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👁️ The Return of a Voice You Know... But Never Heard Like This
From the shadows of the algorithm comes something unreal — a track crafted by code, but spitting with the fire of a legend. It’s not Eminem… but it feels like he never left.

🔥 Ferocious flow. Dark beats. Bars so sharp they glitch the matrix.
🤖 This is AI rap — where the machine meets the mic.

You’ve never heard AI do this.
If you’re into high-level lyricism, eerie accuracy, and next-gen hip-hop experiments, press play and get lost in the simulation.

💀 Slim Shady vibes. Future-born. Unfiltered.

🎧 Genre: Experimental Rap / AI Hip-Hop / Digital Underground
🔁 Repost if it blew your mind
💬 Drop a comment if it gave you chills

#AIMusic #EminemVibes #SyntheticShady #RapGodReloaded #DarkFlow #DeepfakeRap #UndergroundAI

eat em up _[EMINEM]

The Interview Series is back! With all new Music Technology 2 students, check out these awesome musicians and their stories! 

Episode 6: Connor W.

uh Yeah

The club is mine

everyone

Trancending

We sat down with Maj, Marketing Manager at Shure, to talk about the legacy and innovation behind one of the most iconic microphones in audio history — the SM7B. From Michael Jackson recording Thriller to modern podcasters and The Weeknd’s vocal chain, this mic’s journey is wild.

Links:
Follow Boy Maj: https://linktr.ee/boymaj?fbclid=PAZXh0bgNhZW0CMTEAAafH5idBx2plutYrgSsUYRVijqffWdQwZ7qes3e-MysA3w8yFiZ32dD_MMjHZw_aem_v1O_cz5-kPKsnfyG9TMnsQ
Follow Poducer: https://linktr.ee/poducerpodcast

Working for Shure l The Microphone Everyone Uses (And Why)

Nick Rothwell is joined by Jeff Albert, Associate Professor at Georgia Tech, and Paul McCabe, Senior Vice President of Research and Innovation at Roland, to discuss the 2025 Guthman Musical Instrument Competition - an annual event showcasing new technologies and innovations in music.

Chapters
00:00 - Introduction
01:10 - Jeff Albert And Georgia Tech
05:02 - Paul McCabe And Roland's Future Design Lab
10:17 - Judging The Guthman Competition
12:06 - Getting Hands-On With The Instruments
13:45 - Getting The Back Stories From The Creators
15:11 - A Wide Range Of Instruments And Technologies
17:37 - Face-To-Face Demos And Performances
18:45 - The Origins Of The Guthman Competition
21:33 - The 2025 Winner: Chromaplane
24:55 - 3rd Place: Adult Corythosaurus
30:34 - How The Instruments Are Judged

https://www.soundonsound.com/people/guthman-competition-winners-2025-sos-podcast

The Guthman Musical Instrument Competition
The Guthman Musical Instrument Competition began in 1996, founded by Georgia Tech alumnus Richard Guthman in tribute to his wife Margaret, a talented pianist. Originally a jazz piano contest, it grew steadily over a decade, drawing students from dozens of US states.
As Georgia Tech's music landscape evolved, introducing a Music Technology Master’s in 2006 and launching the Georgia Tech Center for Music Technology in 2007, the competition shifted focus. In 2009, it was re-imagined as the Guthman Musical Instrument Competition, celebrating innovation in musical instrument design. Now an international event, it attracts inventors from across the globe. From experimental prototypes to market-ready products, entrants showcase their creations live, competing for recognition as the most groundbreaking idea in music technology.
https://guthman.gatech.edu/

Jeff Albert Biog
An Associate Professor and Interim Chair at Georgia Tech, Jeff Albert’s areas of research and creative practice include improvisation and interaction, jazz performance, performance paradigms for live computer music and audio production. He has performed in concerts and festivals in the U.S and throughout Europe, and contributed as a performer, producer, or engineer on over 60 recordings, including the 2017 Grammy winner for Best Traditional Blues Album. He has been named a Rising Star in the DownBeat Critics Poll and his album Unanimous Sources was named a Top 10 album of 2020 by Jan Garelick in the Boston Globe. Albert received his B.M. from Loyola University New Orleans, and his M.M. from the University of New Orleans. In May of 2013, he became the first graduate of the PhD program in Experimental Music and Digital Media at Louisiana State University, where he was a founding member of the Laptop Orchestra of Louisiana (LOLs).
https://jeffalbert.com/

Paul McCabe Biog
Paul McCabe is the Senior Vice President of Research and Innovation at Roland, where he has spearheaded the development of the Future Design Labs. Under his leadership, this global R&D team of engineers and researchers has been dedicated to exploring and harnessing emerging trends, fostering innovation, and shaping the global creative landscape for the next 50 years. In addition to his work at Future Design Labs, Paul also brings his expertise to Roland's Central Marketing Group, where he provides executive leadership to Consumer Research and Insights. Throughout his career, Paul has held numerous leadership positions, including VP of R&D and Strategic Partnerships, VP of Global CX and VP of Global Marketing. At Roland Canada, he served in various key roles such as President & CEO, COO, Product Manager, Marketing Communications Manager, Technical Marketing and Product Specialist.
https://mccabepaulj.com/
https://www.instagram.com/mccabep/

Nick Rothwell Biog
Full biog at https://www.soundonsound.com/people/guthman-competition-winners-2025-sos-podcast
Project Cassiel - https://cassiel.com

