live from howe street - a set from @glitter-milk and me. it's the product of years of shared life and music in the east bay and beyond. more to come

GlitterSkater I

Globa

Brian Eno Peter Chilvers Freek Banning Klaus Schulze Oblique Occasions - Solipsism Bloom Jazz Bap'

Solipsism Bloom Jazz Bap

Solipsism Bloom Jazz Bap B - Side

Lyrics

I'm afraid of everything I love
I never feel that I'm enough
I just want to feel free
Oh, I just want to be okay with me
hum hum hum badum badum badum

Now on a completely different note, I saw a little green snake
He was very cute and I can't take that away
I want to bless all the nature that I see
Now that I have sung to it and it's heard of me
la da da da da da dum

Original phone recording by Nan Baron
Mixed & mastered by Brida Marigliani

Nan's Nature Song

non-ethical monogamy

Chrystal Walk

salute>!

here's some hypno tracks

no more words

mix vtoroy - hypno oddities

Recording of tskali's live set on 04/10/25

'A mix entirely outside of club tracks, weaving glitch, ambient & IDM into an ongoing enquiry into the emotionality of music seeming to originate from an oblique, computational soul.'

Tracklist:

Nadpher - 5-26-2025 18-34-6
prox.Bleep - Recursion Field (feat. Jim Kimchi)
Vorso - Fog Machine
Komposite - Æ]]]]]]]
sharktech - lagrange lull
mentrek - good human
Endless Mow - Articulated Nose
Xozgk - Ozoaric
jabberwock - arcca
Franarchy - lip pillow
leaf miner - Detrius & Murmuration Club
Hlessi - Mourning
julek ploski - 024!Apr.(4)
Hypercube - Android Immersion
O.E Lewis - Aquatourist
teig - Euclidian Complex
Osoba - Corridor
frigid - cope
nexalen - failure 
posztman - as without, so within
omni causa - awg30_3_T1
guura -  Ώ,
prox.Bleep - Bewildering Wonder
Sole Massif - Isopleth
Glusx - knlæglekerg asym29 v5
dybbuk - Sandevistan
Hypercube - Membrane Supply
P8er - Does acid have feelings?
Pink Floyd - Jugband Blues

tskali Live Set 04/10/25 (Four of Wands Radio)

Recording of tskali's live set on 04/10/25

'A mix entirely outside of club tracks, weaving glitch, ambient & IDM into an ongoing enquiry into the emotionality of music seeming to originate from an oblique, computational soul.'

Tracklist:

Nadpher - 5-26-2025 18-34-6
prox.Bleep - Recursion Field (feat. Jim Kimchi)
Vorso - Fog Machine
Komposite - Æ]]]]]]]
sharktech - lagrange lull
mentrek - good human
Endless Mow - Articulated Nose
Xozgk - Ozoaric
jabberwock - arcca
Franarchy - lip pillow
leaf miner - Detrius & Murmuration Club
Hlessi - Mourning
julek ploski - 024!Apr.(4)
Hypercube - Android Immersion
O.E Lewis - Aquatourist
teig - Euclidian Complex
Osoba - Corridor
frigid - cope
nexalen - failure
posztman - as without, so within
omni causa - awg30_3_T1
guura - Ώ,
prox.Bleep - Bewildering Wonder
Sole Massif - Isopleth
Glusx - knlæglekerg asym29 v5
dybbuk - Sandevistan
Hypercube - Membrane Supply
P8er - Does acid have feelings?
Pink Floyd - Jugband Blues

listen on spotify: 

Follow Me: 🎵
Instagram: www.instagram.com/navjaxxmusic/
Spotify: https://open.spotify.com/intl-es/artist/2TULVw2MOCScHpvEomVP4s?si=7cDma28GTeWnAZxfKegZhQ
Tiktok: www.tiktok.com/@navjaxx

Navjaxx, Frequency - Oblique (Slowed)

Navjaxx, Frequency - Oblique (Sped Up)

Navjaxx, Frequency - Oblique

Navjaxx, Frequency - Oblique (Ultra Sped Up)

Navjaxx, Frequency - Oblique (Over Slowed)

You Can't Catch Me

Oblique (Slowed + Reverb)

TILT.cast 36 is up! Mixed by berlin-based DJ and psychoanalyst Oblique. For her, the dancefloor is a small refuge where structures of oppression can soften through resonance, connection, and collective presence. Moving between genres, her selections respond to the texture of the moment. She understands DJing as an act of both containment and amplification — facilitating encounters with oneself, with others, and with the unknown in between. Alongside she is an active member of the feminist collective v.a femme and hosts a radio show on THF Radio.

