Este 5 abril se cumplen 30 años de la muerte de Kurt Cobain, el último mito que ha dado el rock. Le dedicamos programa, que dividimos en dos partes. En esta primera repasamos desde sus orígenes en Aberdeen hasta su salida del sello Sub Pop. Seguimos sus pasos y aparte de sus inicios musicales en Fecal Matter o divertimentos como el que fue The Jury junto a Mark Lanegan, nos centramos en el primer largo de la banda y otras grabaciones que acabaron incluidas en recopilatorios como Incesticide. Hablamos también en esta 1ª parte sobre sus influencias fundamentales y pinchamos algunas de ellas, como los Beatles, Black Flag, Soundgarden, Wipers o Pixies. 

(De fondo, además de Nirvana, suenan Neil Young, Arlo Guthrie, Earth, Beat Happening, Melvins, Mark Lanegan, TAD, Mudhoney y The Vaselines)  

Tracklist:

1 – Nirvana – Aneurysm (Incesticide, 92)
2 – The Beatles - Ticket To Tide (Help, 65)
3 – Black Flag - Gimmie Gimmie Gimmie (Damaged, 81)
4 – Fecal Matter - Spank Thru (85)   
5 – Nirvana - Love Buzz (Bleach, 89)
6 – Nirvana - Paper Cuts (Bleach, 89)  
7 – Soundgarden - Hunted Down (Screaming Life EP, 87)
8 – Nirvana - Blew (Bleach, 89) 
9 – Nirvana - About A Girl (Bleach, 89) 
10 – The Jury - Ain’t It a Shame (89)
11 – Wipers – Don’t Know What I Am (Is This Real?, 80)
12 – Nirvana - Breed (Nevermind, 91)
13 – Nirvana - Sliver (Incesticide, 92) 
14 – Pixies - Gouge Away (Doolittle, 89)

Wickend 85 - Kurt Cobain / Nirvana -1a Parte- (03-4-2024)

Vertical Dead (demo)

Deep Acid Dive (demo)

King Charles (demo)

Ammonia (demo)

A song taht was birthed outta some Marijuana driven Stoners from Brainerd Minnesota Stay high and Happy Friends =)

HIGHER - THAN - HELL

This week on Substrate Radio, I reviewed the book, "Our Band Could Be Your Life: Scenes from the American Indie Underground (1981-1991)". It's a must read for any music fan or touring band and has made so many great "best of" lists since it came out in 2001. Link to read is below.  This also inspired tonight's Jackie Lo Show. I'll be playing songs by all 13 bands in this book. Everything from Black Flag to Fugazi to Sonic Youth to Big Black and more! Tune in tonight 8-10PM CST on Substrate Radio & Birmingham Mountain Radio for a show that will make you want to sit in the driveway, take an extra lap at the gym, and not turn the radio off or take your headphones out until the show is over.

SubstrateRadio.com | Substrate Radio app
107.3 FM Birmingham | BhamMountainRadio.com

Sponsored by:
The Bates Group (www.thebatesgroupbham.com/)
Forecast Salon (www.forecastsalon.com/)
Rusty's Bar B Q (www.rustysbarbq.com/)
Highland Music (www.highlandmusicbham.com/)

Jackie Lo Show "Our Band Could Be Your Life" 8.12.24 (episode 586)

Cant Wait Till I Die

Im Faceless

Why Now

ill wait

IDKWIW

Torna 𝑺𝙪𝒑𝙚𝒓𝙨𝒐𝙣𝒊𝙘 𝙋𝒆𝙤𝒑𝙡𝒆 ! il nostro contenitore dedicato alle realtà musicali che ci piacciono. In diretta con noi Daniele Braglia per farci ascoltare un po' del suo nuovo bellissimo album 𝗧𝗢 𝗧𝗛𝗘 𝗥𝗔𝗜𝗡. E' inoltre un mini- speciale sul 𝗚𝗥𝗨𝗡𝗚𝗘, con un vero amante del genere.

