Les oiseaux se cachent pour chanter

EHFM Pride: Faye - 21.06.25

The prompt was to choose a sentence which described your musical practice, record yourself saying the sentence and use it as your only sound source.

I recently acquired a SOMA Cosmos drifting memory station, which acts as a type of looper. The left and right channels contain discreet loops which fall out of sync, drift and blur together. The unit also includes a granular mode and something SOMA calls a giant reverb. 

When I read the prompt, I immediately remembered an online convo I had with someone last year where they humorously described their own practice. While funny, it also fairly described one that I use quite often.

So for this piece, I recorded it in the three following parts, each into the Cosmos and on to the DAW: 

F'd Around
Until I Heard
Something I Liked

(FAUIHSIL) 🙂

Once there, I added some reverb, eq and compression. I hope you like the result.

FAUIHSIL_disquiet0707

An eye-to-text-to-heart-to-non-eye-to-non-text-to-still-heart series.

https://www.instagram.com/dpg8000/

GORTYNIA PATRIA 003 w/ DPG8000 (22.07.25)

SINGLES 4

Behind The White Chalk (Live)

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The Focus Group: Pan Calling
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Meitei: Ike

pink waste w. seawood young - August 2025

0x134FFED

Gesang der Jünglinge (literally "Song of the Youths") is an electronic music Karlheinz Stockhausen. It was realized in 1955–56 at the Westdeutscher Rundfunk studio in Cologne and is Work Number 8 in the composer's catalog. The vocal parts were supplied by 12-year-old Josef Protschka. It is exactly 13 minutes, 14 seconds long.
The work, normally described as "the first masterpiece of electronic music" and "an opus, in the most emphatic sense of the term", is significant in that it seamlessly integrates electronic sounds with the human voice by means of matching voice resonances pitch and creating sounds of phonemes electronically. In this way, for the first time ever it successfully brought together the two opposing worlds of the purely electronically generated German elektronische Musik and the French musique concrète, which transforms recordings of acoustical events. Gesang der Jünglinge is also noted for its early use of spatiality; it was originally in five-channel sound, which was later reduced to just four channels (mixed to monaural and later to stereo for commercial recording release).

Karlheinz Stockhausen - Gesang Der Jünglinge

made this in a park a few months ago. had the mic on was whistling and fucking with samples in fl studio and on my computer and recording all my computer audio in audacity.

Janitor

scarecrow

(っ◔◡◔)っ ♥ Edinburgh community radio ♥

𝓵𝓲𝓼𝓽𝓮𝓷 𝓵𝓲𝓿𝓮: www.ehfm.live
𝓰𝓮𝓷𝓮𝓻𝓪𝓵 𝓮𝓷𝓺𝓾𝓲𝓻𝓲𝓮𝓼: hello@ehfm.live


The Implicit Order is not involved in any wave, stream, genre, or scene. 
CUT IT UP CUT IT IN

Sound artist. Experimental, Electro-Acoustic, Field Recording, Musique Concrète and Noise. 

Learn more here: https://stevenraysound.com

feng shue

basket weaver

omen observer

scribe

tapestries

patterns

within

throughout

its written and being written and translated and retold then established as truth then established as fiction then  repurposed.

its said and unsaid.

warmth

the ground is always there
the way
the weight 
the wait

the way, the path, the journey, forward.

the weight, is carried. wisdom and wounds, the baggage but also the tools you bring. 

the wait, till the end of life, the present, the beauty of transience. it passes. it always is.

the ground is always there. the destination is the journey is the destination. take detours to see a creek. the path remains. 

safe travels.





Fade Radio is an independent platform that experiments with diverse music approaches expressed through DJ sets, live performances, podcasts, and art-related projects. Aiming to build a community-oriented network, it operates as a core that aspires to support independent artists and creatives.

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New tracks tagged #MusiqueConcrete