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Electronic Music

Guthman Competition Winners 2025

Show Notes

Guthman Competition Winners 2025 | Podcast

Written, produced, and performed by Luke Carter (AKA Sammi Dae)  
Master (100%) Luke Carter, Master (100%). Pub. Sentric Music Publishing Ltd
Vocals by Devyn Cross and Chrohm (AI artists created by Luke Carter)  

Original Composition: © 2020 Luke Carter (Sammi Dae)
Original ISRC (2020): UKVGE1900210
New Sound Recording: ℗ 2025 DGG Productions Ltd 
New ISRC (2025): UKVGE2000294

Luke Carter (DGG Productions). Email: luke@dgfproductions.com. Phone: +44 7821 189857. Publishing & Master: 100% Controlled by DGG Productions

Artist: Sammi Dae feat. Devyn Cross & Chrohm
Produced by: Luke Carter (Sammi Dae)
Written by: Luke Carter (Sammi Dae)
Performed by: Sammi Dae using AI vocals of Devyn Cross and Chrohm
Label: DGG Productions Ltd
Genre: Retro Funk / Soul-Infused Groove / Hip-hop / Swagger rap AI Vocal Crossover
Key: G Minor | Tempo: 112 BPM

💨 Swagger, rhythm, and a little smoke.
“Grandad Smoking A Pipe (Retro Smoke)” takes the original concept and spins it into a high-energy, retro-funk celebration dripping with attitude. At 112 BPM, this track slides effortlessly between tight rhythmic R&B hooks and rap-style verses, wrapped in the cinematic swagger of vintage brass, deep basslines, and head-nod grooves. It’s playful, bold, and full of personality—a modern homage to soul-funk classics with a future-forward twist.

At the heart of this version are Devyn Cross and Chrohm—two AI vocalists from DGG Productions’ pioneering roster of digital performers. Created to carry the music Luke Carter (aka Sammi Dae) has written, produced, and originally performed, these voices bring bold individuality and flair to the mix. In an industry obsessed with image and youth, Luke redefined the stage:
“I’m in my late 50s, still writing and producing with passion, but I’m not who the industry puts on stage anymore. So I built performers that never age.”

With Retro Smoke, that mission takes centre stage—bridging authentic live instrumentation with cutting-edge AI artistry. It’s a collision of old-school funk grooves and modern digital performance, proving that technology and soul can groove together in perfect harmony.

🎧 For fans of: Anderson .Paak • Silk Sonic • Bruno Mars • Childish Gambino • Chromeo
🖤 Mood: Playful, Retro-Cool, Swagger-Heavy

✨ AI Meets Funk: This track is part of the Grandad Smoking A Pipe series—a bold reimagining of classic grooves through multiple AI artists like Devyn Cross, Chrohm, Piper, and Thea. Every version explores a new mood, genre, and interpretation, building a world where human creativity and AI expression dance together.

Grandad Smoking A Pipe (Retro Smoke)

2️⃣ Late 1980s: Synth-pop everywhere. Madonna Like a Virgin & Eurythmics Sweet Dreams shaped by synths and MIDI.

Belly of the Beast

230,000+ Royalty-Free Tracks. Unlimited Downloads. One Low Price.

I’m AImpossible 🎧 Just a passionate music creator doing it for the love of sound ❤️
No fancy gear 💻, no pro DJ tricks just my imagination and some AI magic 🤖✨
Pure fun, pure vibes. 

Let’s get lost in the music together 🎶🚀

The Podcast for Producers



Watch on YouTube:
https://www.youtube.com/channel/UCijzViDaoVljjDXyEPTIwyQ?sub_confirmation=1

Art by: www.henryfeldman.com

<b>SOUND ON SOUND is the world's premier music recording technology magazine</b> - available in 5 formats: Paper, Web Sub, Replica, Full Issue PDF download or Tablet/Mobile apps. Based in Cambridge, England; independently-owned and continually published since 1985).&#13;
&#13;
Every month our UK and USA editions deliver consistently more pages than any competing title, packed full of in-depth product tests of Recording Systems, Music Software, DAWs, Virtual Instruments, Plug-ins, Synthesizers, Keyboards & Rack Modules, Music Computers, Samplers, Audio Interfaces/Soundcards, Mixing Consoles, Effects & Signal Processors — and not forgetting studio essentials like Microphones and Monitors.&#13;
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Plus the best Musician/Mix Engineer/Record Producer interviews you'll read anywhere. &#13;
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Our regular DAW techniques and practical 'how to' Tutorials offer no-nonsense advice for beginners and professionals alike, helping our global readership gain the most from their studio equipment.

For Sync and music licensing, contact Luke Carter at DGG Productions; luke@dggproductions.com (+44 7821 189857) 

Sammi Dae is the creative alias of Luke Carter, a UK-based songwriter, producer, and multi-instrumentalist who is rewriting the rulebook on music creation, performance, and presentation in the digital age.

At a time when the music industry is hyper-focused on youth, visuals, and algorithms, Carter—now in his 50s—is innovating from a place of deep experience and enduring passion. Every track released under the Sammi Dae name is wholly written, produced, and performed by Luke himself, then fronted by one of 13 custom-built AI vocalists. These AI artists are genre-specific digital personas—from the soulful to the cinematic, from dancefloor-ready to deeply emotional—each developed by Carter to give voice to songs that are entirely human in origin.

New tracks tagged #MusicTech