#127: Supersonic People con Daniele Braglia / Speciale Grunge

In this first of a two-part series, Larry Reid, a pivotal figure in the Pacific Northwest’s cultural renaissance, takes us back to the transformative 1970s and ’80s to explore the roots of the region’s rise to prominence. Larry’s stories reveal how the Pacific Northwest's creative explosion in the 1990s—through movements like grunge and Riot Grrrl—was deeply rooted in earlier artistic and social currents that fused homegrown creativity with global influences, setting the stage for its cultural impact.

In this episode, Larry Reid uncovers how graphic and comic art, LGBTQ+ expression, punk rock, and feminist voices converged with post-war fine art movements like pop art and post-modernism, creating fertile ground for innovation. This interplay of “high” and “low” art gave the Pacific Northwest its distinct cultural edge, imbuing it with a more conceptual framework that set it apart from other underground scenes across the country and laid the groundwork for the explosive creativity of the 1990s.

From founding Rosco Louie, a groundbreaking art space in Seattle’s Pioneer Square, to leading the Center on Contemporary Art (CoCA), Larry’s visionary leadership united artists, writers, and performers who redefined the region’s identity. His vivid reflections in this episode bring the era to life, uncovering how the Pacific Northwest's underground culture became the foundation of a global artistic movement.

“Back then, Seattle was still relatively small and isolated. Our counterculture scene probably consisted of 200-300 people. There were very few spectators. Almost everyone involved was a participant. It was an exciting time to be in Seattle for that formative period of what later had a huge influence globally on pop culture.” ~Larry Reid


 𝘛𝘩𝘦 𝘷𝘪𝘦𝘸𝘴 𝘦𝘹𝘱𝘳𝘦𝘴𝘴𝘦𝘥 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘱𝘰𝘥𝘤𝘢𝘴𝘵 𝘴𝘦𝘳𝘪𝘦𝘴 𝘢𝘳𝘦 𝘵𝘩𝘰𝘴𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘨𝘶𝘦𝘴𝘵𝘴 𝘢𝘯𝘥 𝘳𝘦𝘧𝘭𝘦𝘤𝘵 𝘵𝘩𝘦𝘪𝘳 𝘱𝘦𝘳𝘴𝘰𝘯𝘢𝘭 𝘭𝘪𝘷𝘦𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴. 𝘗𝘰𝘸𝘦𝘳 𝘰𝘧 𝘗𝘭𝘢𝘤𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘵𝘴 𝘰𝘳𝘢𝘭 𝘩𝘪𝘴𝘵𝘰𝘳𝘪𝘦𝘴 𝘸𝘪𝘵𝘩 𝘳𝘦𝘢𝘭 𝘱𝘦𝘰𝘱𝘭𝘦, 𝘢𝘯𝘥 𝘸𝘩𝘪𝘭𝘦 𝘴𝘰𝘮𝘦 𝘰𝘱𝘪𝘯𝘪𝘰𝘯𝘴 𝘮𝘢𝘺 𝘣𝘦 𝘤𝘰𝘯𝘵𝘳𝘰𝘷𝘦𝘳𝘴𝘪𝘢𝘭, 𝘵𝘩𝘦𝘺 𝘢𝘳𝘦 𝘴𝘩𝘢𝘳𝘦𝘥 𝘢𝘴 𝘢𝘶𝘵𝘩𝘦𝘯𝘵𝘪𝘤 𝘦𝘹𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯𝘴 𝘵𝘩𝘢𝘵 𝘩𝘰𝘯𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘮𝘱𝘭𝘦𝘹𝘪𝘵𝘺 𝘰𝘧 𝘱𝘭𝘢𝘤𝘦. 𝘊𝘰𝘯𝘷𝘦𝘳𝘴𝘢𝘵𝘪𝘰𝘯𝘴 𝘢𝘳𝘦 𝘦𝘥𝘪𝘵𝘦𝘥 𝘧𝘰𝘳 𝘭𝘦𝘯𝘨𝘵𝘩 𝘢𝘯𝘥 𝘤𝘭𝘢𝘳𝘪𝘵𝘺, 𝘣𝘶𝘵 𝘰𝘵𝘩𝘦𝘳𝘸𝘪𝘴𝘦 𝘳𝘦𝘮𝘢𝘪𝘯 𝘶𝘯𝘦𝘥𝘪𝘵𝘦𝘥 𝘵𝘰 𝘱𝘳𝘦𝘴𝘦𝘳𝘷𝘦 𝘤𝘰𝘯𝘵𝘦𝘹𝘵 𝘢𝘯𝘥 𝘴𝘶𝘣𝘴𝘵𝘢𝘯𝘤𝘦. 𝘓𝘪𝘴𝘵𝘦𝘯𝘦𝘳 𝘥𝘪𝘴𝘤𝘳𝘦𝘵𝘪𝘰𝘯 𝘪𝘴 𝘢𝘥𝘷𝘪𝘴𝘦𝘥.

