This is the first part of the fourteenth piece in a series of Concrete Music pieces. The sounds come from pots and wooden bricks. The music is generative. The source-code can be found at github.com/danielstahl/concrete-music-14.

Dots and Strokes Part 1

Credits:

Ángel L. Martínez: found percussion, effects

More on the 700th weekly Disquiet Junto project, View Frame — The Assignment: Share a peek out your window and some sounds inspired by the view — at https://disquiet.com/0700/

Permissions granted with attribution.

Diary of a Tomato (disquiet0700)

Les oiseaux se cachent pour chanter

EHFM Pride: Faye - 21.06.25

The prompt was to choose a sentence which described your musical practice, record yourself saying the sentence and use it as your only sound source.

I recently acquired a SOMA Cosmos drifting memory station, which acts as a type of looper. The left and right channels contain discreet loops which fall out of sync, drift and blur together. The unit also includes a granular mode and something SOMA calls a giant reverb. 

When I read the prompt, I immediately remembered an online convo I had with someone last year where they humorously described their own practice. While funny, it also fairly described one that I use quite often.

So for this piece, I recorded it in the three following parts, each into the Cosmos and on to the DAW: 

F'd Around
Until I Heard
Something I Liked

(FAUIHSIL) 🙂

Once there, I added some reverb, eq and compression. I hope you like the result.

FAUIHSIL_disquiet0707

SINGLES 4

Behind The White Chalk (Live)

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The Focus Group: Pan Calling
Mira Calix: Le Jardin De Barbican
Andrew Pekler: Hy Brasil
HTRK: Feels Like Love
Subsided: Green
Björk: Hyper - Ballad
Aphex Twin: Xtal
Photek: Smoke Rings
Source Direct: The Cult
Alva Noto: Prototype 02
Meitei: Ike

pink waste w. seawood young - August 2025

0x134FFED

Gesang der Jünglinge (literally "Song of the Youths") is an electronic music Karlheinz Stockhausen. It was realized in 1955–56 at the Westdeutscher Rundfunk studio in Cologne and is Work Number 8 in the composer's catalog. The vocal parts were supplied by 12-year-old Josef Protschka. It is exactly 13 minutes, 14 seconds long.
The work, normally described as "the first masterpiece of electronic music" and "an opus, in the most emphatic sense of the term", is significant in that it seamlessly integrates electronic sounds with the human voice by means of matching voice resonances pitch and creating sounds of phonemes electronically. In this way, for the first time ever it successfully brought together the two opposing worlds of the purely electronically generated German elektronische Musik and the French musique concrète, which transforms recordings of acoustical events. Gesang der Jünglinge is also noted for its early use of spatiality; it was originally in five-channel sound, which was later reduced to just four channels (mixed to monaural and later to stereo for commercial recording release).

Karlheinz Stockhausen - Gesang Der Jünglinge

made this in a park a few months ago. had the mic on was whistling and fucking with samples in fl studio and on my computer and recording all my computer audio in audacity.

Janitor

(っ◔◡◔)っ ♥ Edinburgh community radio ♥

𝓵𝓲𝓼𝓽𝓮𝓷 𝓵𝓲𝓿𝓮: www.ehfm.live
𝓰𝓮𝓷𝓮𝓻𝓪𝓵 𝓮𝓷𝓺𝓾𝓲𝓻𝓲𝓮𝓼: hello@ehfm.live


The Implicit Order is not involved in any wave, stream, genre, or scene. 
CUT IT UP CUT IT IN

Sound artist. Experimental, Electro-Acoustic, Field Recording, Musique Concrète and Noise. 

Learn more here: https://stevenraysound.com

Soundmining makes dark, generative ambient music. It is based both on pure electronic sounds and on recorded natural sounds.

He is a Swedish composer named Daniel Ståhl. Born in Stockholm, Sweden 1967 and is currently based in Stockholm. Studied composition at the Royal College of Music in Stockholm between 1992 and 1995.

feng shue

basket weaver

omen observer

scribe

tapestries

patterns

within

throughout

its written and being written and translated and retold then established as truth then established as fiction then  repurposed.

its said and unsaid.

warmth

the ground is always there
the way
the weight 
the wait

the way, the path, the journey, forward.

the weight, is carried. wisdom and wounds, the baggage but also the tools you bring. 

the wait, till the end of life, the present, the beauty of transience. it passes. it always is.

the ground is always there. the destination is the journey is the destination. take detours to see a creek. the path remains. 

safe travels.





I am a poet & musician. Here, you can find solo pieces (poetry) and works by Spirit Turnpike. I play with mixes of voice, basses, guitar, samples, field recordings, and electronic music. 



I have been named New York State Beat Poet Laureate (2024-2026) by the National Beat Poetry Foundation.

I deeply appreciate the collaborations I have encountered across different platforms, as building music together is liberation.

Collaborations: New Haven Improvisers Collective, The Arawax, Global Nuisance,  Salon Du Monde Fremont (internet TV), Disquiet Junto, Marco Lucchi (Orchestra Eclettica e Sincretista). 

Publications: 

Website of The Bread is Rising Poetry Collective
www.thebreadisrising.org

Musical Leadership, a blog on music & arts: almartinez.substack.com

Newcastle --> 🌍
24/7 community radio 👽
Live from The Lubber Fiend 📡

Slack’s is completely ad-free & independent.
We rely solely on donations!
Please consider becoming a Slack’s Supporter.
www.slacks.world/support

New tracks tagged #MusiqueConcrete