While hiking in Los Dinamos, a National park located in the South of Mexico City, I realized that a bee kept following me. In the beginning, I found myself annoyed by her, but then I realized it was my instinct that made me annoyed. If I paid attention, I would realize that she was harmless; she was just minding her own business; she was fragile and beautiful. I was following her. Finally, she landed on a flower, and carefully, I started to record her. Reading about the life cycle of a queen bee and its larva, I wanted to create a piece that captures the fascinating journey of the selection process of a queen. I created my material by exploring all the different sounds from an accordion in addition to the creation of sounds using the analog synthesizer’s sequencer."

As part of the second annual 40.4 Festival, an audio-forward intermedia sonic summit, Abejas was premiered in the 40.4 multichannel system of the B2 Center for Media, Arts, and Performance at the University of Colorado Boulder.

Abejas, Third Order Ambisonics (binaural version)

Made for an 8-channel speaker system, this is a binaural render of the original. In "Flujos Inmóviles" I explore ideas of flow and immobility. Layers of sound slowly unfold to create different textures throughout the piece. These layers were made using different combinations of synthesizers, organic sounds, and algorithmic processing.

Flujos Inmóviles (Binaural Mix)

Following a grant from PRS Foundation's Women Make Music in order to create the 8-channel sound installation 'babblesnatch', Leona was awarded the Support Grant prize for its 2-channel version in The Karl Sczuka Prize 2023 for Works of Radio Art.  Selected from an open international call-out three awards are made annually for the best productions of radio art using musical material and structures in an acoustic performance.

The genesis of 'babblesnatch' happened during the Covid pandemic lockdown as Leona and her mentor composer/researcher Dr Caroline Wilkins had long-distance discussions about the rush on-line and the torrent of digital information forced to substitute for so much previously gained from live events and gatherings. Everyone virtually listened to and watched each other even more than previously, creating an overwhelming digital infostorm.  'babblesnatch' invites Listeners to use their imagination and consider what it might be like to experience the usually non-audible digital voices and moods continually enveloping us.

The 8-channel installation has been presented twice, premiering in Bridgwater, Somerset, and then moving to Newport, Gwent.

The text for the work was a performance script embedded in an earlier published academic paper by Caroline and adapted by Leona during lockdown to create the recording script. 

Voices: Caroline Wilkins and Leona Jones.
samples mix 5' 24" of 26' 16"

babblesnatch     (extract)

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"The Meeting of Immortals" represents an electroacoustic music endeavor that blends the principles of soundscape composition with electroacoustic music creation techniques. This work offers a novel reinterpretation of the traditional Beiguan fairy opera "Three Immortals " aiming to capture the essence of Beiguan opera in a non-traditional manner. While text and environmental sounds are recognized as vital materials in electroacoustic creation, the incorporation of multi-channel spatial audio technology enriches the sonic experience, adding a dynamic spatial dimension to electroacoustic compositions.

《仙上會議》結合聲景作曲與電聲音樂創作技術，以北管扮仙戲曲《三仙白》為文本基礎發展之電聲音樂作品，以多聲道概念呈現神仙視角的空間聆聽。為雙耳聆聽版本，建議戴耳機聆聽，但請勿調太高音量以保護耳朵聽力功能，並請勿長時間的聆聽。

本專輯獲C-Lab臺灣聲響實驗室支持
This project is supported by C-Lab Taiwan Sound Lab.

特別感謝各單位授權使用聲音素材：
臺灣聲景地圖吳燦政先生
彰化梨春園北管樂團
彰化鳳儀園北管樂團
彰化南北戲曲館丙班
北管指導老師楊茂基先生
上ㄨ工北管同樂會
北管藝師陳瑾毓老師
北管藝師曾立馨小姐

仙上會議＿Meeting of Immortals

Leona works with words, her own and found recordings, and utilises spaces both personal and public  &#13;
Definitions are questioned &#13;
Unnoticed boundaries highlighted and crossed&#13;
Repetitions and assumptions becoming jumping off points&#13;
Allowing trajectories away from print and page into installation / audio / digital / performance and visual arts&#13;
Practice and theory meld(mould)ing space physicality locationcontext to fire words with new meaning&#13;
Fluidity not fixing&#13;
It's all about happening&#13;
It’s all about WordsSoundsSpaces&#13;


🎶 I am a music creator from Taiwan, specializing in blending electronic music with traditional sounds.
My piece “Meeting of the Immortals” is a multichannel composition that invites you to experience the unique fusion of Taiwanese traditional music and electroacoustic soundscapes.

New tracks tagged #Multi-Channel