Written for 2 Pianos

Tightrope, uses 2 synthetic 2 octave scales, one in each piano. Piano 1 uses the Hungarian
minor and the Oriental scale. While piano 2 uses the Hungarian major and the leading whole
tone scale. It begins and ends with passages of minute harmonic shifts where sound mass is
built up. In the transition, the comping chords pick up energy, leaping through the octaves,
diverging and converging, covering the range of the entire piano. This finally leads into the
harmonically active middle section before converging into a cluster towards the entry into the
final section.
As if they were walking along a tightrope, one experiences the rise and fall of adrenaline
through the tension and release created through the use of intervals, range and dynamics
within the scales allocated for each piano.

Tightrope (2021)

Written for Trombone Quartet.

In the blink of an eye, the life you once knew was no more. It might feel like you are frozen
in time. But truth is, you are constantly growing and evolving, even if you do not realize it
now.
Release uses gradual intervallic changes with each chord as they diverge, then converge over
the course of the piece. Varying the harmonic tension with each chord. Swelling dynamics
and increasingly dense rhythmic comping are used as another dimension to weave tension
and release. The middle section features asymmetrically spaced chords played across octaves
with rhythms determined by a rhythm roll. Initially, the chords are played with pauses
between each chord. Eventually, more chords are played before another pause until it
resumes a continuum of sound. The intervals proceed to converge as the piece draws to a
close.

Release (2022)

Written for Flute and Piano.

Sometimes the disparity between the things we want and the things we should be allowed to
have is immense. The essence of life is mixed with difficult truth and sweet lies, yet it is a
chemical that lulls you to sleep.

Chained From Heaven (2022)

https://youtu.be/HVeqKEErVJ8?si=xa6REl6QyGDEOr8Y

Not As Bad As They Say

Enjoy this very charming Organ Piece of Maurice Duruflé - composed in 1964 - played by me! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Duruflé M. - Méditation op. Posth. [1964] (organ)

THE MOON IS A HARSH MISTRESS

FRAME TWELVE (ePWsM 22) - 2025

Enjoy this beautiful Organ Piece of Maurice Duruflé - published in 1961 - played by me! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Duruflé M. - Prélude sur l'Introït de l'Épiphanie op.13 (organ)

Slight Miscalculation

Ode to Days Lost

CD7 - FEELS LIKE

Durand - Enfance, Quatre Tableaux, pour piano (1995)

Durand - Quatuor à cordes No.3 (2024)

Durand - Quatuor à cordes No.2 (2020)

I'm amateur composer. I try to write nice pieces, and I think I kinda do like it.

Marco Molteni ha studiato composizione con Luciano Chailly e con Giuseppe Giuliano presso il Conservatorio  G.Verdi di Milano, diplomandosi nel 1985.
Nello stesso istituto ha poi studiato musica elettronica con Riccardo Sinigaglia, diplomandosi a pieni voti nel 1988.
Nel 1983 e 1984 ha frequentato i corsi di perfezionamento in composizione tenuti da Franco Donatoni presso l’Accademia Musicale Chigiana di Siena e l’Associazione francese MC2 Musique Contemporaine di Avignone.
Nel 1985 ha frequentato l’Atelier de Recherche Instrumental organizzato da Pierre Yves Artaud presso l’Ircam di Parigi.
Dal 1986 al 1992 ha preso parte ai Ferienkurse fur Neue Musik di Darmstadt.

Ha vinto o è stato segnalato in numerosi concorsi nazionali ed internazionali, tra cui:
"Icoms" Torino
"Alfredo Casella" Siena
"Concorso Internazionale Guido D’Arezzo"
"International Review of Composers" Belgrado
"Festival WNMD 2010" Sydney
"IBLA Grand Prize (23rd Annual World Music Competition)" NY
"International Festival MUSLAB", Messico
NY City Electroacoustic Music Festival 2016
etc.

La sua musica, pubblicata da Arspublica, è stata suonata in importanti festivals  internazionali da numerosi e prestigiosi interpreti ed inserita nei programmi d'esame per il conseguimento di masters di perfezionamento musicale.

Suoi interventi critici sono stati pubblicati dalla rivista 1985 La Musica (Roma-1989).

A Milano, nel 1988 è andato in scena il suo lavoro di teatro musicale Zwei Szenen uber Paul (su testo da Eliot, Jabes e Pasolini) con la regia di Giovanni Carluccio, commissionato dal CRT – Centro di Ricerca Teatrale e dalla Civica Scuola di Musica di Milano.