🎧 Power of Place Episode 56 - Impertinent Impresario – Larry Reid

we never speak anymore

In the second of a two-part series, Larry Reid returns to explore the Pacific Northwest’s meteoric rise as a global cultural force. Reflecting on his leadership of the Center on Contemporary Art (CoCA) in the mid-1980s, Larry recounts how the region’s unique identity was forged in a crucible of creativity, rebellion, and unorthodox collaborations. His stories uncover the underground movements, bold choices, and iconic spaces he helped shape—elements that would ultimately define the Northwest’s cultural identity.

In this episode, Larry Reid shares insights from his transformative tenure at CoCA, where he curated groundbreaking events that fused the raw energy of Seattle’s punk scene with conceptual and experimental art. By uniting these forces, Larry created a dynamic exchange of ideas, elevating Seattle’s cultural profile to the global stage.

A watershed moment in this evolution came when Larry envisioned and orchestrated the legendary Big Black concert at the Georgetown Steam Plant. This seminal gathering brought together live music, performance art, film, poetry, and spoken word in a singular, electrifying experience. Larry takes us inside the industrial space at that moment, recounting how his bold curation captured the unfiltered spirit of the Northwest and cemented its status as a creative epicenter.

Throughout his career, Larry has bridged the worlds of independent and institutional art. From his trailblazing work at CoCA to his curatorial role at the Experience Music Project (now Museum of Pop Culture), he has consistently championed innovation. Now serving as curator and events coordinator at Fantagraphics Bookstore and Gallery, Larry continues to nurture emerging artists while staying true to the rebellious spirit that defined his roots.

“In the moment, you don't realize that the things you're involved with are going to have any kind of lasting impact. I never had the time to take a breath to even think about it because one thing led to the next and you just don't have time to sort of sit back and contemplate the impact you're having. You just move on to the next thing.” ~Larry Reid


