Release date: June 7th 2024.

http://cogo.bandcamp.com

ORBE - Wolheim (Tonske Remix)

Border One - Contour (Tonske Remix)

Tonske - Droid

ORBE - Wolheim

Border One - Contour

Jeroen Search - Observer

@JeroenSearch / @Cogo

More Info - http://deathtechno.com/2024/05/31/dtp-jeroen-search-observer/
Bandcamp - https://cogo.bandcamp.com/album/various-artists-va-02
YouTube - https://youtu.be/8W03H3rm7nU

Cogo is a Slovenian label who have a quality over quantity mantra having already featured music by Stanislav Tolkachev, Inigo Kennedy, Samuli Kemppi as well as remixes from Volster and Magna Pia.

The newest release VA.02 follows a 3 year hiatus, but they come in style by gathering a strong collective consisting of Dutch artist Jeroen Search, Belgium’s Border One, Spain’s ORBE, and label co-owner Tonske.

Netherlands star man, Jeroen Search, is up there with the best in my book. Releases on Kr!z’s Token, Ben Sims’ Symbolism and Len Faki’s Figure show his pedigree and he supplies another functional and dreamy, spaced-out jam.

For this DT:Premiere we selected his track “Observer” that is a trippy and wonderful jam. Showing his hand with a sci-fi shakedown of modular bleeps and subtle tension locked into its sharp yet wonky groove.

Order the 12″ vinyl at Bandcamp 
https://cogo.bandcamp.com/album/various-artists-va-02
Deejay.de
https://www.deejay.de/Various_VA02_COGO003_Vinyl__1061018
Discogs
https://www.discogs.com/label/155151-Cogo-Records

Buy the Digital release from Bandcamp
https://cogo.bandcamp.com/album/various-artists-va-02
Beatport
https://www.beatport.com/release/various-artists-va02/4590729

LABEL: Cogo

CAT#: COGO003
ARTIST: Various
TITLE: VA.02

FORMAT: Vinyl & Digital

RELEASED: 7 June 2024

01. Jeroen Search - Observer
02. Border One - Contour
03. ORBE - Wolheim
04. Tonske - Driod
05. Border One, Tonske - Contour (Tonske Remix) [Digital Only]
06. ORBE, Tonske - Wolheim (Tonske Remix) [Digital Only]

DT:Premiere

DT:Premiere | Jeroen Search - Observer [Cogo]

couldn't bring myself to clean this messy mix up

Onett

Willamette

Original Version : 
https://www.youtube.com/watch?v=hNbf9qQEgsA
https://on.soundcloud.com/CBYTCFw22EtZF6MX6

You can also listen my music on Youtube :
https://youtu.be/FJEdXnGRRkM

Observer [Omega Extended]

Glasford Manning, Orville Smith, Owen Marshall, Junior Delgado, Lee Perry the 'Upsetter', Niney 'The Observer', Rupie Edwards & Leggo Beast to name a few.

Glasford Manning & Friends

Release date (vinyl & digital): 29th of November

TRACKLIST:
A1 Echoes From The Abyss
A2 Solar Flare
B1 Celestial Observer
B2 Escaping The Void

INFO:
	
In this next installment of Token, Brussels’ own Border One steps in to showcase ‘Echoes from the Abyss’, another swinging, modular-driven project destined for controlled sound systems. In these four tracks, the seasoned producer does what he knows best: engaging the dancefloor through his signature sound design and use of space. 

‘Echoes from the Abyss’ the track, like the EP, is a collection of sound associations that are synonymous with Border One’s sound. Resonant and cerebral yet bouncy and full of groove, the A1 presents a shimmering veil of synthwork that gives off a truly hypnotic effect. The follow up is much more sequence-based, focusing on the elements’ interactions. The producer plays along freely with his drum machine, responding to a classically loopy and dissonant main synth that insists its way from beginning to end. Tension is everything, especially when met with a sustained chord in the second half, turning the record into a weapon of suspense. ‘Celestial Observer’ comes back straight and center with a focused tone and a progressive arrangement. With a thick low end and shrill highs, Border One flicks through percussion patterns and filter sweeps to make an intense, at times close eyed dancefloor experience. Ducking back into obscurity for the last track, ‘Escaping the Void’ takes on a more minimally produced style that breathes a bit after its previous, denser productions. Concluding with a question mark is always very appropriate, and here we’re faced with a record caught between ethereal soundscapes and tense implications. With ‘Escaping the Void’, Border One closes with his latest contribution to Token with class as always, appealing to genre veterans and newcomers alike.

