still thinking in future terms..
no facts
modern expression

Blitz! To Be

I've always had something for the dUb thing..back from 2008 it was always an active part of my life (in some way or another)
Loved the moodier aesthetic the UK clouds delivered throughout the years.. 
This is Darkness Creeps.

To Dub Warz 2006

Darkness Creeps

We are living the dawn of artificial intelligence and it's a wave we can't stop. I've been intrigued by this idea throughout the majority of my life, yet I cannot fully express in words the fear I now feel at its gates.

From Hollywood to Japanese animation, the majority of sci-fi infused dystopian atmospheres to this concept..yet all of it felt so far fetched and out of my lifetime; (and although never seemed impossible) at the time felt something exclusively for enjoyment purposes...yet, here we are.

Don't get me wrong, the aesthetic is just right, I will always be entertained by experiencing a vision of some future; something that is an evolution of life at the moment, yet honestly, as much as I'm inspired by it, I cannot help but feel a bit xenophobic on this matter (as a normal 21st century person should feel, I might add..)

Anyways..one particular monument of this theme is 'Ghost In The Shell' (1995) by the genius of Masamune Shirow, which offers insights on the first instances of silicon-based sentience. 'The Power Of A Shell Is The Power Of Its Ghost' is an ambient piece I've composed inspired by this theme.

The Power Of A Shell Is The Power Of Its Ghost

The world might be limited by the lifetime capabilities of one's sentience. If the only source of knowledge is through oneself, then oneself is the limit of the world.

Humanity as Nietzsche so passionately stated is to be overcome. Only time will tell whether the marriage with machine shows to be a resolution to this saga. If all goes well sentience will expand to further reaches and new maps will unlock.

A perennial search...

A Perennial Search

Lake Distrax moods...blue hour aesthetics

Distrax

We are excited to share @malasso's mix from Malta ✧

Will there be a light at the end of this tunnel?

'You're Back In 2020 MIX' is a collection of tracks mirroring peak-time COVID-era moods and tone. It was decided to publish these tracks as unedited, unmixed, and unmastered as an artist's phonographic memoir of this period.

Airtight moods mix with bluish tones, making fabricated recollection indistinguishable from morbid reality. Delving deep into alchemical models, the artist explores concepts of mass paranoia, the perpetual effect of the 'scroll'; a proto-invention of a tangible thought control system, and hinting at a substantial future collapse in modern human perception. All of this is expressed in tonalities that are easy for the initiated, leaving just a psychological trace of the conundrum.

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Malasso
You're Back In 2020 MIX

01. Inside
02. To My Planet (Pluto)
03. Endless Scroll
04. U.F.O.
05. Seaside Hangout
06. The Sea (Movement I)
07. Graffiti
08. NSP (Paranoid Mix)
09. The Sea (Movement II)
10. VAX
11. Bad Apple
12. Life As I Know It

Malasso – You're Back In 2020 MIX

the world might be limited by the lifetime capabilities of one's sentience. if the only source of knowledge is through oneself, then oneself is the limit of the world.

''Good, You're Here, It's Time'' CS (SILK135) (100% Silk)
https://malasso.bandcamp.com/album/good-youre-here-its-time

☻ 
perfectly offbeat

any qs @v-versatility

New tracks tagged #Mood Systems