 𝘛𝘩𝘦 𝘷𝘪𝘦𝘸𝘴 𝘦𝘹𝘱𝘳𝘦𝘴𝘴𝘦𝘥 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘱𝘰𝘥𝘤𝘢𝘴𝘵 𝘴𝘦𝘳𝘪𝘦𝘴 𝘢𝘳𝘦 𝘵𝘩𝘰𝘴𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘨𝘶𝘦𝘴𝘵𝘴 𝘢𝘯𝘥 𝘳𝘦𝘧𝘭𝘦𝘤𝘵 𝘵𝘩𝘦𝘪𝘳 𝘱𝘦𝘳𝘴𝘰𝘯𝘢𝘭 𝘭𝘪𝘷𝘦𝘥 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦𝘴. 𝘗𝘰𝘸𝘦𝘳 𝘰𝘧 𝘗𝘭𝘢𝘤𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘵𝘴 𝘰𝘳𝘢𝘭 𝘩𝘪𝘴𝘵𝘰𝘳𝘪𝘦𝘴 𝘸𝘪𝘵𝘩 𝘳𝘦𝘢𝘭 𝘱𝘦𝘰𝘱𝘭𝘦, 𝘢𝘯𝘥 𝘸𝘩𝘪𝘭𝘦 𝘴𝘰𝘮𝘦 𝘰𝘱𝘪𝘯𝘪𝘰𝘯𝘴 𝘮𝘢𝘺 𝘣𝘦 𝘤𝘰𝘯𝘵𝘳𝘰𝘷𝘦𝘳𝘴𝘪𝘢𝘭, 𝘵𝘩𝘦𝘺 𝘢𝘳𝘦 𝘴𝘩𝘢𝘳𝘦𝘥 𝘢𝘴 𝘢𝘶𝘵𝘩𝘦𝘯𝘵𝘪𝘤 𝘦𝘹𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯𝘴 𝘵𝘩𝘢𝘵 𝘩𝘰𝘯𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘮𝘱𝘭𝘦𝘹𝘪𝘵𝘺 𝘰𝘧 𝘱𝘭𝘢𝘤𝘦. 𝘊𝘰𝘯𝘷𝘦𝘳𝘴𝘢𝘵𝘪𝘰𝘯𝘴 𝘢𝘳𝘦 𝘦𝘥𝘪𝘵𝘦𝘥 𝘧𝘰𝘳 𝘭𝘦𝘯𝘨𝘵𝘩 𝘢𝘯𝘥 𝘤𝘭𝘢𝘳𝘪𝘵𝘺, 𝘣𝘶𝘵 𝘰𝘵𝘩𝘦𝘳𝘸𝘪𝘴𝘦 𝘳𝘦𝘮𝘢𝘪𝘯 𝘶𝘯𝘦𝘥𝘪𝘵𝘦𝘥 𝘵𝘰 𝘱𝘳𝘦𝘴𝘦𝘳𝘷𝘦 𝘤𝘰𝘯𝘵𝘦𝘹𝘵 𝘢𝘯𝘥 𝘴𝘶𝘣𝘴𝘵𝘢𝘯𝘤𝘦. 𝘓𝘪𝘴𝘵𝘦𝘯𝘦𝘳 𝘥𝘪𝘴𝘤𝘳𝘦𝘵𝘪𝘰𝘯 𝘪𝘴 𝘢𝘥𝘷𝘪𝘴𝘦𝘥.

🎧 Power of Place Episode 57 - Maestro of Mayhem - Larry Reid

From our latest ep Daily Quest this song talks about men and their inner, unsolvable struggle between Good and Evil

Daily Quest

Sorrow

01 - Fab and The Good Ones - Sorrow.mp3

Programa musical. 
Folk, pop, punk, rock, metal y más...
Un nuevo episodio cada miércoles.
Presentan: Julián Encinas y Tomás González Lezana (El Rubicón).

www.instagram.com/fabandthegoodonesband

www.facebook.com/fabandthegoodones

Straydawg90 
is the one of the many group's/projects/ fronted by singer song writer Bradley Dahlberg. This sound cloud spans over the last decade of recordings from Dahlberg. From the yuks a grunge rock band formed in mille-lacs county, To the drug driven melodies of Mescalyne67. One thing that remain's the same is the writer. Some of the tracks feature a Isle local drummer Charles Maag. Some feature Dahlberg on drums,  some song's being completely preformed by Bradley Edwin. 
so if you stumbled apon, or finally made your way here, thankyou for checking out Straydawg90. enjoy local homegrown Minnesota music

Tune in to Power of Place – Stories of the Pacific Northwest, an audio storybook hosted by Edward Krigsman honoring places that matter and the people who steward, protect or celebrate them.  

Whether you have just arrived or have spent a lifetime here, we hope you will find our podcast both entertaining and grounding.

Enjoy Power of Place podcast on Apple Podcasts, Spotify, and your other favorite podcast platforms.