DISCOGRAFIA

Confiteor – flauto in sol – PY. Artaud – CD PAN 3034 – Edipan Roma 1992

Prologo (dall’operina di teatro musicale “Zwei Szenen uber Paul” 1988) – nastro magnetico – CD 003 G Pagano Editoriale – Napoli 1999

Zig Zag Bubble – pianoforte solo – Neda Hofman – Association of Serbian Composer – 2002

Come Frisso perse Elle, la viva luce – pianoforte solo – Neda Hofman – Association of Serbian Composer – 2003

Come Frisso perse Elle, la viva luce / AElia Minimix2 / Folio uno (valzer lento) / Zig Zag Bubble / Three Pills (n.1 memory Walk / n.2 Dance) – Alfonso Alberti – Guido Boselli – DOUBLE NATURE – CD Ars Publica ARS 141-014 – 2011









When i'm not playing video games....
...i listen to Music.
I get into everything: Abba to Zappa...Grindcore to Gershwin...Nine Inch Nails to Nina Simone...Mike Oldfield to My Bloody Valentine to Miles Davis
  I LIKE MUSIC....composing and listening   😎
For the record: I am a keyboardist and sometimes drummer. About 90% of  the keyboard work is me actually playing a Yamaha Midi keyboard. Now you know...

Carlo Cozzula was born  in Sassari in 1971.
In 1994 he obtained the Experimental Magistral Diploma with the highest grade; in 1996 - under the leading of Hedda Vignanelli Illy – he graduated, with the highest marks, in Organ at the Conservatory of his city and next year, he graduated in Harpsichord at the Conservatory "B. Marcello" of Venice. 
He has studied Choral Music and Choir Conducting and also studied piano at the concert levels since 1985.
He performed on all the instruments as a soloist in chamber ensemble also with vocal soloists, accompanying several polyphonic complexes, among which the "Cantori della Resurrezione" by A. Sanna, with whom, in 2000, he collaborated for a recording of music by G. B. Platti (Bongiovanni Records), and with whom he performed in a concert in July 2003 in the Basilica of the SS. Rosary of Lourdes (France).
He was the main organist at the Monumental Church of S. Maria di Betlem (Sassari) and at the Basilica of S. Gavino (Porto Torres). 
As an organist, in October 1997 he was invited for a tournée in Germany, performing in prestigious places, including Limburg, Wiesbaden, Lorch, Frankfurt, as soloist and chamber musician, in concert seasons including well-known soloists such as W. Stockmeier, R. Haas, M. Pirenne, U. Krupp, W. Rockel, J. Von Erdmann.
He was invited again for the October of 2003 to give a concert at the “Orgelsommer 2003” in St. Josef Church (Frankfurt), achieving great success, playing in a schedule with some of the most famous and acclaimed organists on the world scene, such as J. Parker-Smith, Th. Trotter, H. Vogel, P. Pincemaille, D. Zaretsky, P. Pietiläinen.
In 2007 he was called a part of the Jury of the 1st Art Competition "Il Filo di Arianna", at the Baja Hotel in Cannigione (Sardinia). 
He taught Music Theory and has been pianist accompanist of lyric singing classes at the Civic School of Nuoro, taught in State Schools.
Recently he has edited the Italian translation - in World Premiere - of the essay of 1846 written by the French F. Levacher D'Urclé: "Manual didactic problems in relation to the study of the anatomy of the hand" and also the thesis by M. Punt "The Straube Code-Deciphering the metronome marks in Max Reger's Organ Works".
As a composer, he is the author of music - original and not - dedicates to the international singer Teresa Salgueiro. He is also the author of a series of Concert Transcriptions for organ - even in World Premiere - from the piano and symphonic repertoire, and for pf. from the original organ repertoire, but also from accurate choices concerning the world of jazz, fusion, Brazilian music, French chansons and Soundtracks.
One of the piano transcriptions has already been recently included in a piano recital. These compositions are already available to the international artists such as: Philippe Raskin, Mariangela Vacatello, Irene Veneziano, Simone Pedroni, Igor Roma, Gloria Campaner, Antonio Pompa-Baldi, Alexei Volodin, Roberto Plano, Maurizio Baglini, Andrew Litton, Sandro Russo, Nicholas McCarthy, Ramin Bahrami, Thomas Ospital, Stephen Tharp, Thierry Mechler, Joseph Nolan, Danilo Rea, Enrico Pieranunzi, Carisa Marcelino and Clare Hammond.

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