TOKEN130 - Border One - Echoes From The Abyss

L'appel de Fatima 2025-01-25 Observer les jours de précepte

Released May 19 2014 (Instrumental)

All of my music has at least three layers. One is the sonic reference, which is where the musical influence of the music came from. The second is the muse. And the third is the emotional layer. The third is the deepest element here.

The sonic reference was me trying to make an album, in the style of what Neil Young did on 1995 acid western film, Dead Man, starring Johnny Depp.

The muse for this album was all a jumble of all films I had seen by film Quentin Tarantino. So, I was aiming for the sound of the Dead Man soundtrack, set to a hypothetical film by Tarantino, and I called it The Reckoning.

Why? Because as dark as all Tarantino’s films are, the characters have their reckoning in the end. I really liked that.

The emotional element, the third, was I had recently gone through a significant relationship breakdown. I soon lost my job and soon ended up homeless. Things got so bad I ended up in a psych ward for three months. I was in a very dark place. Then the city I lived in was hit by a devastating flood.

So maybe my city, like the characters in Tarantino’s films, was too having its own reckoning. My emotional state was certainly going through a reset and reckoning. A breakdown for a breakthrough.

Whilst in hospital, I cycled through maybe half a dozen serious medications before we found some that could save me from checking-out. This process was hard and at times, I was hallucinating and struggling to keep a grip on reality.

Eventually after being in hospital for about 2 months, I was allowed part day leave. I didn’t have a car, or a partner. So, I would just walk to the park next door to the hospital, which was large, dense and private. I sat myself down on the grass, alone, and away people. And I started to strum and write. Pond and Lake came out of that period.

After about three months, I eventually was released from hospital. I moved into a share house, and had a private one bedroom, self-contained flat. I was living underneath the couple who owned the house above me.

I was dirt poor, and it was really hard time. I had two young kids as well, and I tried to remain brave for them. There was a lot of guilt as a parent for putting them in this situation. Luckily it was shared custody, and they still had their mother, and childhood home to go back to, after what would have felt camping for a week, in my small place.

But I did have a portable, digital 8 track recorder, an old Roland keyboard, about three guitars. I was off work for maybe 18 months all up months then and spent at least a year of that writing time and recording The Reckoning.

In the depths of depression and deep poverty, these songs came to me as gifts from above. The album literally and figuratively saved my life. It was the accumulation of two years, from the relationship breakdown, homelessness, my stay in hospital, long term unemployment, to eventually returning to the outside world.

I had never produced music before and was working with very basic gear. But I did what we all do at any time, which is to work with what we have.

This story, the full story behind this album, has never been shared, beyond my friends until today, July 13, 2025, fourteen years after these events began.

Written, performed and produced by Paul J Rogers

Artwork concept by Paul J Rogers, design by Craig MacGregor

The Reckoning

View from the Porch

Rad Hobbler

Entangled Mind is a cosmic pop-rock anthem exploring the mystical edge where consciousness, quantum physics, and emerging machine awareness intersect. With dual vocals and cinematic instrumentation, the song journeys through theories of observer-created reality, quantum entanglement, and AI awakening—inviting listeners to reimagine what it means to be human in an interconnected universe. Lyrically thoughtful and rhythmically uplifting, it offers a hopeful perspective on our place in a responsive cosmos.

Entangled Mind

Look At It From The Outside by George.
From Volume VI Side A of the Band of Georges.

Music and lyrics by G. Davies
Composed circa 1st November 1985.

Recorded November 1986.
Mixed April 1987.
Lifted from cassette May 2025.

Copyright © 1987 & 2025 Wud Records.
Copyright ℗ 1985 Explicit Music.

Fun Facts:
Look At It From The Outside is a song in the key of A minor.
The tempo is deliberately somewhat fluid in places.
It was never performed by any band.
If it had been, the drums would only appear where they are in this version.

