Enter 'LIMINAL EXISTENCE,' G3NOT's latest vibrational exploration. This album is a collection of states, raw and unyielding, born from the dissonance where frequencies meet introspection. It navigates thresholds, transforming inner turmoil into sonic landscapes that challenge perception. An authentic journey through the ambiguous, designed to make your skip button's existential crisis resonate. Are you ready to inhabit the space between? /breɪk/ #sabotageinstereo #smileitsnotamask

CROCKET

THRESHOLD

LIMINAL EXISTENCE

WALDGERINSEL

LIMINAL EXPERIENCE

TAMBOR

CHLOROPHYLLAKTIER

KIO 17

UNSKIPPABLE CORE

PANDAU

all instruments and voices: Jeff Gardiner 
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

he told me bout the trail in the tunnel
that I'm walking while
I'm thinking other people's thoughts
little voices
like your father's father's father's
farther than the others
all combined and confined to a tunnel of your thinkin
turn that little voice off in your head
he said


you may find it advantageous
in the long run
there's an exit but you gotta take it
while riding on the boxcars full of other people's junk
pulled by trains of thought
on shaky rails

scalar fields pt 1

scalar fields pt 1: scalar fields - with stonerjazz

bang
Ig:@xitreeswastaken
yt:https://www.youtube.com/@xitrees

Cherry

In my first ever Cubase composition attempt, I use the charming timbre of the piano to portray the cheerful and happy side of our existence. Accompanying in harmony are ensemble strings (sometimes being presented solo too) and woodwinds with a timpani as percussion. In the end, I modulate and try composing polyphonic lines.

So, Life

sommer modulation 25.07.2025

SOON to move to Bandcamp as an album  - in the meantime, you can also listen in sequence here:  https://soundcloud.com/sonic-textures/sets/scalar-fields
instruments: Jeff Gardiner and jo richter
voice: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter
note by jo: for very real, material reasons, some people describe living entities as "stardust" and "all vibration". in our current, mentally largely dissociated state, it would make as much sense, though, to describe us as "stellar noise". It will take heartfulls of kindness and mindloads of understanding and nuances of acceptance of letting go and so much more to individually evolve into more harmonic states.

it is time, he said, to address the cosmic egg
the liquid consistency of what it holds
and the fact that insects and crusteceans
are clad in terrean space suits of their very own
and human skin can crack and bleed and peel and heal
and their minds are similar to that in more than one respect

it is also time, he put forth in further understanding
that the very nature of awareness, sentience and connection
to the entities we cannot smell or touch in our tuesday state of mind
and our wednesday protocols and even in our sunday suits
and unprotected glowing selves - unless that little voice trails off

and there is nothing left to win or lose or be or presuppose
and see the inside out in four dimensions, to welcome the upside
round and fingers that can shape the world without a tool

or a machine or automated processes and institutions and free
of data that informs the abstract mind but starves the living tentacles
of kindness and a self endowed with all the silence held to listen

that's why you will have to make a bold decision
to overcome your dizzy spinning sputtering state
of fuzzy feeling and self-involved confusion made
and all that fruitless pro- and inhibition
and turn that little voice off in your head
turn that little voice off in your head

(instrumental, including free static noises)

even in the southern realms and climes
the mongrels at the helm and lost in rhymes
tell wicked tales encumbered only by
some long forgotten memory
buried to the burnished hilt
while in a building built by lords and ladies of the cosmic court
while all the scouts appear as tiny lights
of white and red and blue and green
in smokey dreams of sorcery...........

scalar fields pt6 hide and seek

scalar fields pt 8: hide and seek - with stonerjazz

method: all the sounds you hear, apart from the voice, stem from a piano that is more than moderately out of tune, most of them morphed by audacity and samplitude
image: copyright jo richter

wunderbar geborgen / copyright jo richter

am wunderstumpfen ende
einer zweispur-einbahnstraße
senkt sich eines planers wendeplatte
zwischen steile bordsteingrate
in deren runden schenkels wölbung
die allerletzte eiderente ein
einzelei ausbrütet - solch memento
prospektiver nostalgie lädt
karrussellgenau zum grübelkreisen
ein, zum rasend innehalten

wunderbar geborgen

A melodic verse and chorus, partly reggae, with modulation from F to G

My Tiny Revolution

DKT1

Modulated Cranial Incursion (2024-2025)

