Live à Trie Chateau - France le 21/06/25
Full video https://youtu.be/ES5Z1QF7ZVw

LIVE à Trie Chateau le 21/06/25

Malá Borša song feat.Kikon - From jam session 240502

A small composition for those moments when the world around you is somehow still obscured, but almost visible. The composition is based around four electric violin loops processed in an Elektron Octatrack sampler.

Silhouettes

Syrus

I had to upload something for this month so here you go!

SHINY DILDO DUSTY DICK

See tags first.

This is the pre-release of my first track under that name.

Acid lovers ? 
Welcome.

Crackling noises are due to a bad gain staging on my part and the desire to use my low high controls on my vintage pioneer amp forcing me to use the amplified headphones output as line-in in zoom recorder. I hope I dont have to tell you that this is really bad, introducing significantly higher floor noise and sometime clipping that dosent trigger any clip meters (in the end it was the recorder input ADC that was overvolted but not the internal rec bus thus not triggering any clip meter)

Anyway, with that out of the way, this was a completely improvised session with the 3 audio machines mentioned in the title.

It was a blast.

Some hiccups here and there but I'm happy with what did came out, live, with no prep and hope it's the same for y'all !
Will sure work on a finished version.
Feel completely free to leave remarks or suggestions but please keep it civil and founded so that it can be helpful to everyone ;)

Thx for taking the time to read all that and of course for listening !

OctaDigi2TD-3 | Raw #1

Slight change of style with this one. A slower, funkier 100 bpm groove goin’ on:) 
Same sound set as in previous C-tracks so you can hear
left side: Subharmonicon
right side: Labyrinth
Drums/precussion: ER-1 & DRM-1
Acid synth: FB-383
Sample: Octatrack mkii

Technical note: Been having dropouts from time to time (while recording) that you may or may notice. Apologies for that! Not sure what the technical issues are but when you use a lot of hardware & cables accidents can happen;) 24 bit/48 khz wav recording (Kontrol S8/Traktor). Headphones recommended!

C25-C26

https://www.youtube.com/watch?v=4Uh4hXA0wSI

Generate

200 825 2 (𝖒𝖎𝖆 𝖋𝖊𝖓𝖊𝖘𝖙𝖗𝖔 & dub rituals)

Hardware acid jam with the Analog rytm, TD3 and the  Octatrack. FX: RMX 1000. Everything you hear is created on the fly, and recorded in one stereo track. Later some cuts were made in a daw.

Hardware acid jam with the Behringer td3

TRACKS WITH DISCRIPTION TEND TO HAVE MOR~E ENGAGEME~NT AND PLAYS.... NUTS STARTS CLAPPING OF EXCIMENT....!!@@

OLD ARCHIVE! 2!

Messing around with some textures at high speed under a bridge. 
Local Pollution Live!

Hometown Disturbance

Uploading this latest C track slightly earlier than usual due to a scheduled change of my internet provider (could take a few days so don't wanna risk it). 
More of an ambient techno vibe here. Made a few different versions of C49-C50 but think this is the best of the bunch despite it being almost 14 minutes in length. Slightly different approach with patching between the 3 moogs as I used two different clocks here:) One of the Labyrinth clocks is controlled by the LFO rate of the Mavis. Not a melody in sight so may include one in the next (and probably last) C upload. 320 kbps Mp3 version. No dropouts this time:) Enjoy this sonic trip!

C49-C50 (3rd mix)

Adina Camhy's krst is a journey through the rugged landscape of the carst / krst / karst in the Capitalocene. Violent human practices are stored in the landscape in the form of traces, incisions and memories: remnants of wars, extraction, trade routes.  Camhy constructs thread figures between human- and non-human narrations, incidents of a present, echoes of a past and a future yearning for a utopia of solidarity.    