In this mix, oblique explores a slower approach to her sound. The journey mirrors an early summer day: a slow and hazy beginning, charged with anticipation, evolving into energetic tribal heaters before dissolving into the dubby afternoon rain. Inspired by these sublime days carrying the scent of petrichor and the promise of the last sunrays trapped in the pavement.

SC: @oblique_dj 
IG: @oblique__dj

TILT.cast 36 Oblique

DJ Collective, Label, Radio Station Live 24/7
Radio Archive Soundcloud - https://soundcloud.com/four_wands

Contact - blue@fourofwands.live

(Migrating back to Four of Wands main account 12/2025)

INTERNET RADIO STATION LIVE 24/7 - https://fourofwands.live/

RELEASES & MORE
 @fourofwandsx

. * ¸. * ● ¸ .

MUSIC MAGICK
 FOUR OF WANDS FOREVER

Independently made songs using samples in Portland, OR. Originally from LA and Phoenix, AZ.

Slowcore/Indie/Alternative

Youtube: www.youtube.com/@myranda_snyder_songs
Spotify: open.spotify.com/artist/0quIhFjvtN7lmkWF2z6jln  less 
Bandcamp: www.Myrandasnyder.bandcamp.com

Music Producer from México.

Contact, Promos, Ghost Production:
navjaxxcontact@gmail.com

My name is Freek Banning. I am an independent Dutch creator working across music production, spoken word, experimental audio, technical systems, and digital culture. My work combines artistic expression with a lifelong fascination for technology, structure, improvisation, and the strange psychological atmosphere of the modern world.

Online, most of my creative output exists under the project name:

Virtual Jam Sessions Freestyle World

This project functions less like a traditional music brand and more like an evolving digital archive. It includes:

experimental music
spoken word
jazz-hop
boom bap
liquid drum & bass
dub influences
AI-assisted compositions
political commentary
absurdist writing
freestyle improvisation
livestream-style audio sessions

The result is intentionally hybrid. I never wanted to separate technical thinking from artistic thinking because, in reality, they are deeply connected. Rhythm is mathematics. Audio engineering is physics. Poetry is compressed psychology. Improvisation is system behavior under pressure. Humans like pretending disciplines are isolated islands because it makes bureaucracy easier. Reality rarely cooperates.

Background

My professional life has moved through multiple worlds:

maritime education
engineering
maintenance
procurement
technical systems
international sourcing
Linux and open-source environments
media production
music

That unusual combination shaped the way I approach creativity.

Before digital platforms became algorithm factories optimized for attention decay, I was already working with computers, audio systems, and electronic environments. I have used Linux systems since the 1990s and spent decades around technical infrastructure, hardware, software, logistics, and problem-solving.

That technical background influences my artistic work heavily:

I build systems
I deconstruct systems
then I turn those systems into sound

Sometimes literally.

Music as a Living Process

I do not see music as a perfectly polished commercial object.

I see it as:

documentation
experimentation
emotional architecture
social criticism
signal processing for human experience

Many of my tracks are intentionally raw or improvisational. Some are carefully layered and cinematic, while others are chaotic collisions of spoken word, jazz textures, distorted radio aesthetics, glitch rhythms, and social commentary.

That contrast is deliberate.

Modern digital culture pressures creators to become brands first and human beings second. I reject that structure. I prefer authenticity over optimization, even when that makes growth slower or categorization more difficult.

Some listeners describe my work as:

experimental
political
satirical
hypnotic
melancholic
surreal
confrontational
strangely calming

In practice, it often sounds like:

a late-night pirate radio transmission from a collapsing future nobody officially admitted was already happening.

Which, honestly, feels reasonably accurate.

Themes in My Work

Several themes consistently appear throughout my public releases and uploads.

