SOFT GUNGE RECORDS PRESENTS....Jonny Orange Juice's latest band, NEGATIVE OUTLOOK. 

Jonny Orange Juice (aka JO J), better known for playing bass in The Milk Shakey Shakies and originally from Washington DC, started out as a falafel vendor in the early eighties DC hardcore punk scene. He met The Milk Shakey Shakies in 1993 during their infamous US tour after original bassist Julie Oat Milk injured her hand in a vending machine accident. 

He filled in for Oat Milk for the last two shows before emigrating to the UK to continue making music with The Milk Shakey Shakies. 

Following many years of success with The Milk Shakey Shakies, culminating in the hugely successful Ravi Gunslinger collaboration, "Discgraced Department Heads", JO J has decided to go back to his early hardcore roots.

This self-titled EP explores JO J's fascination with nausea and trucks. "I've always had a deep interest in nausea, even as a child" quips JO J. He continued, "I've meticulously recorded each time I've experienced nausea since 1993 in an excel spreadsheet, and I've recently been thinking about moving this data to a cloud based solution".

Negative Outlook - S/T
	1. Negative Outlook
	2. Nausea
	3. Ass Gass
	4. Trucks (I Love Trucks)
	5. Nausea, Spilling Through My Veins 
	6. Ad Nauseam 

Vocals - J OJ
Guitar - Wolfgang Shwartzer
Bass - Yolande Newton-Smith 
Drums - Spread Sheet

Recorded, mixed and mastered by Ravi Gunslinger at the Gunge Dungeon.

J O-Juice is available for podcasts. Please feel free to send enquiries.

Nausea, Spilling Through My Veins

Negative Outlook

Trucks (I Love Trucks)

Nausea

Ad Nauseam

Ass Gass

Made this for a uni project! Wait 'til you see the video!

Into monologue by the lovely Diana Sperling
Go follow her! @spatzdidi on insta

Lyrics:
Throw up your pots and turn on the heat (oh yea) 
Cuz I know a dish and it don't need meat (oh no) 
Let the milk boil, set the noodles in it's broth (aahh) 
Serve it in a bowl and spit up your froth

Milk Soup!

My bread's got mold, my eggs gone bad (oh no)
Nothing in my cupboards making me real sad (oh no)
Oh, dairy saviour with pasta dreams (come here)
It's good enough for the Russians, it's good enough for me

Oh, what a treat inside my bowl (oh yea)
Brightens up the day, sweetens up my soul (oh yea)
It's cream and carbs, put it into one (such fun)
Quick through my guts, I think I got the runs

Milk Soup demo

VII ship in the sky

This song made me feel physically sick

The Drone is human 
And remember, so are you
Talk to each other

For percussion & feedback

"Talk to Each Other" is a collaborative work for percussion and feedback, created by myself and Michael Calamas. The piece explores the interaction of two parallel feedback systems operating on distinct but interconnected levels—one acoustic and one conceptual.

At the core of the piece are two literal feedback loops. The first is a traditional electronic feedback loop formed between a microphone and a speaker. The second runs through a snare drum: a transducer is placed atop the drumhead, with a microphone positioned beneath. While the electronic loop functions uninterrupted, the acoustic loop is in a constant state of disruption—shaped by the percussionist’s playing, which agitates the drum and alters the resonant space within the loop.

On a metaphorical level, the work creates a feedback loop of decision-making and response. Each sound produced by the performer is fed back into the system, transformed, and reintroduced into the acoustic environment. This evolving sonic landscape, in turn, influences the performer’s next choices. The result is a recursive process—an ongoing conversation between the performer and the system, between intention and reaction.

Talk To Each Other

(Unfinished demo didn't know what to do with it)

I wanna watch you all night
before the sun can reach your eyes
miss the stars in the sky

I wanna be there when you're gone
I wanna be there when you're gone
I wanna be there when you're gone
I wanna be there when you're gone

Waste my fucking time 
Inside the bedroom
Mark me deep inside
until I love you
Sun-kissed suicide
I'm gonna kill you

baby I just gotta know 
why you gotta hurt me so

Next summer I'm killing myself
Got no reason, and got no health
suicides my only wish
drop dead and make it quick

You know I want you
You know I need you
Yeah I can't let you go

You know I want you
You know I need you
Yeah I can't let you go

Waste my fucking time 
Inside the bedroom
Mark me deep inside
until I love you
Sun-kissed suicide
I'm gonna kill you

baby I just gotta know 
why you gotta hurt me so

Waste my fucking time 
Inside the bedroom
Mark me deep inside
until I love you
Sun-kissed suicide
I'm gonna kill you

baby I just gotta know 
why you gotta hurt me so

You know I want you
You know I need you
Yeah I can't let you go

You know I want you
You know I need you
Yeah I can't let you go

Sunkissed

Pathetic

Shit should stay Unknown (also don't take mixing advice from distorted 808s friend)

Unknown

On the second track the rabbits realize they need to delete man's brain code to find eternal peace. 

Man braincode removal

auch wenns einige Minuten dauert - Freestyle is eben Freestyle - passt schon ;) bis auf das cliping iwo - wich geht wag - ansonsten - genau mein Ding :) freu mich

000618_0333_Exit_D_M_A-Freifahrtsschein

/drum::synth::live::performance::dawless
/Ambient::Industrial Techno::Experimental Techno::Electronic
Generation-x snapping current moods
Everytime looking for jamlovers and collegues 

clouding live records and old djsets / Dj alias :::Unlock::Ohrunkopp:::


https://www.instagram.com/tamo_para_noize?igsh=aXhzdzl5dmw0Yjdr&utm_source=qr

93
Welcome

I make music about the Thelemic path, and other life experiences.

Best enjoyed in a quiet, dark room with your eyes closed, for maximum absorption. 

Electronic noise and metal influences with occult themes.

I mostly use koala and spire on my phone with garage band on my computer as an occasional recorder for guitars, bass and synthesizers. Sometimes I’ll play around with SunVox and LSDJ. Now I have some Pocket Operators, and a KORG Monotron Delay to add to the mix.

An eclectic, post-industrial amalgamation of all of my favorite musical influences and genres. I enjoy making layers of textures, using found sounds from life. I'll often make a beat, just to completely destroy it again later in the song.

Jaakukaba has been replaced by NIHIL OBSTAT as of 2024, because everyone needs a new start sometimes

93/93

Nothing really much to tell. Just someone "average" that made a Soundcloud account.

I make songs.

https://ravigunslinger.bandcamp.com/

msg me: ravigunslinger@gmail.com

New tracks tagged #NOISEY