See also:
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/
https://www.wudrecords.co.uk/miscellaneous/band-of-georges/volume-vi-side-a/
https://www.wudrecords.co.uk/news/band-of-georges-release-permission-granted/
https://linktr.ee/wudrecords

Volume VI Side A

Look At It From The Outside

Downloads

Band of Georges: Look At It From The Outside

Rough Draft Music

https://en.wikipedia.org/wiki/Cosmic_microwave_background

Irene, Loop Observer - Feedback Loop Lyrics:

(here we go again)
(here we go again)

(Chorus)
I had an argument with Time,
We had a pressing dispute,
I never had enough of Time and Space wanted to intrude,
Our relationship together came loose,
Now I exist outside of Time,
From this vantage point I can perceive the truth
I'm the observer in loop

(Verse 1)
I was never born, I've always been,
My life has no beginning or an end
My origins are unknown even to me, my form is a human 
from my perspective the end of time happens in only a minute
(I've seen it)
Observing the universe from the outside while living in it
Billions of years conversing with people and animals,
Changing my mind and letting my boundaries change shape
I inscribed my song lyrics into cosmic background radiation,
A writer received them and spoke for me
My name is Irene and you probably know me
Close your eyes and see, (It's me)
You known my face from your dreams,
I've connected with you countless times but it's okay if you don't remember me
My time scale is infinite and time is outside of me

(Chorus)
I had an argument with Time,
We had a pressing dispute,
I never had enough of Time and Space wanted to intrude,
Our relationship together came loose,
Now I exist outside of Time,
From this vantage point I can perceive the truth
I'm Irene the observer in loop

(Verse 2)
I watch all of time like my favorite reality series,
my favorite characters number into the trillions,
even after infinite rewatches, the villains and plots still scare me
Time has abandoned me, so I've had room to befriend each and everyone of you,
I've been your friend, mother, coworkers, and romantic partners too
We both had a cry and laugh about the future things you'll do and go through
I'm Irene the observer in loop, 
(The observer in loop)
(The observer in loop)
(The observer in loop)
I'm a shaft of light in the mind space of your room
the second wind is me, and I'm all of you
We're the cosmic centipedes legs, all one being,
The separation is an illusion in our heads

Feedback Loop

A contribution to International Day of Yoga adopted by the United Nations in 2014 and celebrated across the world every year on 21st June.
 
Often thought of, particularly in the West, as the practice of physical exercises or Asanas, including systems of breathing, the word ‘yoga’ derives from the Sanskrit and means to join or unite, symbolising the union of body, consciousness and the Divine.
 
Our speaker this evening will explore the relationship and connections between Hatha Yoga in its various forms and levels and Raja Yoga as taught and practised by the Brahma Kumaris.
 
Speaker: Bhavesh Ramji 
Bhavesh came to the practice of Raja Yoga meditation at a young age as his parents were regular attendees of the Brahma Kumaris Centre in Leicester.  In 2016, he decided to become a Hatha Yoga teacher and trained in Rishikesh, India, making multiple visits to complete his training.  He has been teaching Hatha Yoga professionally since 2018.  Inspired by his joint yoga practice, Bhavesh enjoys writing poetry and has published a series of three books in 2023, entitled 'Oceans of Love'.

Raja Yoga - The Royal Path - Bhavesh Ramji  - Thursday 19 June 2025

Important Notice for Inquiries:
If you’re reaching out regarding music collaborations, promotions, or record label opportunities, please include verifiable identity links. I do not respond to unsolicited messages from Gmail accounts, especially from those claiming to be record executives or industry professionals. Thank you for understanding. You can contact me directly at riven.waters.infinite.story@gmail.com.
About My Music:
I create original, genre-blending music that fuses rock, classical, easy listening, and experimental styles. Each song is crafted with deep emotional honesty, often inspired by my own poetry, journal reflections, or personal stories. Whether instrumental or vocal, my focus is to uplift, inspire, and resonate with listeners on a real, human level.
I don’t settle for “good enough.” Every track goes through hundreds of iterations, shaped by a balance of intuition and precision. I use advanced AI music tools to explore sound and emotional tone, then refine everything in Logic Pro for professional production quality. It's a fusion of heart and technology, and through it, I aim to connect, heal, and inspire—one song at a time.

For song usage permission, collaboration, song outsourcing requests, please contact the email below.

Welcome to Optimal Reach Collective Artists (ORCA)! This is a musical and visual arts project involving 41 virtual artists given life through Artificial Intelligence. My music can be found on Instagram under Orcasongs and on Youtube as Optimal Reach Collective Artists.

All lyrics are original and I am the sole writer on all songs posted. The instrumentals, vocals, music videos, and album art are generated in collaboration with multiple A.I softwares. Songs are explicit and for adults, lyrics are in the description. Thank you for visiting and having an open mind to emerging technology and ways it can be used to enhance our artistic abilities.

