project for my Bloodborne-inspired D&D campaign.

Lunar Missionary

Tracklist:
Bizzy B. - Summer House
Mark Gorbulew, Doug Gomez -  Le Groove Brésilien (Doug Gomez Amazonic Tambores Mix)
Silverlining  - Groundhog Rave
STR4AT - Aspects
Morgan Geist - These Too Shall Pass
Obergman - Mirror Counterpart
Morose - Holy Ghost
MOM$ - Aire Maximum
Jitterbug - Trak 6
Omar-S - Bitch....I'll Buy Another One!!!
Jitterbug - Surge
Vitreous - Cairo 200805122314
Zara McFarlane - All Africa (Alternate Version)
future jazz project - One Sun
Chris Mitchell - T.C. 
BoogieNite - Words (DUB)
Glenn Underground - Black Powerful Muzic 
Princess Freesia - I Like It (Soulpersona Remix)

Vort-X

Fantasy

MI HAI TRADITO TU

UN POLLO DA SPENNARE

RITORNO A CASA

UN COLPO FORTE DENTRO AL CUOR

ROBERTA

UNA DONNA PER ME

CON I MEZZI CHE AVEVO DI PARECCHI ANNI ORSONO FAI DA ME

DIADEMA

W. C. O’Hare published this arrangement of a José Serrano composition under the title “A Night in Granada” in 1917. Serrano (Spanish 1873-1941) is best known as a producer of zarzuelas, an indigenous Spanish music theater form. For an example see ‘La Dolorosa’, available on youtube: https://www.youtube.com/watch?v=31MZi7C11Bs

O’Hare’s theater orchestra arrangement of Serrano’s composition is full and relatively complex for a 1917 photoplay piece requiring nineteen instrumental tracks. We created our all new recording starting with a Soundslice OMR of the original music and adhering rather closely with few changes or omissions.  We used samples of larger sections to try to achieve a sound that suggests the roots of silent film music in the opera repertoire. The final mix was recorded on November 17, 2024.

The cover art is based on a photograph by Charles Clifford (1819 - circa 1863) described as “the Lion Fountain in the Courtyard of the Lions at the Alhambra, Grenada, Spain”. The photo is hosted by the Library of Congress at https://www.loc.gov/pictures/item/2019646707/ and dated “between 1854 and 1858”.  The photo was captured in daylight but for our purposes it was substantially altered to suggest a nighttime visit.

Public Domain, No Rights Reserved.

A Night in Granada (Serrano)

Suite Cinematic

Movement of the strings

Orchestral backing track for the iconic Habanera from Carmen (Bizet), 100% performed with virtual instruments:

Berlin Strings, Berlin Woodwinds, Berlin Brass, Berlin Percussion (Orchestral Tools)


🎤 Ideal for: Mezzo-sopranos, opera rehearsals, auditions, or studio recordings.
💼 Need a custom tempo/key? DM for tailored versions or other opera/musical backing tracks.

Carmen Habanera Backing Track | L'amour est un oiseau rebelle (Bizet)

Gaston Borch composed “Shadows in the Night (Misterioso)" in 1919 for publication by Carl Fischer, New York. "Shadows in the Night" is a photoplay (silent film) cue - what we now call a soundtrack. The title suggests it was intended to accompany night scenes, perhaps those where there is some skullduggery afoot. 

Though not specified in Borch’s composition, for our recording we used con sord samples for many of the string parts to get a more covered, darker, sound. Also, the instrumentation was stripped down to essential parts for a cleaner sound.

Recording produced by @MLucas on January 27, 2025 using optical music recognition (OMR) from the original sheet music. 

Cover art -- a mundane nightfall in North Judson, Indiana USA -- by MLucas.

Public Domain, no rights reserved.

Shadows in the Night (Gaston Borch)

Christopher O’Hare (1867 - c. 1943) composed “Sea Song” in 1918 "for surf scenes, on the sea, sailors etc.” as part of Oliver Ditson’s “Music for the photoplay” series, intended to accompany movies in the silent era. It’s a late romantic theater orchestra composition — a rolling 12/8 time blizzard of arpeggios. Though brief, it could have been looped for longer scenes. 

