I Swear — originally written by Gary Baker and Frank J. Myers, first performed by John Michael Montgomery — reimagined here as a slow orchestral cover. 

This version honors the country ballad’s sincerity, preserving the vow‑like devotion without the rush of later R&B interpretations. 

A Composer’s Archive interpretation, shimmer‑tagged into place for open collaboration.

Made in Dorico — no DAW used.


I Swear

Say Something — originally written by Ian Axel, Chad King, and Mike Campbell, first performed by A Great Big World and later made famous in duet with Christina Aguilera. 

This version carries a personal history: during a difficult chapter in my life, the song seemed to echo constantly from the radio. I first arranged it as arpeggio guitar TAB, later transcribed it into piano in MuseScore, and finally rewrote it in Dorico into the orchestral piano version heard here.

 A Composer’s Archive interpretation, preserving both the echo of memory and the thunder of its fame.

This piece is close to me and carries personal history. Collaboration is possible, but the original form remains preserved.”

Made in Dorico — no DAW used.


Say Something

A Full Circle — an original orchestral ambient composition from the Composer’s Archive. 

A single violin melody repeats throughout, transformed by shifting octaves and harmonic colors. 
Beginning with harp and high piano shimmer notes, the piece grows into layered orchestration before returning to its fragile opening, completing the cycle. 

A meditation on return, closure, and transformation.

Made in Dorico — no DAW used.


Full circle

Glory of Love — originally written by Peter Cetera, David Foster, and Diane Nini, and performed by Peter Cetera — reimagined here as an orchestral cover.

Strings carry the devotion, turning a classic love ballad into a cinematic hymn. 

This is a Composer’s Archive interpretation, preserving the melody while leaving space for open collaboration and future voices.

Made in Dorico — no DAW used.


Glory of Love

In honour of our 3rd page being almost full, we bring you all an open collab opportunity.

We're about to launch our 4th Archmage Band page here on SC, and we thought it'd be nice to post a demo which serves as an open collaboration for a track that we call "Where the Circuits Meet the Spell" as a nice little closing piece for this 3rd page. (The rest of the tracks uploaded here will be reuploads, that were deleted due to not having enough room, or older tracks).

Feel free to put your own spin on this, as long as you credit and link back to us. No commercial use, please.

Synth work by Masha Solo and Rob Ulysses: @masha-solo and @rob-ulysses

It's all going to be added to a special playlist: https://soundcloud.com/archmageband3/sets/where-the-circuits-meet-the-spell-open-collab-playlist

Open Collaborations

Meet The Spell (demo) [Open Collab]

Where the Circuits Meet The Spell - demo [Open Collab]

Our first collaboration with John Musichead, for our open collab "Where the Circuits Meet the Spell"

Thank you so much for this awesome cyberpunk-mood spin on our track, John!

In honour of our 3rd page being almost full, we thought it'd be nice to post a demo which serves as an open collaboration for a track that we call "Where the Circuits Meet the Spell" as a nice little closing piece for this 3rd page. (The rest of the tracks uploaded here will be reuploads, that were deleted due to not having enough room, or older tracks).

Feel free to put your own spin on this and the original track, as long as you credit and link back to us. No commercial use, please.

Original Track: https://soundcloud.com/archmageband3/meet-the-spell-open-collab

Synth work by Masha Solo and Rob Ulysses: @masha-solo and @rob-ulysses
Additional instruments by John Musichead @john-musichead
Art for this version is by Masha using Canva.

Thanks for being the first collaborator for the Open Collab playlist for this track. https://soundcloud.com/archmageband3/sets/where-the-circuits-meet-the-spell-open-collab-playlist

Where the Circuits Meet The Spell [Open Collab]

Where the Circuits Meet The Spell ft. John Musichead

Where the Circuits Meet The Spell ft. John Musichead - Instrumental

In honour of our 3rd page being almost full, we thought it'd be nice to post "Where the Circuits Meet the Spell" and subsequent remixes as a nice closing piece for this 3rd page.
Our fourth page is starting up here: @archmageband4

Made for our open collab "Where the Circuits Meet the Spell" combining the fun and cool jam contributions of both John Musichead and noxpox - but arranged by us to form one complete  song.