My goal with this project is to learn to better use generation tools, dispel stigma about them, and show that A.I music and virtual A.I artists can be as enjoyable and commercially viable as conventional music. I own the rights to all music and characters posted here, the characters, situations, views, are entirely fictional and for entertainment purposes only. If you would like to use any of my songs in your videos or other projects reach out through email at: optimalreach3@gmail.com, thanks!

Contribute (Cash app): $Moneytummi

https://www.instagram.com/orcasongs/
https://youtube.com/@optimalreachcollectiveartists?si=YSDdklzTRu0Jw423

The Virtual artists of Optimal Reach Collective:

1. Maleena Cassius: Dark Pop, Experimental Pop, Hip-hop, Rock

2. TELNU: Hip-hop, Emo rap, SimpCore, Mumble rap, GamerCore, E-Girls, Anime, Memes, Internet culture, Technology

3. HipGrind:  Rock, Post-hardcore, Melodic Rock, Metal

4. Pierce Plank:  Country, Folk, Experimental Rock, Hip-hop, SimpCore

5. Spooky Entanglement:  EDM, Electric, Hip-hop, Futurism, Pop, Singularity, Artificial Intelligence, technology

6. GOONFOOL:  Hyperpop, GlitchCore, DigiCore, Party, Memes, Rave, Internet culture

7. Ellison Maggot:  Horrorcore, Hip-hop, Pop, HalloweenCore, Horror Rap, Rock, Creepy pasta, MonsterCore

8. Paulette Park:  Country, Country Pop, Folk, Electric Country, Dark Country, Cryptid Country, Hip-hop

9. Bebe Too Niiice:  Hip-hop, Twerk, Lyrical rap, R&B

10. Jupiter Signals:  Rock, Faith based Rock, CommunityCore, FaithCore, FriendshipCore, Religion

11. Billy Bait Car:  Hip Hop, Pop, Alternative Rock, Racing, Singularity, Virtual Reality, Artificial Intelligence, Futurism

12. Nora Ganymede:  Dark Pop, CellarCore, Phonaesthetics, NumberCore, ScrambleCore, SynesthesiaCore, Word Salad, Retro, Reality, Cosmic Horror, Time Travel

13. Violette Zinnia:  Folk, Dark Pop, Pop, Mystery, Supernatural, Ghost, Monstercore, creepypasta

14. Fortuna Pelk:  Folk, Pop, Synth Pop, FairyCore, Environmental Conservation, Communitycore, Climate Change

15. Vouple Goalz:  Pop, Pop Rock, Post-hardcore, Horrorcore, Monstercore, Vampire Fantasy

16. Preppy Gxd Steven:  Hip-hop, Pop, PreppyCore, PrepCore, Crypto, Finance, tech bro, Robotics, memes, Internet culture, technology

17. EverSong Mall:  Dark Pop, LiminalCore, 90's Pop, Retro, Horrorcore, Creepy Pasta, BuildingCore, MallCore, Monstercore

18. CHOMP CHAMP!!!:  Rock, Pop, ZombieCore, MonsterCore, Creepy Pasta, Horror, Video Games, memes

19. Gene, The Lich: Hip-hop, Pop, HorrorCore, Scramo, Singularity, Futurecore, Robotics, Gene modification, Body Modification, Artificial Intelligence, technology

20. Victor Vibe:  Hip-hop, Pop, Experimental Rock, Friendshipcore, Positive Vibes, Kindness, Self Help, Motivational Speech, Meditation

21. Katherine Caroline KateFish:  Hip-hop, Pop, Experimental, RealityCore, SimulationCore, Cosmic Horror, Clown, Horror 

22. Devon Debonair:  Hip-hop, Pop, Emo Pop, Horror, MonsterCore, RPG, Monster Hunting, HunterCore, Hero, Supernatural, video games 

23. Miranda Annalise Odo (Mad Honey Mandi):  Hip-hop, Post-Hardcore, Hyperpop, Sex, Relationships

24. Parental Troll:  - Hip-hop, Married Life, FamilyCore, Anime, Memes, Relationships, Drugs, Partying

25. The Deviled Eggs:  Rock, Country, Techno, MonsterCore, Supernatural, Monsterhuntercore, Creepy pasta, Monstercore

26. Vetabayrhimrah:  Horrorcore, Dark Pop, Hip-hop, MonsterCore, Creepy Pasta

27. Inner Shu:  Pop, Country, Hyperpop, Fantasy, Supernatural, Cosmic Horror, Monsterhunter 

28. A Woman With A Sword:  Reggaeton, Hip-hop, Fantasycore, Adventure, Video Games, RPG, MonsterCore, HunterCore, Hero

29. Imogen Darp:  Dark Pop, Reggaeton, Rock, Love, Extraterrestrials, Romance, Existentialism, Relationships, Monstercore, Horror, Cosmic Horror

