To Slay or Spare

LANSING MCLOSKEY: THE CAPTIVITY OF HANNAH DUSTON
Libretto by GLEN NELSON
Duration: 120 minutes
Commissioned by The Barlow Endowment for Music Composition at Brigham Young
University and Guerilla Opera, with additional support from the Bogliasco Foundation.
Based on captivity narratives by Cotton Mather, John Greenleaf Whittier,
Nathaniel Hawthorne, Henry David Thoreau, and Sarah Josepha Hale.
Opera in prologue, epilogue, and five parts; each tells the same story, of Hannah Duston,
born 1657, died circa 1737, and the events of 1697.
CAST: Four singers (soprano, mezzo-soprano, tenor, bass/baritone),
singing multiple and overlapping roles
ENSEMBLE: Bb clarinet/bass clarinet, alto saxophone, violin, percussion

Score available from American Composers Alliance Press

Hannah - Part 5: From Sarah Josepha Hale

Hannah - Prologue

Hannah - Part 2: From John Greenleaf Whittier

Hannah - Epilogue

Hannah - Part 3: From Nathaniel Hawthorne

[@ 5 min] Alright, this week…music critic Anne Midgette goes Inside the Huddle. As the co-author of the article that launched Classical Music’s #metoo movement in 2018 AND as the former music critic of the Washington Post, today’s guest is uniquely qualified to comment on just about everything we care about on this podcast. Next month, Anne Midgette is a guest speaker for the Jussi Bjorling Society’s webinar “The Myth of Park and Bark,” so in addition to asking her about the Kennedy Center and what we should do with all of our Domingo recordings, we’ll talk about acting for singers too!

[@ 47 min] Plus, in the ‘Two Minute Drill’…Tom Cruise has to wash his hair, Ben Folds is not really into North Korea vibes, and we warned you, Peter Gelb. 

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Straight Out of the Box! ft. Anne Midgette

この楽曲の世界観は下記リンクから
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Luce Divina

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