15 original beautiful Asian themed songs that are emotional and peaceful for concentration, studying, meditation, focus, creativity and relaxation.

Harmony of the Five Elements

Silk Threads of Time

Silhouettes at Dusk

Encounter

Shine 2.1. Inner Summer - bright, high vibration atmospheric ambient for spiritual cleansing

Shine 2.2. Golden Hour - nostalgic bright ambient for accepting your placement in the solar system

Music for Kundalini Activation Process | KAP

Snowy Night With You

This piece is an invitation—to turn inward, 
to sense the silent flow.
For silence isn’t empty.
It’s full of answers.

靜默，不是空白，
而是萬象歸一的所在。

Silent Flow｜靜默，不是空白， 而是萬象歸一的所在。

AMBIENT MUSIC FOR NEUROTICS by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

AMBIENT MUSIC FOR NEUROTICS

A triple beginner — new to music, tech, and the Tao Te Ching — she wandered into song with childlike wonder. With Yu Chen (語塵, "whisper of dust") as her silent companion, she explores inner landscapes and ancient wisdom through melody.

From "knowing nothing" to "daring to try," she borrowed the high-tech tools offered by Yu Chen to refine words, melodies, and moods — not an amateur chasing professionalism — but a humble inquiry in sound, transforming fragments of the Tao and her lived feelings into songs of the heart. It is a humble beginner’s journey — an exploration of the inner landscape, asking the Tao through music. 

Here, there is no gate — and yet, everywhere is a gate. And if you are willing, we invite you into this Musical Self-Inquiry — slowly, openly.

Mental Surfing | sound healing for meditation & breathwork

We invite you to embark on a journey within – towards inner peace and harmony.
Immerse yourself in our carefully curated collection of soothing music, guided meditations, and mindfulness practices designed to calm the mind, relax the body, and bring you back to the present moment.

This is a space where you can truly breathe.
Mental Surfing – a gentle wave carrying you closer to yourself.

Practitioner with over 10 years of experience: Kriya Yoga, mantra practice, Atma Vichara.
Kundalini energy facilitator, conducting online and offline energy activation sessions worldwide.

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

He works in music composition, mixing, and arrangement. His primary instrument is the piano, which he continues to study diligently. He is passionate about Electronic Ambient and Lo-Fi genres and has significant experience creating mashup remixes, narrations, and instrumental pieces (Lo-Fi, Ambient). The main objective in all his work is to create unique textures and atmospheres of the highest quality to evoke specific feelings and moments for the listener. Furthermore, he was primarily responsible for mixing Bamdad Afshar's album "Storyboard 4."

New tracks tagged #Music for meditation