Technology and Human Identity

I explore the relationship between:

artificial intelligence
automation
digital alienation
surveillance culture
online fragmentation
synthetic identity

AI interests me not as a replacement for creativity, but as an instrument. Just as samplers, synthesizers, and tape machines transformed music in earlier decades, AI opens new possibilities for structure, language, rhythm, and improvisation.

Used correctly, it expands human imagination instead of replacing it.

Used badly, it becomes corporate wallpaper generated for people too exhausted to notice the difference.

Politics and Anti-War Themes

A large part of my work reflects concern about:

war
geopolitical instability
propaganda
media manipulation
institutional hypocrisy
economic inequality

Rather than delivering slogans, I often use irony, absurdity, fragmented imagery, and layered metaphors. Satire can expose uncomfortable truths more effectively than direct preaching because people instinctively resist being lectured, especially online where outrage has become a recreational industry.

Absurdism and Dark Humor

Absurdity appears frequently in my work because modern reality already feels structurally absurd:

algorithmic culture shaping attention
performative outrage cycles
artificial intimacy online
commercialized identity
political theater presented as leadership

Sometimes the only honest response is satire.

That does not mean nihilism. Beneath the irony, there is still genuine concern about human creativity, independence, freedom of thought, and emotional authenticity.

My Creative Process

Most of my projects begin with fragments:

a rhythm
a phrase
a political observation
a jazz sample
a technical glitch
a sentence overheard somewhere
a strange emotional contradiction

From there, tracks evolve organically.

I often combine:

spoken word
layered percussion
atmospheric textures
improvisation
AI-assisted prompting
freestyle writing
sound collage techniques

This creates an open-ended structure where tracks behave almost like evolving conversations rather than fixed compositions.

Some projects remain rough sketches intentionally. Others develop into fully distributed releases across streaming platforms.

Online Presence and Public Work

My public work appears across multiple platforms.

YouTube

My YouTube presence under Freek Banning / Virtual Jam Sessions Freestyle World contains:

music videos
experimental sessions
spoken word projects
livestream-style productions
political and satirical audio works
AI-assisted compositions

YouTube – Freek Banning Freestyle

Spotify

My Spotify releases include experimental electronic tracks, spoken-word influenced productions, and hybrid genre work.

Spotify Artist Profile – Freek Banning

SoundCloud

SoundCloud functions as a more open laboratory environment where demos, alternate versions, jam sessions, and experimental uploads appear more freely.

SoundCloud – @freek-banning-freestyle

Instagram

My Instagram profile reflects the same fusion of:

music
anti-war themes
satire
technology
AI experimentation
jazz-hop culture
digital aesthetics

Instagram – @freekbanning

Distribution

Some of my publicly distributed releases are also connected through DistroKid distribution pages.

DistroKid Release Page – Eindeloos Vallen Extended

What I Believe

I believe independent creation still matters.

In an era where platforms reward predictability, speed, and algorithmic sameness, originality becomes increasingly valuable. Not because originality is fashionable, but because it preserves human depth.

I am not interested in manufacturing a perfectly optimized online persona. I am interested in building meaningful work that:

experiments
questions
evolves
confronts
documents
and occasionally destabilizes comfortable assumptions

Art should not always behave like a product presentation.

Sometimes it should feel like:

static on a late-night radio,
a philosophical argument inside a jazz club,
a machine learning model hallucinating poetry,
or a maintenance engineer explaining society through broken circuitry and basslines.

Those worlds are not separate to me.

They are the same signal viewed from different frequencies.

Sources and Public References
YouTube – Freek Banning / Virtual Jam Sessions Freestyle World
Spotify Artist Profile
SoundCloud Tag Archive
Instagram – @freekbanning
DistroKid Release Page

Downloads available at the links below.
@MikeCaral on Twitter

25.07. Hamburg
14.08. Berlin
29.08. Amsterdam

Booking: info@tilt-label.com

Artists & Residents:
@bunsenhh
@cryptofauna
@ennio
@faerbermusic
@hamy303
@n0rem
@radicalsoftness

davayte lubit' musiku

///

pray to hauntology 

\\\

DJ Testo
zenitsa oka
okazitsa
secret guests
zenitsamedunitsa

keeping it weird ✌️
open to collaborations ... please DM!
https://linktr.ee/soundsci

Relax Your Mind

Specializing in original music and sound design for video games, film and television

New tracks tagged #Oblique