Our recording started using Optical Music Recognition (OMR) applied to scans of the original copies of theater orchestra parts from 1918. The OMR product was edited in Dorico, assembled into a score and exported to Logic Pro to be recorded with sampled instruments. 

This piece was interpreted rather freely: the original organ part was mostly omitted, with the retained parts being performed by a synthetic choir. The low brass melody -- written for trombone - was recorded using a Euphonium sample.

The artwork is based on a Currier and Ives hand colored lithograph captioned “A squall off Cape Horn”. The print was originally published between 1840 and 1890. Library of Congress bookmark: https://www.loc.gov/pictures/item/97514621/. 

Public Domain, No Rights Reserved.

Sea Song (Christopher O'Hare)

Quatuor à cordes n°1 en Ré Majeur - 3 - Moderato

An unconventional Vietnamese music project, with sounds unheard of in the mainstream of Vietnam, unbounded by the norms.

This is where we dump unreleased music, demos, or projects that cannot be uploaded to our other platforms.

"Professional Composer & Music Producer | High-Quality Virtual Instrumentation

Welcome to my SoundCloud! I specialize in crafting premium backing tracks, production music, and custom compositions using top-tier virtual instruments (Orchestral Tools, Berlin Series, and more). Whether you need cinematic scoring, dynamic arrangements, or polished demos for your projects, I deliver rich, realistic, and emotionally compelling soundscapes tailored to your vision.

Let’s collaborate! DM for commissions, licensing, or custom work. #ComposerForHire #ProductionMusic"

Check out my cousin's EDM channel: @avstmusic
And here's channels of other music friends:  @ianciknight
@casey-hull
@spiralbill
@matt-bierwagen
@dyljo
@bryard
@jenniferrowekamp
@outsider-9
@oliviadearmusic
@jakekricket
@dan-karlsberg
@annaklinemusic
@benhenault

~ Composer ~ Producer ~ Pianist/Keyboardist ~ Singer ~

Minimum $50 USD for a custom track/beat/arrangement/remix/etc. Shoot me a DM on here or at epicrpgremixes@gmail.com if you're interested~

My musical influences in alphabetical order:      
Aphex Twin, Art of Noise, the Beatles, Ben Cullum, Boys Noize, Bruford, the Buggles, Cusco, Dave Oleksiak (my uncle), David Wise, Death Grips, Debussy, Depeche Mode, Dominique Guiot, Dvorak, ELP, the Follin Brothers, Genesis, Gershwin, Go Ichinose, Hip Tanaka, Hitomi Sato, Hitoshi Sakimoto, Ichiro Shimakura, Jake Kaufman, J Dilla, John Zorn, Junya Nakano, Kanye West, Kapustin, Kfaraday, Keishi Yonao, Lauren Bousfield, Leonard Bernstein, Madness, Manabu Namiki, Masashi Hamauzu, MSTRKRFT, Moondog, Morricone, Mort Garson, Motoi Sakuraba, Nobuo Uematsu, Pat Metheny, Pilotredsun, Rush, Ryota Koduka, Ryuichi Sakamoto, Saitama Saisyu Heiki (SSH), Shinji Hosoe, Shoji Meguro, Squarepusher, Steve Reich, Vangelis, Vince DiCola, Wang Chung, Wendy Carlos, William Bonney, Yasunori Mitsuda, Yoko Shimomura, Yuzo Koshiro

It's about music... and the music is indescribable
contact: markojovanovicpu@gmail.com

a migrant, performance artist, curator, activist and deejay who likes to think and talk about life, death, joy, sorrow, and sorcery by writing, singing, producing and mixing sounds and rhythms.  

thinking of the power and h(e)aven of music as: transformative, diverse, inter&cross-genre, ambitious, constructive, unpredictable and curated. 

loves to 'play' with the rhythmic and harmonic elements and their relations while curating recorded sets and deejaying.

currently living in London.

e-mail: brsbku@gmail.com

Public Resource is a non-profit organization based in California. We believe universal access to human knowledge is the great promise of our time.

New tracks tagged #Moderato