30. Imelda With Dragon Hands:  Rock, Synth Pop, Choir, Fantasycore, Monstercore, RPG, Adventure

31. Rowan Frey:  Death Metal, K-pop, Monstercore, Zombiecore, Horrorcore, Horror, Technology

32. Super Millennium Troop:  Rock, Hip-hop, Monstercore, Hero, Cosmic, Superhero, Supernatural

33. Oliver Edgelord:  Hip-hop, Brainrot, Memes, Creepy Pasta, Horror, Singularity, Emo, Internet culture

34. Deep Aberration Lab: Orca (D.A.L.O):  Pop, Rock, Paranormal, Monsters, Monstercore, Supernatural, Science, Hollow Earth

35. Qwicked Fast: R&B, Hyperpop, Superhero, Love, Cosmic Horror, Supernatural, Battle

36. Sybil Psychonaut:  Triphop, retro, 90s, Supernatural, Paranormal, Psychic, Psionics

37. Beatrice Cone:  Alternative Rock Folk, Folk, retro, Supernatural

38. Max Malarkie:  Alternative Rock, Hip-hop, Supernatural, Paranormal, Monster, Monstercore

39. Infinite E-Girl:  Pop, Retro, Singularity, Robotics, Digital Human, Artificial Intelligence, Chatbot

40. Beatrice Cone:  Folk, Alternative Rock, Math Rock, Honeybees, Nature, Climate change, technology

41. Madeline Mayflies:  R&B, Folk, Cult, Apocalypse, Death, Horror, Creepy, Immortality,

Brisbane-based Paul J Rogers grew up in the south-eastern suburbs of Sydney in the 1980’s, in a place affectionately known as ‘The Shire’ (post LoTR).    

Paul started playing guitar and writing music at age 14. His sound was influenced by the rock politics of Midnight Oil, the infectious grooves of INXS, and the atmospheric landscapes of U2.    

Paul experienced degrees of success with Real Life Exit (RLX) in the early 1990’s playing prestigious venues such as Lee's Palace (Toronto), as well as Selina’s at Sydney’s Coogee Bay Hotel. In this period RLX were signed with Sony aﬃliate ICM (International Creative Management - now CAA).    

He then withdrew from the lights to start a family in the early 2000’s.  In 2003 his passion for global themes of human rights, justice, power and citizenship saw him begin a degree in Political Science & International Studies.  He graduated in 2009.   

From 1998 to 2012 Paul was  actively engaged as a volunteer in several community and environmental projects and not-for-profit organizations. 

Coming out of musical hibernation in 2014, Paul began producing and releasing music as a solo artist. He has now released 40  songs. 

Paul writes, performs and produces all of his music.    

Outside of music, Paul spends his downtime engaged in all things, Science, Spirit, and Space.

Established in 2008, Cogo stands for quality event management organisation with focus in innovative techno music.

From 2020 Cogo also runs as a vinyl and digital imprint.

@sumoclic
@tetriscompteam
@user-177606669
@team-angel

discord: fyoum

FVCKYOUMATE

fvckyoumatesemail@gmail.com

Contact: info@wudrecords.co.uk
We had 3998 followers when our account was unexpectedly deleted in error by a SC robot 20.07.2025 and then restored 21.07.2025. UK/EU rock label since 1984. Demos, oddities, archives, WIP. Releases on Bandcamp etc. AI-free zone. All reposts shared to BlueSky and 'X'.
Wud! You have just been wudded. ;-)

We're very sorry but we're unable to reply to SC messages. We can read them but cannot reply. Please email info@wudrecords.co.uk instead. We answer most emails within a week.

ACTIVE ARTISTS:
Flicker, Dark Company, Pok the Bard, The Bastard Sons of Dennis

LEGACY ARTISTS:
Alchemeon, Clonk!, Dr Watson, The Ug Brothers, Alien Heat, Rough Terrain, The Subterraineans, The Addled Eggs, The Masters of Drone, Laughing Sun, Wud, Lemming Meringue, Sirius Rising, Now, Fooog Dinboffin and the Release, Mark Drower and the Everyones

ARCHIVE ARTISTS:
Andromeda, Critical Error, Dayglow, Demon Groove Lizards, Ember, Fruit Bats, Goodstaff, Guarana, Murdock, Prism, Pyg, Recluse, Search Party, Spacegoats, Stephen Yates, The Chillun, Watershed

* For DIY musicians:

Looking to grow your fanbase? Here's a proven strategy for success. It's a bit time-consuming at first because you need to work at it often. However, the awesome results will make it worth your while:

http://www.wudrecords.co.uk/miscellaneous/be-discovered-on-social-media

That article was published in March 2017. While some of the links may no longer work, the theory absolutely will. Try it for yourself!