The partly improvised live set opens up soundscapes between eerie ambient loops, alienated voices and post industrial noises – tender, dreamy and aggressive at the same time. krst is based on research and field recordings in the carst / krst / karst landscape, recorded during residencies in Trieste in 2024 (Clanz, Small Forms / Gangart) and 2023 (AIRTrieste, Land Steiermark). 

published on 4 September 2025

Performed by Adina Camhy, using voice, effects, multi track looper, field recordings, octatrack   
Recorded live on December 12, 2024 at Amann Studios, Vienna. Recording, mixing & mastering: Gustavo Petek  
Cover art: Emilia Lichtenwagner 

krst

A journey within — ambient meditation on cosmic energy and mystery.
Recorded live with Octatrack and Moog Sub37, no edits, only some compression in Ableton Live.

Sun is God pt. 1

G131415 ft. Ice Spice, Jocelyn Pook

The internet switch is done:) Those of you who've heard my previous C-tracks will recognize some "recycled" elements in this mix (i.e. vox sample). The main pad is from an Oberheim Matrix 1000 (preset 814) and kinda sets the mood. Morphs a bit midway;) 24 bit 48 khz wav file. Good on headphones. Enjoy!

C41-C44

Decide for yourself.

Contact/bookings: pablohoffmanbookings@gmail.com

I’m Lukáš Bulko, also known as Alapastel—a composer, sound artist, and performer creating music that listens before it speaks.

/// LIVE HARDWARE TECHNO FROM GRONINGEN ///

i like acid and mental

i play with my octatrack, syntakt and virus c

wet silk is an experimental music project based in CPH, Denmark.

This is a notebook of what is to come and what has been.

Past projects:

@Gentlefeatures

@Private-pact

Brillman has been an electronic online musician during the last 20 years using many different names: Brillman, Controlfreak, freakcontrol, Red Karma, Atmosphere, Zero Loop, Pan64, Randomcontrol, geometric delay and Superfreak! Brillman mainly creates original sounds from hardware synths but also uses guitar, samplers, vocals or even poetry. He primarily utilizes a 4 to the floor approach. The aesthetics behind the music is about finding a balance between minimalism vs. depth & improvisation vs. programmed.

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Influences: Eno, Tangerine Dream, Kraftwerk, The Associates, Joy Division, Roxy Music, Bowie, Chemical Brothers, Frank Zappa, Hendrix, ELP, Polygon Window, G. Mahler, A. Bruckner, L.V. Beethoven, E. Satie, FSOL, The Orb, Laurie Anderson, Vangelis, Underworld, Led Zeppelin, Jeff Beck, Rory Gallagher, Miles Davis, Massive Attack, Black Sabbath, Prince, Sade, Etienne de Crecy, Daft Punk, Plastikman, Monolake, Japan, Pink Floyd, Resistance D, Talking Heads, Hawkwind, Gary Numan, J.M.Jarre…

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Synthesizers used (past or present):

Kawai K4
Korg Wavestation
Korg Wavestation SR
Kawai K3m
Kawai K4r
Yamaha AN200
Yamaha DX-7
Yamaha TG-500
Oberheim Matrix 1000
Roland SC-55
Roland JV1010
Roland JV1080
Roland JV2080
Korg M3r
Korg MS-20 mini
Roland D-110
Roland D2
Roland MC-505
Roland MC-09
Roland MC-808
Roland TB3
Korg ER-1
Korg MS2000r
Korg microkorg
Korg Kaossilator
E-MU Mophatt
E-MU Planet Earth
E-MU Proteus 1/2
E-MU Proteus 2000
Vermona DRM-1 mk iv
Waldorf Blofeld
Waldorf Pulse 2
Moog Subharmonicon
Moog Labyrinth
Moog Mavis
Freebass FB-383
Behringer TD3
Behringer Neutron
Behringer model D
Behringer K2
Behringer Syncussion SY-1
Arturia Microbrute
Arturia Minibrute 2s
Arturia Microfreak
Elektron Cycles
Elektron Digitone
Behringer Crave
Behringer Edge
Novation Mininova
Clavia Micro modular
Clavia Nord rack 2
Access Virus Snow
Twisted Electrons MEGAfm

noise, ambient, drone, field recordings, synth, vox, improv
 
Apart from making soundtracks for film, performance, audio walks etc. I am playing in collaborative contexts.

profile photo by Lena Prehal

Hobby electronic music producer. Or serial jammer at least.
Amsterdam NL.

New tracks tagged #Octatrack