Thank you so much for this awesome cyberpunk-mood spin on our track, John, and for weaving that amazing arcane synth soundscape, noxpox - it's been so much fun to compose with you two!

The Open Collab "Where the Circuits Meet the Spell" Playlist:
https://soundcloud.com/archmageband3/sets/where-the-circuits-meet-the-spell-open-collab-playlist

Feel free to put your own spin on anything in the playlist, as long as you credit and link back to us. No commercial use, please. If you need stems, reach out to us. BPM: 90

Original demo: https://soundcloud.com/archmageband3/meet-the-spell-open-collab

Synths by Masha Solo and Rob Ulysses: @masha-solo and @rob-ulysses 
Additional synths by John Musichead @john-musichead and noxpox @noxpox21 
Art for this version is by Masha using Canva.

Thanks for listening, we hope you enjoy!

Where The Circuits Meet The Spell Open Collab

Where the Circuits Meet The Spell ft. John Musichead & noxpox - Instrumental

“Jy’s die Lied — You are the Song — is written in Afrikaans with English translation support, opening the door for international vocalists. Emotional, cinematic, and intimate, it carries the devotion of a love ballad across languages.

 Vocalists are still needed to bring it to life, with lyric sheets and pronunciation guides available privately for collaborators.

Made in Dorico — no DAW used.



Jy's die lied (Your The song)

Sterre Verteller — The Astral’s Tongue — is a hymn to the night sky, sung across both Afrikaans and English. The stars speak in two tongues, waiting for voices to carry their stories. This arrangement is complete, but vocalists are still needed to bring it to life in both languages. 

Lyrics remain unpublished to protect the integrity of the work.

Made in Dorico — no DAW used.


Sterre Verteller (The Astral's Tongue)

Photo: H Skeneby
Göteborg
37/11  2025
it's downloadable if anyone ...

Siren  (open collaboration)

Hi, Welcome to Archmage Band's 3rd SoundCloud page! This contains our music that we released from 2023-2025. Next page is here: @archmageband4

Archmage Band was founded in 2013 by Rob and Masha, who are a musician couple and synth pop duo from Australia.

Our Albums:
Realm I [Instrumental Prologue]: https://archmagemusic.bandcamp.com/album/realm-i-instrumental-prologue 
Realm II [Instrumental Prologue]: https://archmagemusic.bandcamp.com/album/realm-ii-instrumental-prologue-2

Gear:
We use a synthesizer (Roland Gaia SH-01), a midi controller (the Korg microKEY), Reason Compact, Figure, the LMMS DAW, and Garageband for iOS to make all our sounds.

All art by Masha unless stated otherwise on the release.

For enquires, collaboration or remix ideas, or just to get in touch with either Rob or Masha, contact Archmage Band at mail@archmagemusic.com

Additional Accounts:
@archmageband (2020-2022)
@archmageband2 (2022-2023)
@archmageband4 (2025-)

Solo Accounts:
@masha-solo
@rob-ulysses

Thank you all for listening to our music, we hope that you have a great day.

Charagma is a late‑life composer who began with re‑arrangements and grew into original works, weaving rustic realism and humor into every track. His archive is a living cycle of runes—each song carrying its own backstory, whether comic relief (Billy Bob and His Truck), adaptation under pressure (How Soon Is Now), or ballads of absence (Not Home for Christmas).
Raised on rhythm guitar and shaped by family influences, Charagma’s music blends classical roots, folk storytelling, and experimental twists. Genres are never fixed—they’re playful, paradoxical, and often tagged with “…ish,” because only Charagma knows where the lines truly fall.
From contrabass spikes at 20Hz to choir adaptations and rustic ballads, his work is less about perfection and more about memory, humor, and ritual. Each track is a mark left behind—a charagma—echoing both the thunder of transformation and the quiet of echoes without thunder.

Electronic noises 

I co-found a duo with my friend Artur
on guitar - Surfers Like Us

New tracks tagged #OPEN COLLABORATION