To learn more about our podcast series including exploring photos from each episode, please visit ekreg.com/podcast

Associazione “MIKRORADIO”
—
L' associazione, pur essendo “in cantiere” come idea già da aprile 2020, è nata ufficialmente il 13/02/2021 (giornata mondiale della radio...) con la voglia di divertirsi, aggregarsi (covid permettendo…) tra i soci (che presteranno il loro apporto come volontariato) e per far “rinascere” il comune di Gonzaga (frazioni comprese) dopo le privazioni che i cittadini hanno dovuto subire a causa della pandemia in corso. L’idea è quella di rifarsi alle “RADIO LIBERE” nate a metà degli anni ’70, per trasmettere informazione, cultura e musica di qualità (anche con sonorità meno consuete di quelle che “passano” nelle radio tipicamente commerciali) e ciò SENZA SCOPO DI LUCRO e per proporre iniziative culturali, coinvolgendo altre associazioni e ha in generale, la finalità di:
-realizzare programmi radiofonici musicali e d’informazione (precisando che l’associazione è totalmente apartitica e non sarà quindi permesso agli speaker e ospiti, oltre ad utilizzare un linguaggio blasfemo o altamente scurrile, conversare di politica); sono disponibili apposite pagine Facebook, Twitter, Instagram e YouTube ed un sito internet (nel quale sarà possibile con un semplice “click” ascoltare le trasmissioni dal proprio pc fisso o portatile) dove sarà inserito il palinsesto settimanale della radio, oltre che news relative agli eventi musicali culturali comunali e dei dintorni e, contingenza fondamentale, una APP scaricabile sui propri smartphone/tablet/pc dai sistemi operativi IOS (per iPhone), Android (per Samsung ecc ecc) e Huawei e che permetterà agli utenti di ascoltare la nostra radio comodamente in ogni luogo (anche all’estero).
-diffondere la cultura radiofonica e musicale nel mondo giovanile e non, attraverso le nuove tecnologie digitali;
-ampliare la conoscenza della cultura musicale, letteraria ed artistica, attraverso contatti fra persone, enti ed associazioni (abbiamo già avviato i contatti con la cooperativa sociale di Gonzaga “IL PONTE”, onde coinvolgere i ragazzi con disabilità, in progetti radiofonici e feste, in collaborazione con la nostra emittente, dove i medesimi potranno, unitamente ai nostri volontari, erogare prodotti e sentirsi parte viva della manifestazione), dando spazio ai giovani artisti emergenti (i quali verranno invitati in sede, intervistati in diretta e potranno poi proporre in versione acustica alcuni dei loro brani, per i radioascoltatori);
-allargare gli orizzonti didattici, in campo musicale e radiofonico, di educatori ed operatori sociali ovvero di tutti gli interlocutori tramite le attività dell’associazione, anche proponendo, in collaborazione con “l’officina dell’immaginazione”, corsi per speaker radiofonici (con sconto per gli associati);
-proporsi come spazio di incontro e di aggregazione nel nome di interessi culturali, assolvendo alla funzione sociale di maturazione e crescita umana, etica e civile, attraverso l’ideale di cooperazione;
-determinare e promuovere la diffusione di opere musicali in accordo diretto o indiretto con gli autori, produttori, esecutori, interpreti;
-valorizzare la cultura e l’arte (in particolare modo locale) in ogni sua espressione, particolarmente quella legata alla musica, ai suoi autori, interpreti, esecutori e quindi alla sua divulgazione con tutti i mezzi messi a disposizione dalla tecnologia. Tutto ciò deve aver luogo in condizione di rispetto delle altrui libertà;
-rendersi interpreti delle necessità territoriali e strumento prezioso di mediazione e canale d’informazione indipendente tra Enti, Autorità e Cittadini;
-organizzare e/o patrocinare eventi culturali, spettacoli, concerti, fiere;
– gestire impianti pubblici e/o privati di qualsiasi genere (sportivi, teatri, sale convegni ecc.)
-avviare un piano di promozione del territorio e dei suoi prodotti, attività, aziende;
-partecipare a programmi e iniziative a carattere Comunitario, Nazionale, Regionale Provinciale e Comunale aventi attinenza con le attività sopra citate.

New tracks tagged #Mudhoney