G3NOT /ˈdʒiːnɑːt/
You read the name. But do you hear it?
I'm not here to fit in - I'm here to short-circuit your algorithm.
Noise with a grin. Silence with intent.
G3NOT: The glitch you can't debug.

/breɪk/

This isn't music - it's sabotage in stereo.
Smile. It's not a mask.
G3NOT - your skip button's existential crisis.

/breɪk/
I am a Klangfurtoniker.
Not a musician. Not a therapist. Not a performer.

I shape moods,
not because they are beautiful,
but because they exist.

I take the moment,
fold it like a piece of paper –
audible.
tangible.
I shape it into a frequency
that fits me.

Not perfect.
Not pleasant.
But real.

The heartbeat as bass,
my breath as a pad,
my smile as a subtle glitch.
And within it all –
a Joker.
Laughing inside me,
because I found the tone
in which I can bear myself.

I don’t project outward.
I let the inside become audible.

I am my own space,
my own speaker,
my own echo.

I am a Klangfurtoniker.
I hear myself –
and keep shaping.

/breɪk/

Electronic. Rough. Probably still far from finished – but who says you have to start quietly?
I make music for myself. And share it, because silence isn’t always the better choice.
Just a beginning. In waves and noises.

***Announcement:  
All previously posted tracks on soundcloud.com/sonicboomsoundart are permanently archived at 

http://hearthis.at/sonicboomsoundart/

New tracks will be posted here for a limited duration or until free account time allotted is maxed out ***

o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0
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Original electronic sound compositions and improvisations

Analog and digital signal processing by effects feedback looping -
LMNG & mini LMNG: (proprietary real-time/live analog/digital stereo effects feedback looping schematic)

Cassette tape archives: live and 4-track recordings - 1980's - 1990's (see links below)

Digital synthesis compositions created entirely in Audacity digital audio workstation freeware - 2010 - present
 
Korg Monotribe/Monotron explorations - 2012 - present

 - - - - - - -     - - - - - - -    - - - - - - -    - - - - - - -

Thank you for listening,
Sonic Boom Sound Art

For more than 20 years, Greg Weiss (Gregor Weisz) , Founder and Creative Director of Groover Studios has been delivering on his promise to provide unique sound designs, beats and samples that are both audio dynamic and balanced to fit your business or personal needs.  Using some of the best tech around powered by Roland, Korg, Yamaha, Sennheiser, Sony, Mackie and more......

His photography provides award winning photos for print and stock photo applications. Custom & exotic wood framing available.

Web design and development catered to all operating systems and mobile devices. Wordpress, ECommerce and custom web designs.

We pride ourselves on never delivering anything less than perfection to our clients. Weiss brings passion and enthusiasm to every project. From original designs to complete renovations, we have you covered. Take a look at our audio projects and photo galleries and experience the beauty of design.

Powered by:  Roland, Korg, Yamaha, Mackie, Sennheiser, Denon and Sony

I am overjoyed to partake in something beautiful:
https://stonerjazz.bandcamp.com/album/up-up-out

Jeff also gifted me a visiting role on his previous album: 
https://stonerjazz.bandcamp.com/album/quintessential

On his bandcamp page, Jeff points out: "This is the page where you can give some monetary support to me and the StonerJazz experiment."

.... and here is my own test account:
https://sonicstructuresandsilentstretches.bandcamp.com/track/eliza

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

Rock/ballad/reggae/electronic songs with melodies, verses, chorus, bridge, progression, climax, and all that kind of old stuff. And new sounds too.

New tracks tagged #Modulation