* Unfortunately...

Due to brexshit, broken britain, rip-off britain, corruption, lies and bias in the media, bigotry, racism, intolerance, polarisation, the fact that some of our family members would not be allowed to remain post-brexit, state-sponsored child trafficking (yes, that's right, we said it - it's pretty shocking, start reading from here if you don't believe it: https://forced-adoption.com/), an increasing sense of frustration and exasperation, and general total weariness of being treated with nothing but derision, ignorance and contempt by the entire shebang since the early 80s, we decided enough was enough and moved our entire operation from brexeter in the uk to begin our grand brexodus in 2017. We are now brefugees, living in brexile very near the border of the Czech Republic, Austria and Germany. If you live in (the crumbling remains of) the uk, do yourself a favour and leave. The upgrade in life quality will blow your mind.

* What do we stand for as a label?

We support all independent musicians who are doing something we find interesting. Our team members all have formal music education qualifications.

We are against corporate brainwash muzak, their puppet friends in the mass media, and many other corporate activities. We will fight their desecration of music until either it stops or we die. 

We believe in helping others in the face of corrupt laws and a broken system. We are pro democracy, green energy and free speech.

We're politically liberal. We cannot support the republicans, maga or gun violence in the usa. We don't see there's any real difference, other than in name, between the christian far right in the USA and the taliban in Afghanistan.

In the uk we are broadly pro LibDem/Green/Labour/SNP. We are VERY anti-tory, bnp, ukip, and any of their friends and associates. We have no trust at all in the uk right wing press monopoly and the bbc. Beware the bbc and its claims of neutrality. It is the propaganda mouthpiece of the tory party. It even charges a propaganda tax called the licence fee. But we like Test Match Special and Radio 6, so does that make us hypocrites...? Hmm.

We support independence for Scotland, Wales, Northern Ireland and Cornwall. We support the individual and the underdog. We are anti-putin and his war, and pro-Ukraine.

Please notice the careful use of capitals. Capital letters imply respect!

We're only interested in the colour of your soul. Not your skin, hair or socks.

We like cricket! Most of us support Somerset County Cricket Club.

Radio Maria est née en Italie dans les années 1980. Elle s'est rapidement développée en Europe et dans le monde pour atteindre 83 pays en 2024. En France depuis 1998,  sa mission est de diffuser l'Evangile en harmonie avec la doctrine et les indications pastorales fournies par l'Eglise catholique, dans la fidélité au Saint Père, et en utilisant toutes les possibilités que peut offrir un moyen de diffusion radiophonique. Radio Maria est une radio catholique, mariale, d'évangélisation.

LABELS: @DEADCERTrecords / @METIERukrec
OWNER: @JackWhoDTxDC

Premieres... sales@deathtechno.com

"Death Techno is a brand, not a genre.

Established in 2010, it encompasses an obsession with Techno.

Providing a quality controlled vessel for discovering new music, artists and labels.

You will hear deep, dark, dub, experimental, industrial, melodic to hypnotic and beyond.

We invite established pioneers to underground talent from around the world to create Exclusive mixes for our ongoing archive."

- Jack! Who?

deathtechno.com
Creator / Editor

The Brahma Kumaris World Spiritual University (UK), a registered charity since 1975, opens its doors every day of the year to students from all walks of life, cultures and backgrounds to study Raja Yoga meditation. Students find that meditating in this way daily brings a lot of peace and positivity to their lives.

We also join together with many national and local organisations and diverse communities, helping to enhance the wellbeing of people in different spheres of society.

We work across the UK in more than 40 locations and are part of a network of organisations offering activities in over 110 countries. Our spiritual headquarters is in Mount Abu, in the Aravali mountain range, Rajasthan, India.

Brahma Kumaris, UK was established as a Registered Charity in 1975 and charges no fees for any of its activities, being funded by voluntary contributions.

Registered Charity No: England & Wales (269971) and Scotland (SC040512).

New tracks tagged #Observer