Birds of Paradise & Prey is the next peaceful piano instalment, leading up to her upcoming debut album "Leo Rising". Out now: https://idol-io.ffm.to/birdsofparadiseprey

Helen Glavin’s signature style blends emotive piano melodies with a timeless, folk-inspired warmth — perfect for calming the mind and soothing the soul.

Helen Glavin - Birds of Paradise & Prey

Passage

Cause and Effect (Acoustic)

The title, "Fluire," which translates from Italian to "flow" or "stream," 
"In the hustle and bustle of the modern world, we so often lack moments of silence. I wrote 'Fluire' to create such a space—a place where you can simply be, breathe, and feel your worries drift away.

Ricordi

Fluire

Swimming In The Early Hours

Swimming In the Early Hours

Mare Island is an avant-garde ritual of memory, corrosion, and endless watch.
Recorded with the Strandberg NX-8, 12-string acoustic, electric bass, Moog Mother-32, glockenspiel, voice, and world percussion, it channels the desolation of decommissioned shipyards and the eternal labor of dry-dock silence.

Built on fractured rhythms and improvised vocal invocations, the piece explores collapse as form and presence as vibration — a reflection of both Mediterranean futurism and submarine exile.

Recorded at the Fish Ghetto Recording Research Laboratory, Orlando, Florida.
Part of the HY-80 continuum: pressure, decay, and sacred dissonance

Mare Island

Sunset Traveler

Original composition Neno j., september 2025.
Nylon electro-acoustic guitar Cordoba Studio GK, recorded directly using multi midi interface Behringer UMC204HD

Hypnotic waltz (For two + guitars)

Arranging an early Bach piece, like BWV 106 "In Gottes Zeit," can feel like a sacrilege. The original is just too perfect. Well. Obviously, there is no original recording from 1707, when JS Bach composed at the age of 22. But there is the score. And in the score is the chord progression together with the rhythm and the melody on top. JS Bach wrote it as funeral music. Funeral music. That is when you take somebody to the final rest, the “big sleep.” And there is the “little sleep,” and the music then is called a lullaby. Rest for 10-12 hours until the next sunny morning. This chord progression also works on your little ones. Why is THIS chord progression so close to existential matters? Beginning or end. Short answer: it has “dignity.”

This is an open-source MIDI arrangement for piano. I ran it through the standard piano sample of MuseScore. Then I fed the resulting audio into Suno and prompted it to add some modern rhythmic enhancements. Give yourself and your existential matters a little rest while listening to this music.

For JS Bach back in 1707, everything was embedded and explained in the Christian context. We don't have that luxury anymore. Most of the people I meet lost the connection between belief, music, and their own dignity. Unthinkable for JS Bach.

Sleep for the Sleepless

Get ready to embark on a beautiful sonic journey with Hygar's new release, "Did anyone say home again?" This neo-classical track is built on a foundation of a beautiful felt piano, creating an intimate and warm atmosphere from the very first note. As the piece unfolds, it evolves into a dreamy soundscape, with lush strings joining in to complement the piano and carry you away. It’s the perfect soundtrack for moments of quiet reflection and daydreaming. "Did anyone say home again?" is a transportive and emotional piece that feels like a gentle return to a place of comfort and peace.

Did anyone say home again? - Hygar (Preview)

Guitarist, multi-genre composer, keyboard & bass player (mostly self-taught). Music librarian and philosopher.
Music is new dimension of life.
“That is an artist as I love artists, modest in his needs: he really wants only two things, his bread and his art - panem et Circen.”
― Friedrich Nietzsche, Twilight of the Idols

I am an abstract artist who loves to peacefully entertain people.  Since I'm singing more; A2-A6 (108hz-1800hz)

Alfred Dobisch is a multimedia artist from Hamburg, Germany. He employs artificial intelligence systems, studio effects, and hybrid men-machine techniques throughout every stage of his creative process. His songs are often simple. But sometimes they become multidimensional works with many layers of meaning.  His tracks are accompanied by his personal artwork and videos. His musical style is influenced by a multitude of musical genres from all epochs and musical traditions. He frequently uses surreal effects and juxtapositions. You can find both his artist blog and newsletter at www.foolishambition.eu. To get an overview of all his releases, visit his official YouTube artist channel under: https://www.youtube.com/@FoolishAmbition-ais.

Vibrational Monism

 All phenomena arise from a single, continuous vibration… structured through binary events (on/off, presence/absence) across time…This vibration is perceived contextually as music, matter, or memory, depending on its frequency, duration, and relational pattern….

Everything exists as modulation within one underlying pulse….

Joseph Shippee composes across avant-garde classical and aleatoric metal. His doctrine is rule-bound chance over a fixed pressure grid: one chain kept bone-dry; silence treated as structure. Using 8-string guitar, frame/hand percussion, and analog synthesis, he builds works that move between density and void, structure and decay. All pieces are developed at the Fish Ghetto Recording Research Laboratory—his hybrid ceremonial studio—within a Modern Mediterranean Post-Industrial Futurist aesthetic: stone, rust, and sea light rendered as tone. Rooted in Vibrational Monism (B♯), the music treats sound as a single continuum shaped by events of presence and absence—ritual mechanics and controlled collapse defining the form.

Home of Chill Music - Finely crafted lo-fi entangled with neoclassic moods.

New tracks tagged #NEO CLASSICAL